Tuesday, November 16, 2010
G.O.O.D. Fridays
14. Kanye West - Chain Heavy (feat. Talib Kweli & Consequence)
13. Kanye West - Looking for Trouble (feat. Pusha T, CyHi Da Prynce, Big Sean, & J. Cole)
12. Kanye West - The Joy (feat. Pete Rock, Jay-Z, Charlie Wilson, & KiD CuDi)
11. Kanye West - Don't Look Down (feat. Mos Def, Lupe Fiasco, & Big Sean)
10. Kanye West - Take One for the Team (feat. Keri Hilson, Pusha T, & CyHi Da Prynce)
9. Child Rebel Soldier - Don't Stop!
8. Kanye West - Christian Dior Denim Flow (feat. KiD CuDi, Pusha T, John Legend, Lloyd Banks, & Ryan Leslie)
7. Kanye West - So Appalled (feat. Jay-Z, Pusha T, CyHi Da Prynce, RZA, & Swizz Beatz)
6. Kanye West - Lord Lord Lord (feat. Mos Def, Swizz Beatz, Raekwon, & Charlie Wilson)
5. Kanye West - Good Friday (feat. Common, Pusha T, KiD CuDi, Big Sean, & Charlie Wilson)
4. Kanye West - Devil in a New Dress
3. Justin Bieber - Runaway Love (feat. Kanye West & Raekwon)
2. Kanye West - Monster (feat. Jay-Z, Rick Ross, Nicki Minaj, & Bon Iver)
1. Kanye West - Power (Remix feat. Jay-Z, John Legend, & Swizz Beatz)
... and do the John Wall.
Sunday, September 26, 2010
Kweli vs. Kanye
"My relationship with Kweli I think was one of the best ones to ever happen to my career as a rapper. Because, you know, of course later he allowed me to go on tour with him. Man, I love him for that."That's enough for me to compile a "Favors" segment on them. From Quality to the aforementioned College Dropout to as recent as Ear Drum, this one-time underground duo traded bars. They have extensively more stuff together, but it's all Kweli over Kan beats on albums and unreleased compilations alike, like on "Young Man", "I Try", "What I Seen (Lonely People)", "Get By", "Good to You", and "Momma, Can You Hear Me". But I decided to just link up when they were both vocally on the same joint. You just gotta deal with it. Or utilize Google.
2002
Talib Kweli - Guerilla Monsoon Rap (feat. Black Thought, Pharoahe Monch, & Kanye West)
Talib Kweli - Get By (Remix feat. Mos Def, Jay-Z, Kanye West, & Busta Rhymes)
2004
Kanye West - Get 'Em High (feat. Talib Kweli & Common)
Consequence - Wack N****s (feat. Kanye West, Common, & Talib Kweli)
2005
Kanye West - We Can Make It Better (feat. Talib Kweli, Q-Tip, Common, & Rhymefest)
2007
Talib Kweli - In the Mood (feat. Kanye West & Roy Ayers)
... and do the John Wall.
Wednesday, September 22, 2010
Jigga vs. Talib Kweli
"If skills sold, truth be told, I'd probably be, lyrically, Talib Kweli."And any Black Star aficionado should immediately remember the lesser known response in "Ghetto Show" where Kweli says:
"If lyrics sold then truth be told, I'd probably be, just as rich and famous as Jay-Z."This all happened after Kanye helped to bridge the gap between these two Brooklyn emcees on the remix to Kweli's own Ye-produced single. And now you got enough music for a new "Favors" segment on this blog right here.
2002
Talib Kweli - Get By (Remix feat. Mos Def, Jay-Z, Kanye West, & Busta Rhymes)
2003
Jay-Z - Moment of Clarity
2004
Talib Kweli - Ghetto Show (feat. Common & Anthony Hamilton)
... and do the John Wall.
Friday, September 10, 2010
Vizzy Vizzy Vizzy Vizzy
I root for XV. The guy makes really, really good music 85% of the time. Great stuff. And his newest effort even ups the ante as he only has one major miss in the catastrophic "Gettin' Busy". Everything else is great. Even though it never made it onto wax, I did love the fact that he gave my dude brandUn DeShay a winning verse on his "Bruce Lee" contest joint. I've been checking for XV's stuff ever since, even though he had a day-and-a-half squabble with Charles Hamilton. But then again, who hasn't? Vizzy has quite a line-up with him on this one with guest features from Talib Kweli, Mike Posner, Killer Mike, Colin Munroe, GLC, and more plus the production of Seven, Omen, and Woody. That's on some other kind of indie monstrous.
XV - Vizzy Zone
Tracklisting:
1. Theme To Vizzy Zone
2. The Flying V
3. Tunnel Vision
4. Gettin' Bizzy
5. We Zonin'
6. Reset Button (feat. Talib Kweli)
7. Nevermind
8. She Go, I Go (feat. Chiddy Bang)
9. Falling Awake
10. Mirror's Edge (feat. Mike Posner)
11. Vizzy Zone (feat. KiD CuDi)
12. Passport
13. Isn't It Awesome
14. May The Force Be With You (feat. Killer Mike & Mac Miller)
15. Familiar
16. Best Is Yet To Come (feat. Colin Munroe)
17. Ending Credits (Interlude)
18. Talk My S***
19. Mirror's Edge (Remix feat. Bun B, GLC, & Mike Posner)
... and do the John Wall.
Not YAOWA
Joell Ortiz - Farewell Summer
Tracklisting:
1. Intro
2. Murder (prod. Statik Selektah)
3. Battle Cry (prod. The Audible Doctor)
4. Sing Like Bilal (Remix feat. Sheek Louch) (prod. DJ Premier)
5. So Wrong (feat. Talib Kweli, Brother Ali & Jean Grae) (prod. Frank Dukes)
6. Farewell Summer (prod. Don Cannon)
... and do the John Wall.
Monday, April 5, 2010
Back to Life

