Beyonce's super annoying "Single Ladies" joint may have won the Grammy for best song of 2010, but my Top 10 list goes in a little different direction. We'll back away from pop bull crap and focus on the records that meant something without overused claps on every single 8th note. No offense Mrs. Hov. I take that back: much offense intended. Now stop reading my blog, Beyonce, and get back to making crappy music that's forcibly inserted into 45% of all radio transmissions every year. Moving on ...
10. "Erase Me" - KiD CuDi featuring Kanye West
9. "Light Up" - Drake featuring Jay-Z
8. "The Train, Pt. 2 (Sir Lucious Left Foot Saves The Day)" - Big Boi featuring Sam Chris
7. "25 to Life" - Eminem
6. "I'll Kill Her" - Cee-Lo featuring Soko
5. "Hustle Blood" - Big Boi featuring Jamie Foxx
4. "Choices (A Wave for Alex)" - Charles Hamilton
3. "Find Your Love" - Drake
2. "Lost in the World" - Kanye West featuring Bon Iver
1. "Blame Game" Kanye West featuring John Legend & Chris Rock
I know it features pretty much no parity when Kanye, Big Boi, and Drake represent 60% of the list, but I'm just being honest. These songs are the most epic joints I listened to last year and begged for that replay button. Ye forced me to replace his own damn song as the single best joint once "Blame Game" was the final Dark Fantasy track to leak. Somebody on Twitter that night said the song demanded an "Album of the Year" Grammy by itself. I agree.
Question: Is it possible that simply by becoming the "in" thing, that someone could lose all credibility and likability?
That's what I've been struggling with the last few months as a certain former teen-drama star has become the new Lil' Wayne in hip hop. Drake. Right then you either fawned to near fainting, began awkwardly singing "Best I Ever Had", said "that boy's the future", or you all the sudden got a bad taste in your mouth. I happen to now fall in the very last category. When I intro'd dude for the first time on my blog, he was catching stride but not yet even close to a household name. Now he's ... a household name. Somehow his mixtapes completely transformed without ever being touched in my iTunes. Three efforts by an up-and-coming artist, only known to teenage girls as "Wheelchair Jimmy" on Degrassi, used to be overlooked and darn near underground classics. The guy could throw around a metaphor pretty hard and then later came on with a little bit of singing to balance this catchy, well-rounded approach to his music that could possibly hit a target demographic pretty effectively if given the right lane. Apparently the right lane was a bunch of songs with Lil' Wayne. The tattooed gremlin freak who has been inauspiciously running commercial and internet rap music since a garbage feature on the Destiny's Child comeback single, "Soldier", had a new lil'er bro who he wanted the world to hear. A few featured autotuned moans and poop metaphors later and the entire world now had a face to the future of hip hop! A dying genre was now renewed and the balance of power was settled as insurance just in case Kanye stayed eight-oh-eighting while his heart kept breaking. He had a brand new revolutionary sound that would push rap into the next decade and provide the next generation of dudes a role model and girls a heart throb.
And just what did this new musical savior bring to the game that wasn't being brought before? On his breakthrough street single, "Brand New", he sang in autotune while questioning if any of his sexual advances and techniques were of different quality than his woman's past experiences. It's just what the world needed; a rapper using the T-Pain voice to sing about sex! Oh, but it didn't stop there! How did the prodigy follow up his magnificent foray into the spotlight? He dropped a guest verse on the Young Money posse cut, entitled "Every Girl", in which the chorus is "Cuz we like her, and we like her too ... I wish I could f*** every girl in the world, I wish I could f*** every girl in the world, I wish ..." and he asks the given girl he's met at this party to remind him of her name because he's exceeded his quota of alcoholic beverages, passing the threshold of sobriety, and can't separate her from the multitude of sexual playthings he's met at that given party/club/bar/orgy. I don't know about you, but I think the music industry has sorely been depraved of misogynistic binge-drinking anthems. And with such lyricism that hasn't been seen in ages, I can't wait until the Kidz Bop version has been unleashing to fully tap this song's teaching potential to a broader audience. But Drake wasn't content with simply tearing down these two previously unapproached walls in rap music; he had a third single as a clincher to cement himself in legendary, boundary-destroying hip hop lore forever.
