Showing posts with label DMX. Show all posts
Showing posts with label DMX. Show all posts

Saturday, June 12, 2010

Potluck Post 6/12/10

I've been out of regular posting for a good while now. School had been tearing me up pretty bad this past semester and then I've just been outright lazy since the summer started, so here's a little catch up. Drake. John & Demarcus. Terrence Jones. Kobe. Kanye. Here we go.

I thoroughly enjoy Thank Me Later. I wrote a pretty harsh column on the notion of Drake ruining a good thing by becoming popular. And while many of those points still ring true in the contextual sense of commercial reception, I've had a personal 180 on my opinion of the dude. My roommate at school has met Drake four separate times and still holds that the kid is a genuinely nice person. What further standards can I act self-righteous enough to hold another artist to? Drake has his style and raps about what he wants to rap about. He doesn't try to hide that he intentionally makes certain kinds of records. He has the arrogant boi-1da street banger. He has the Kanye-helmed 808s-esque singing joint. He has the career(-so-far)-reflecting album closer. But he still goes out and makes music. And at this point, I'm just glad that the album doesn't feature Gudda Gudda or Lil' Twist. "Fancy" is the only cut that I'm inclined to say outright sucks, but that might be more so because of my utter distaste of all post-DMX Swizzy. So while Thank Me Later may not strike me as perfectly as Man on the Moon did a year ago, I've still spun this leak endlessly with genuine enjoyment and will be shelling out a purchase on opening week. After seeing him in concert and having a crazy good time, I have a legit investment in his career. So here's hoping that he throws a great pre-Draft party for my UK boys.

Speaking of the future greatest point guard ever ... I hope John Wall saves the Wizards. It's guaranteed that they will take him with the very first pick and though I'm inclined to believe that a Wall-Arenas backcourt wouldn't be optimal, John'll make it work. I just think Gil is kinda the one player in the entire league who wouldn't be content deferring at times to a player of Wall's magnitude for the good of the team. He's kind of annoying like that. All future Wizards decisions must be made knowing that the ball needs to be in J's hands as much as humanly possible, whenever he wants, so he can get NBA-adjusted in the first 15 or so games of the season. I don't know if they have enough talent to compete for the playoffs after their roster implosion last year, but I wouldn't be surprised if John found a way to sneak them in there. It is the East after all. And staying with the Cats ... whoever doesn't pick up Demarcus Cousins in the proceeding draft picks after J will innately regret it down the road. His body is the perfect NBA big man prototype that you can never find with an aggressive attitude mixed in. He will not only be an immediate contributer, but he'll be an all-star within three years with KG, Duncan, and the last remaining '90s bigs on their ways out. Neither Favors nor Monroe nor anyone else from this class who was not a Kentucky Wildcat will be able to compete with Cousins' career. If an NBA GM is dumb enough to skip over Boogie because of his perceived attitude problem, then they won't matter anyways because they'll be promptly fired once he hits his professional stride. That's a guarantee in my book. Quote me.

I cannot believe we got Terrence Jones. When dude came for a visit forever back for the Blue-White game, I sat at a table with him and John Wall (who was destroying way too many crab legs from Hooters) while we watched the Bulls and Spurs play on TV. That's the first time I understood why J came to Kentucky hands down (he sweats Derrick Rose like none other) and the time that I gave up on TJ committing to UK. The kid was as nice as possible and became a personal favorite of mine after admitting he was a Laker fan even though he lives in Portland, but I could just tell how insanely homesick he was just from spending a single weekend that far away from his home. He was talking about all of his other scheduled visits and he wasn't even looking at another school that wasn't plastered right on the Pacific coastline. So I had him pegged for Washington and told everyone confidently so for that day forth. Little did I know the commotion that would come due to that decision so many months later. From now on I'll just firmly entrust all my recruiting worries in Coach Cal's hands. He's infallibly great at selling his offensive system, the tradition of the school, and his professional track record. No one thought this 2010-2011 roster could possibly look so great after our mass early departures, but Coach Cal had his plan all along. Since every single potential LeBron destination is filling out its coaching position without a genuine Calipari scoping (no matter what Adrian Wojnarowski keeps making up), it's safe to say that our all-time 2011 recruiting class will remain intact as well and we will see an unprecedented level of talent funnel through my great University. It's a good time to be a Wildcat fan. There will be no violations on our books. There will only be similarly immaculate 3(or less)-loss seasons.

