Wednesday, October 20, 2010
Comeback #8: So Like a Pip, I'm Glad it's Night
In going the reverse order of UGK and OutKast's previous collaboration, Dre started things off before the drums even kicked it ...
UGK - International Players Anthem (I Choose You feat. OutKast)
So, I typed a text to a girl I used to see
Sayin' that I chose this cutie pie with whom I wanna be
And, I apologize if this message gets you down
Then I CC'd every girl that I'd see see round town and
Hate to see y'all frown but I'd rather see her smilin'
Wetness all around me, true, but I'm no island
Peninsula maybe, makes no sense. I know, crazy
Give up all this pussycat that's in my lap, no lookin back. Spaceships
Don't come equipped with rearview mirrors, they dip
As quick as they can. The atmosphere is now ripped
I'm so like a Pip, Im glad its night (Gladys Knight)
So the light from the sun would not burn me on my bum
When I'd shoot the moon high, jump the broom
Like a premie out the womb, my partner yellin' "Too soon!
Dont do it! Reconsider!
Read some litera - ture on the subject."
You sure? F*** it
You know we got your back like chiroprac-
-tic. If that b***h do you dirty
We'll wipe her a** out as in detergent
Now hurry hurry, go on to the altar
I know you aint a pimp but pimp remember what I taught ya
Keep your heart 3 Stacks, keep your heart
Aye, keep your heart 3 Stacks, keep your heart
Man, these girls is smart, 3 Stacks, these girls is smart
Play your part, play your part
Only Dre can rub in the fact that he's leaving all these other girls dry and still sound like a gentleman. It's the same ole pimp-turned-husband story but 3000 articulates it better than anyone else ever could. The wetness/island/peninsula/makes-no-sense lines are ridiculous, the spaceships/rearview mirrors/atmosphere lines are monstrous, the premie/too soon lines are sick, and the sounding-out of Gladys Knight just takes the cake. It completely went over my head on first listen, which makes the replay value that much more enjoyable. And even though Big Boi pulls out the big guns with some chopped-n-screwed bars to close out the song, no one was able to steal the spotlight from Dre. It was his fake wedding, so it's only appropriate.
... and Free Enes.
Monday, October 18, 2010
Kanye vs. T-Pain
Though their early careers couldn't have been any more independent from one another, their unrelenting commercial stardom caused the crossing of paths. Now everyone can attach them effortlessly with the single degree of autotune usage. Simple enough. The first collaboration was gifted to us by Ye relieving Yung Joc of his "Buy U a Drank" rapping duties. Then when Graduation and Thr33 Ringz made their hyped releases, of course both men had to obligingly feature on each others' tapes. Understanding the resulting formula was a monster, DJ Khaled, GLC, and Rick Ross all managed to get the vocally adjusted duo on board for some tracks together before Pain went on his recent self-imposed exile. Who knows what the future holds for the two working together, but Kanye was adamant about making sure the world knew Teddy was a genius in his recording process, so the respect should always be there ... unless Pain's post-"D.O.A." Jigga shots muddied up the waters a little.
2007
T-Pain - Buy U a Drank (Remix feat. Kanye West, UGK, & Trey Songz)
Kanye West - Good Life (feat. T-Pain)
2008
T-Pain - Therapy (feat. Kanye West)
DJ Khaled - Go Hard (feat. T-Pain & Kanye West)
2009
GLC - Flight School (feat. T-Pain & Kanye West)
Rick Ross - Maybach Music 2 (feat. T-Pain, Kanye West, & Lil' Wayne)
... and do the John Wall.
Thursday, September 2, 2010
Bun B vs. Drake
The two first got together on wax over So Far Gone's Boi-1da banger "Uptown". Of course, Bun happened to only be tagging along as the third wheel of the 87th Drake/Wayne collabo. After that, Daddy must've recognized that his children were playing nice together because Birdman reprised their collective combo in the song "Mo Milli" (produced by ... Boi-1da) for his Pricele$$ album. Bun B took the initiative from there and kept Drake on two additional (guess who ...) Boi-1da beats for his new Trill O.G. album. I guess that double take made up for Drake only letting Bun have a half-bar ad-lib on "Miss Me" instead of fully recreating the Drake/Bun/Wayne triumvirate. And to finish it all off in historic style, Drake's most recently made an appearance on Pimp C's posthumous album, The Naked Soul of Sweet Jones, on the Bun-approved UGK joint "What Up". I don't exactly know why the two hit it off as great as they did, but obviously the music is there to prove there's a legitimate respect between the two hip hop giants.