"Best I Ever Had" is his current radio-dominating hit, a groundbreaking love story of a successful man who has an amazing relationship with a woman whom he cares for very much. Their relationship is so well founded that they skip all other antics and get straight to the Fred Flintstone (... bed-rocking). She's so proficient in the acts in which they partake that the man passionately indulges to her that she is "the f***in' best, you the f***in' best, you the f***in' best, you the f***in' best, you the best I ever had." But that's where the plot thickens to a level of unparalleled genius. The woman gets hounded by her best friends because, though the man cares for her deeply, he seems to be eerily unreliable in how much he's actually there to spend quality time with her. And on top of that, there are ... rumors going around. Is it possible? Could he in any sense of humanity actually be unfaithful? A successful entertainer who only shows up for physical favors and could possibly be doing the same with other self-respecting, strong women ... how could that be? And that's when it hits you! Spoiler: This story is not only about the individual woman in verse one! The man tells every woman that he has sexual encounters with that she is the best he has ever had! Do you get it? Oh, the irony. This Drake fellow is on some other level of musical ingenuity that simply cannot be touched or even fathomed by anyone in the game right now. It's quite remarkable. And that's not even speaking of the video he and Kanye dropped for it (which I'll let this parody video explain).
Now let me do my clean up on this smidgen of a column I got going right here. I have no problem with Drake's music. He defined his sound before the radio spins came into play, so I can't exactly call him a sellout as the music that's becoming popular was made prior to everything. Now while he's sonically inseparable from a Trey Songz/Weezy ripoff to me, that's beside the point. I respect his catchy song-constructing ability and the fact that he's taken full advantage of the connects that he's assembled in the industry. He has all the right in the world to become a huge artist and get more money than any other new rapper going. I mean, I still sweat his joint "Successful" with Songz, regardless of everything I just wrote. But what I don't respect is the average unintelligent music fan who puts Drake on a pedestal above anyone else in the game. Do not act as if he's the only emcee out there who can hold a tune. Cee-Lo, Phonte, Andre 3000, Mos Def, and plenty others should burn down your house if you do. Do not act as if dude's spit game is actually that nice. He goes for easy punchlines with an actual, respectable eye-opening line sprinkled in every third verse or so. And while he's going to be getting features on everybody's singles approximately for the next two and a half years, do not claim that he's doing something to change the game, no matter how Jay-Z, Mary J, or Jamie Foxx would tell you differently to coercively promote their personal ventures pending on dude's buzz. My God. I will personally shoot you in the face with a Nurf gun full of appropriately shaped glass shards if you do.
Alright ... I'm done. Go back to humming along with that stupid song on the radio with your idiot bandwagoning friends. You're the reason I can no longer enjoy that stupid So Far Gone mixtape that I used to actually play on repeat. Ugh.
Who knows if they're samples or Charlie re-did the Drake beat. I mean ... I could prolly just ask him ... but I haven't written an entry the whole summer, so that shows you how lazy I've been. Either way, they're both fire. I wrote up a piece on Drake awhile back and since then he's legitimately exploded on the scene. Just saw him the other night with Jamie Foxx on the new Conan Tonight Show (which I'm extremely impressed with so far). But you know what ... I ain't really feeling Drake anymore.
I know it's blasphemous to say nowadays since he's still publicly brand new, but all the adoration surrounding him bores me. His music is definitely welcomed by me on the radio; I'm all for that. But people are talking foolish now that he's the best out like he's doing anything different than anyone else ... which he's not. He's got his own thing going, but he isn't pushing any boundaries (good or bad) that haven't already been pushed by Phonte, Lil' Wayne, or Trey Songz. He's nice, but ain't that nice.
But who cares. Both these tracks are nice.
... put 'em both together and you got yourself a super spork.
This site is my commentary and promotion on what you should or shouldn't be paying attention to in music and basketball. I make no money off this site and I claim no ownership or rights of any of the images unless specifically noted otherwise. All images are for demonstrative purposes only under fair usage. No full retail music albums will ever be linked to on this site. All songs posted are for promotional usage only and the majority are released by the artist for free, regardless, though I will remove any and all content with no question if you believe I am infringing on anyone else's property. Besides all that, have fun reading my thoughts. UK Wildcats, Lakers, and OutKast for life. My email: cdcamp3@uky.edu