It's just a simple ha ha, but it's inspired Talib Kweli, the entire Lox crew, and a few other cats to conjure up some quick freestyles. Scoop DeVille sampled Soul II Soul's acapella track "Back to Life" to create the driving melody to the new Joey Crack radio joint. I recognized it immediately as the sample to the first Juggaknots song I ever heard. And then I Wiki-ed it and found a Maino track spinning the sample as well a little more generously. So here they are to compare.
Juggaknots - Clear Blue Skies
Maino - However Do You Want It
Fat Joe - Ha Ha (Slow Down feat. Young Jeezy)
... but do take my word for it.
Thursday, September 3, 2009
Kwelity

Talib Kweli jumped on the Novel wagon super quick. And I'm crazy disappointed this man hasn't blown up in the public conscious since releasing stuff all the way back in 2002. Just goes to show you that life ain't fair ... cuz this man has more talent and vocal ability than Omarion, Mario, Mario Winans, Marques Houston, Jeremih, Lloyd, and Day 26 rolled into one nasally pop&blues act. But, regardless, I just really like this song. And it's produced by Dilla back when he was still around to hear the final product.
Talib Kweli - Stand to the Side (feat. Novel & Vinia Mojica)
... but do take my word for it.
Saturday, August 29, 2009
Soundz of Spirit

One of my favorite and most rewarding things I've ever bought was this DVD I randomly found in a Wal-Mart or something called Soundz of Spirit. It was right when I was heavy getting into hip hop and pretty much all I knew was that Andre 3000 and Cee-Lo were my heroes. Now guess who two of the folks on the cover of this DVD are ...
This DVD was a documentary of the inspiration and creative process behind the music writing, poetry, and other forms of art by urban artists. And it may actually have been the initial seed that sprouted me into my full fledged writing. I certainly have nothing specific to directly reroute it to prior to when I watched this documentary the first three times. In addition to 3000 & Mr. Green, the film featured my first iteration I'd heard of KRS-One's infamous "MC vs. rapper" speech. I absolutely loved how he dissected it then, but the 27th song/sermon/interview where I heard him explain it is another story. Sprinkle in some absolutely gorgeous singing by the likes of Goapele, Hope Shorter, and Jennifer Johns along with all the mental hip hop exploration of emcees such as Common, Talib Kweli, Del, and the Nappy Roots crew and I had an hour full of defining soul moments.
Another amazing aspect of the DVD was that it came with a soundtrack that infused many new faces into my budding music collection. While even the little known Cee-Lo cut called "Beautiful Fool" would have made my heart content, I also was introduced to groups such as Dilated Peoples and Blackalicious. But just for the sake of this post, one of the heavy hitting tracks on this collection that I wanted to link up is Hope Shorter's "Rain Don't Last". It's simple and elegant and powerful and I just really like this song.
Hope Shorter - Rain Don't Last
... but do take my word for it.
Sunday, August 2, 2009
Snippet #1: Put On?