I have said it before and will hold to the fact that I think Kobe Bryant is the greatest basketball player of all time. The NBA Finals is currently tied 2-2, but I fully expect the Lake Show to pull it out. Kobe's skill set is so vastly superior to any player ever, plus he adds to it unrelentingly on a yearly basis. His long range prowess is what notches him above MJ in my book. Here's exhibit A. He still can be a slasher whenever it's in the game plan, but his midrange game and the billion ways he can get a quality look off is where his natural dominance has lied in the last seven or so years. But I don't need to regurgitate everything you already know about Mr. Bryant. I just wanted to remind you that he is now one of the ultimate and prolific winners in NBA history. Besides his late game heroics (having that reputation cemented with seven game winners this year) in general, he's now made his way to the Finals for the seventh time representing the Western Conference. And in case you haven't watched any professional basketball since Michael Jordan retired, the West has been the far stronger conference in each of those instances. In hopefully capturing his fifth title within the next week, how can anyone deny Kobe's resume? Do you actually remember that there was a discussion as to whether Kobe or T-Mac was the premier wing in the league only five years ago? It was a misguided argument back then that has turned into a psychotic one now. Kobe's run of playoff vengeance this year has been nothing short of brilliant and awe-inspiring. I'll be watching the next two or three games praying that he finishes off his first hand in rings finally.

Lastly, I just wanted to say that the Kanye West comeback will be epic. There's no way around it. This guy is most prolific commercially viable rap artist ever. With his new single "Power", he's continued his constantly evolving sound that never ceases to impress and push boundaries. He's completely unpredictable and no one but the G.O.O.D. Music family and certain guys like Premo know what to expect from his full-length return to rapping, A Good Ass Job. I just know it will be great. His catalogue ensures so. He literally cares what no one thinks about the next direction he takes because he knows the masses will eat it up. It's encoded in his DNA. The man is a legend. Now and for as long as he graces us with his creative genius.

... and do the John Wall.

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Wednesday, July 1, 2009

Gregg Pockovich


Just cuz I had a little DMX binge this morning and was inspired by the following lyrics:

"I wish Adam wouldn't have listened to Eve when he bit the apple,
I wish the Ku Klux Klan didn't own Snapple."

Ahhhhh, man. I needed a laugh from Mr. Simmons. The KKK doesn't own Snapple, in case you were wondering. But dead serious, I sweat X's music. That's no joke. Before his latest jail stint he was set to release a double album consisting of a hardcore CD juxtaposed with a ... gospel album. I was really looking forward to it, but who knows what the plans are now. As far as my collection goes, I got three cuts supposedly slated for that album. One of them, "I Wish", featured the (... um ...) thought-provoking lyrics above. And it also features Seal. When's the last time you thought about that guy? Prolly when you were flipping through random radio stations and stumbled across "Kiss from a Rose" and sang it at the top of your lungs. I put five bucks on it.


... but do take my word for it.

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Thursday, October 23, 2008

It's What You Expected, Ain't It?


This post is dedicated to any and every song out there that made you pray on your pillow that night a collabo album would be in the works and be released at least in the next ten years by the artists that just got together. These are in no particularly symbolic order of any kind. These are automatic download links!

Nas - Black Republicans (feat. Jay-Z)
Why it worked: This was the result of one of those beefs that made you question the get-over-ability of any given hip hop beef. But it was so timely. I was one who got goosebumps the morning I checked all my rap blogs and they each had headlines involving Jay's concert where he brought out Nas announcing to the world that NY's golden children were putting aside their differences. After the obligatory Def Jam joint album rumors that neither exactly shot down, this track finally made its way to the world. The epic-ness of any supposed-to-be epic track can quickly be achieved by an epic sounding beat, and the kings of NY milked it for everything it's worth back and forth for an entire 58 seconds before the actual lyrics come up. And this is one of those that actually felt like it was jointly birthed between the artists as each rapper chimes in with adlibs and doubled-up chorus vocals. Success. As was the pun-intended follow-up.

Jay-Z - Renegade (feat. Eminem)
Why it kinda worked: Back in '01 you'd be hard pressed to find any two more commercially viable rap artists with as dedicated a following and critical love. And on the unfortunate release date of 9/11, Blueprint was pushed further into a realm of cultural lore. The main detraction is ... um ... why did Em so insist on being behind the boards for a long stretch and why did Jay chose to take that beat that he didn't exactly outstandingly shine on? It became the prodigal "killed on your own ish" punchline example. And the original had Royce in Jay's place, so why exactly didn't he come harder? Truth be told, neither was too impressive lyrically on those awkward snares and depressing back orchestration. But epic is what epic does. Whatever that means.