This is just a super short styled entry I might make a series if I have enough random interesting questions. Nothing like how extensive the Drake post went, though.
Question: How many crazy big features and co-signs can you get without ever hitting mainstream whatsoever?
I mean, I'm sure he's over it by now, but if you ever find out then I think Phonte would like to know. Here's a random assortment of some of dude's musical collaborations on his and their albums:
Monday, June 22, 2009
New Wale

Who could possibly get most of Slaughterhouse, all of State Property, Talib & Jean, Bun B, Black Thought, and a disposal of singers and other rappers to boot for one project??? An apparently very patient Wale.
Wale -
Pretty much anyone who cares about rap was waiting for this one. Will it be the critics' darling like The Mixtape About Nothing? Probably most definitely not. But it's a lot of rap that you need in your collection.
Wale's proved he can push a concept joint like almost none other, but here he just wants to feed the fans a collection of dudes rapping like their lives depend on it. Collabos between writers can only push the product in positive ways. I even like what I hear on this tape from a few rappers I usually don't care too much for. What's crazy is how easily Wale still manages to standout regularly. The host emcee could have gotten lost in the fray of guest appearances on literally every single song, but Wale's rhyming style is so distinctive and enticing that you're practically waiting for him on every track.
Now my one complaint. 9th Wonder. Back when dude was with Little Brother, I thought he could literally do no wrong. Their sound was so defined that I swore and abided by it. It just worked some other kind of perfection to my ears. But on here ... some of the beats feel stale to me. I hope you don't hear it the same, but I can't help it. 9th is renound for having an unbelievable amount of compositions at his disposal, but on this project you can pretty much understand why. Some don't seem to have gotten much individual attention besides some conveyor belt treatment. There's the soul sample and the drums and ... yeah.
But don't let that detract you. If the tape fits your mood, that's the last of your worries. And the MCs shred every bar something unholy. They had to. This is a Wale tape.
... put 'em both together and you got yourself a super spork.
Monday, April 27, 2009
Do Em All Over Again

Back around '06 when I was in my CD collecting prime, I made sure and copped Hi-Tek's Hi-Teknology 2: The Chip on the strength of the guest features plus Reflection Eternal's classicness. It remains one of my absolute favorite gems of a CD. Unfortunately, I think it turned out about 17 times better than Hi-Teknology 3. That one kinda made me sad.
Tek's production was so perfectly refined. Every song created a highly unique atmosphere to go with perfect selections of guest emcees. And featured singer Dion lent his chamelion-like crooning to a few of the cuts keeping subject transition smoother than anything you could ever imagine. It's so hard for me to choose a favorite track off the project. "So Tired" comes on the ridiculously laid back tip with Bun B and Devin the Dude lending their expertise. "Where It Started At" is one of the few believable NY anthems featuring a crazy collective of Kweli, Jadakiss, Raekwon, and then-relevant Papoose. And "Keep It Moving" has my favorite suprise deal emcees with Q-Tip and Kurupt perfectly complementing each others' 180 degree style differences.
But I think my favorite is churned out by the collaboration of Tek, his father, Wu-Tanger Ghostface, and the unknown Pretty Ugly. It's one of the most genuine chick joints I've ever heard. It's so much more than the usual "girl gone wrong" tracks that are prevalent in hip hop nowadays. Maybe the immense production sets the metaphorical and aural tone immediately. This story makes me feel like I actually knew Josephine. Maybe I actually do. Maybe I know a couple of her.
Hi-Tek - Josephine (feat. Willie Cottrell Band, Ghostface Killah, & Pretty Ugly)
It's the acoustics. It's the gentle, but excited, piano keys. It's the chord progression highlighted by synth touches and choral portions of the bridge. It's the chemistry between Tek's older generation father singing the chorus introducing a woman's story that's picked up by the younger rappers. It's just a really nice finished product. Too many songs have a certain aspect of it that's great, but you're disappointed by the whole thing itself not living up to its potential. This song fulfills. As does the rest of Tek's second magnum opus.
... put 'em both together and you got yourself a super spork.
Sunday, April 12, 2009
Chester Connects