50 Cent - I Get Money (Forbes 1-2-3 Remix feat. Diddy & Jay-Z)
Why it didn't work: Did anybody really like the original? It just happened to be the least worst of the fourteen pre-album singles that Fiddy dropped around the same time and it had a semi-respectable Audio Two sample. And plus, no one exactly praises 50 or Diddy for either they or their ghost writers' lyrical prowess. Even Jay-Z seemed bored when it got around to his verse, only quipping "in case y'all forgot, New York is still mine" to spark a bit of controversy amongst an all NY cast. But ... it's just not enough for anyone else to really care about. I kinda actually did want it to turn out alright. Kinda. I shoulda known better.

CRS - Us Placers
Why it worked: Because it came almost literally out of nowhere! And off a pre-Graduation Kanye mixtape that would have been a virtual throwaway without it. And while I'm not always the biggest fan, Pharrell went in on the closing verse. This brings up dreams of the old Jay, Ja, and DMX super group talks (that I kinda don't wanna hear thinking back on it). And the Thom Yorke sample just fits. I'm not asking any hip hop heads to convert to indie rockdom, but it just feels good and every "uh" and all of Lupe's "and they love it" achieve a real atmosphere. If the album ever makes itself for real, who knows what could happen? I don't.

Bun B - Swang On 'Em (feat. Lupe Fiasco)
Why it didn't work: With all the talk of the glasses-toting Chicago emcee about how he came up more on UGK and NWA than A Tribe Called Quest, this was the chance for Lupe to let his performance speak for him. He was getting a track on a huge album by a Houston legend to exercise his gangsta, South-tinged material. But what came out of it was a chopped and screwed pile of uninteresting. It just wasn't any fun. It wasn't any kind of intelligent. It wasn't any kind of hood either. It dwelled in the middle land of Lupe not knowing how to write balancing either extreme of rap, equalling an unappealing verse to either side. Bun was Bun, but not enough to rescue it.

Kanye West - Barry Bonds (feat. Lil' Wayne)
Why it didn't work: Why does Kanye let anybody else in the world get a beat on his own tape? Especially a plodding, yawn-inducing one from Nottz? Unfortunately we've found that Wayne often brings the worst out of Yeezy (though I don't exactly hold that judgement on the "Lollipop Remix"). He becomes trapped into a monotonous cycle of swagger braggadocio that's redundantly redundant. It happened on "Swagga Like Us", too, enough that it has the world praying that the Nas & 3K variation exists just to save the mess. Was anyone that excited to hear Kanye out-do Wayne on his own braggy punchline lane that he's made popular?

Jay-Z - Hello Brooklyn 2.0 (feat. Lil' Wayne)
Why it didn't work: Why this track about this subject? Wayne on an ode to Brooklyn? Why couldn't they wait the tiniest bit longer to allow "Mr. Carter" to be the one and only Jay-Wayne collabo? I like the bass it rattles off in my car, but the song isn't convincing in any other way whatsoever. Honestly, it's a humungous blemish on American Gangster as a whole. And the Beastie Boys yelling at me randomly? Sigh.

OutKast - Mighty "O"
Why it worked: While this may seem out of place, let's not forget the always persistent break-up rumors by Georgia's resident rap legends. Especially those that were coming out in the way-too-long gap between Speakerboxxx/The Love Below and Idlewild. This song was the first leaked single from the latter album and featured crazy intricate 32's by each rhyming partner. Both were up on their lyrical hardness and differential cohesiveness. Both unapologetically insulted those in the media and the fans for keeping up rumors that both parties denied. Whether or not you liked the Prohibition era'd movie (if you ever went and saw it) and it's accompanying soundtrack, this track yelled from the mountain tops that Andre was not to be done with the art of rhyming and he would stay bar for bar with Big Boi on his own terms.

Obviously I can't hit on every major joint venture between timeless artists, but what are your favorite hits and misses with big time collaborators?


... and so concludes another masterpiece

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Monday, September 22, 2008

Began, Began with Time


Tonight I'mma be posting the remix of the century! And it's not even gonna be the Lupe "Paris, Tokyo" remix! Anybody feeling T.I.'s "Whatever You Like"? Me too. And that's all I'm saying till I post it.


Anybody ever heard a for real rap song about God besides the kinda-ish "Jesus Walks" by Kanye West? Definitely not on the radio, besides the one spin that DMX's "Lord Give Me a Sign" got before he re-upped on the crack doses. This blog's one for pointing out contradiction, ain't it? Well, I wanted to post an honest, pure God-pondering track that ain't preachy and has a vibe to it. Give retro Common and pre-Gnarls Cee-Lo a chance to explain it to you over wax. Nobody not specifically labeled a "Christian rapper" does it like this anymore!


And just for a bonus here goes the aforementioned:


I'm not asking you to take them as missionaries, but I just wanted to familiarize y'all with another side of hip hop you don't see all the time. Or ever.

... and so concludes another masterpiece

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