I don't know what the did to get straight on the inside of the hip hop industry, but Chester French did something. This line-up for their new mixtape (rock bands have mixtapes?) is like a nightmare The Game name-dropping track.
Chester French
Jacques Jams, Vol. 1: Endurance
They're more indie-pop than anything. Maybe I'm just dumb blind to the connection, but for all I know Biggie prolly bumps em in his grave. Maybe Jedi Mind Tricks already samples them extensively. Maybe Heltah Skeltah has been writing punchline references about these white dudes.
- Solange
- N.O.R.E.
- Kardinal Offishall
- Cassie
- Pusha T
- Bun B
- Talib Kweli
- Mickey Factz
- Janelle Monae
- Common
- Diddy
- Jadakiss
- Wale
- Pharrell
- Jermaine Dupri
... put 'em both together and you got yourself a super spork.
Tuesday, March 3, 2009
Who Can't Rap?
Friday, January 23, 2009
Classic: Teenage Love

Slick Rick is my dude. The picture with this post was taken by me in the third row of the Legends concert with Tyler & Daaaaaave last year. Of course I was blown away seeing Big Daddy Kane, Dana Dane, and Whodini, but Ricky & Doug E. Fresh frickin' killed something else.
Thursday, January 8, 2009
Jealous Love
Thursday, January 1, 2009
Blank
Sunday, December 7, 2008
Dear Diary ...
Friday, December 5, 2008
Classic: Thieves in the Night
Tuesday, November 18, 2008
Is JT Hip Hop?
Friday, October 24, 2008
The Cipher: Bittersweet
In its short three years of existence, the "Cipher" series has gained quite a bit of recognition as the solely reserved non-industry segment on the BET Hip Hop Awards. On the surface that's all quite apparent. While it's sad that grouping legitimate emcees in a celebration of the true foundation of rap is relegated to a few two minute segments yearly, I'm obviously happier that BET puts them together rather than not. And all praise for DJ Premier scratching every year.
BET Cipher Series - feat. Everybody
But I still feel I'm watching an eerily sold out product even though I enjoy every single addition to the series. It seems that BET makes this the annual equivalent of "Saturday sinners, Sunday morning at the feet of the father." (c) Talib Kweli
It's like the producers are trying to make up for all of the garbage they flood the masses with every single day by putting together a cut that'll have all the hip hop heads celebrating. Here are a few reasons why I so strongly get that vibe in elaboration after I've just got done bobbing my head and cheering.
1. Rappers are prominently featured that BET could absolutely not care any less about.
There was a big debacle that I remember awhile back about a Little Brother video being blacklisted from the station because their video was, infamously quoted, "too intelligent." Fans were in a big ole uproar over it, especially since The Minstrel Show was just such a monstrously dope album altogether. But when the next year came around, Phonte got a lead spot in a cipher. A more recent and even quicker-responding example is Q-Tip, whose video was also disgustingly quoted as being ... "different" as a reason for why it wasn't on online polls to be put on 106 & Park. And guess who gets a closing cipher appearance before his album even drops?
2. Nothing wrong with international rappers, but interlingual?
There's just something about a rapper spitting in Japanese while the dudes around her "ooh" and "uh" as if they're hanging on every punchline. For me personally, it's hard enough to pay attention to Dizzee Rascal's heavy accentuation, much less the aforementioned Hime or the French Flo or K'naan slipping into Somalian. Unless Fuse TV is on the brink of buying out BET, these artists have no chance of ever getting another two milliseconds on the station. And I'm serious, Willy Northpole was sweating Hime's tanka usage.
3. Hurricane Chris got a spot in there ...
Yeah. I know everybody's waiting for next year's Rakim-Lady Sovereign-Soulja Boy spit down.
Now I just gotta say it again, I absolutely love these cipher segments! But you know when something seems a little too good to be true and you just know the motives behind it are in no way honorable? I can't complain about the final aired product, though. I'll suffer through an I-don't-know-why-everybody's-bigging-upping-him Ace Hood verse if it means there's gonna be a Lupe, Rhymefest, or Jadakiss to come correct afterwards. Maybe if BET replaced Rap City with some form of a Cipher show that actually showcased real talent on a regular basis then I'd shut my mouth and actually enjoy the thing.
... and so concludes another masterpiece