2009
Drake - Uptown (feat. Bun B & Lil' Wayne)
Birdman - Mo Milli (feat. Drake & Bun B)
Bun B - It's Been a Pleasure (feat. Drake)
2010
Bun B - Put It Down (feat. Drake)
UGK - What Up (feat. Drake)
Bonus: Drake - Miss Me (feat. Lil' Wayne)
... and do the John Wall.
Thursday, August 6, 2009
Unexpired
I cannot tell a lie. I never got tired of "Buy U a Drank". It was impossible for me to. I don't know why. It's ridiculous. How could I put up with that God-awful drunken Mother Goose rhyming by Yung Joc over and over again? Was it because I knew that it was shortly leading into the think-about-it-walk-it-out bridge that I so dearly had the desire to act out and slow snap into conclusion? I'd need a lot of therapy time to discover why this song was so integral to my high school livelihood.
T-Pain - Buy U a Drank (Remix feat. Kanye West, UGK, & Trey Songz)
"Excuse me, but ... this verse has not been Russell Simmons approved ... uh uh." For everything the original represented to me as my clear cut second favorite song on the high school dance floor (first is "Walk It Out" cuz ... best believe I can walk it out ...), the remix represented the exact same to me in my car. I knew every Kanye line including the dumb intentional slur rhymes of hoe is/po' is/low is/Lois/bogus and standin' there/cameras/Amerie and Rodeo/day oh/monorail/ay yo that literally make me laugh out loud to myself when separating them out linguistically in context. I knew just enough of the UGK phoned-in verses to stall until I burst out belting the immaculately perfect Trey Songz intro of "what's yo name? I'm Tremaine" that amused me way more than it should. This song was a staple of my car rides with the women that got spun to death on my original iPod along with the two Unk remixes of "Walk It Out" and "2 Step". But the chant of "you know my bankroll gotta lotta zeroes" is a classic novelty to save for another time. Say what you want about the caricature he has become and the evils you may think he represents for R&B and hip hop as a whole, but Thelonius Pain [(c) Phonte] struck a chord with the entire world and me personally with this joint. And for that, I will eternally respect him. "Aaaaaaaaaaaaaaaaaaaaaaw, SNAP."
... but do take my word for it.
Thursday, October 23, 2008
It's What You Expected, Ain't It?

This post is dedicated to any and every song out there that made you pray on your pillow that night a collabo album would be in the works and be released at least in the next ten years by the artists that just got together. These are in no particularly symbolic order of any kind. These are automatic download links!
Nas - Black Republicans (feat. Jay-Z)
Why it worked: This was the result of one of those beefs that made you question the get-over-ability of any given hip hop beef. But it was so timely. I was one who got goosebumps the morning I checked all my rap blogs and they each had headlines involving Jay's concert where he brought out Nas announcing to the world that NY's golden children were putting aside their differences. After the obligatory Def Jam joint album rumors that neither exactly shot down, this track finally made its way to the world. The epic-ness of any supposed-to-be epic track can quickly be achieved by an epic sounding beat, and the kings of NY milked it for everything it's worth back and forth for an entire 58 seconds before the actual lyrics come up. And this is one of those that actually felt like it was jointly birthed between the artists as each rapper chimes in with adlibs and doubled-up chorus vocals. Success. As was the pun-intended follow-up.
Jay-Z - Renegade (feat. Eminem)
Why it kinda worked: Back in '01 you'd be hard pressed to find any two more commercially viable rap artists with as dedicated a following and critical love. And on the unfortunate release date of 9/11, Blueprint was pushed further into a realm of cultural lore. The main detraction is ... um ... why did Em so insist on being behind the boards for a long stretch and why did Jay chose to take that beat that he didn't exactly outstandingly shine on? It became the prodigal "killed on your own ish" punchline example. And the original had Royce in Jay's place, so why exactly didn't he come harder? Truth be told, neither was too impressive lyrically on those awkward snares and depressing back orchestration. But epic is what epic does. Whatever that means.
50 Cent - I Get Money (Forbes 1-2-3 Remix feat. Diddy & Jay-Z)
Why it didn't work: Did anybody really like the original? It just happened to be the least worst of the fourteen pre-album singles that Fiddy dropped around the same time and it had a semi-respectable Audio Two sample. And plus, no one exactly praises 50 or Diddy for either they or their ghost writers' lyrical prowess. Even Jay-Z seemed bored when it got around to his verse, only quipping "in case y'all forgot, New York is still mine" to spark a bit of controversy amongst an all NY cast. But ... it's just not enough for anyone else to really care about. I kinda actually did want it to turn out alright. Kinda. I shoulda known better.
CRS - Us Placers
Why it worked: Because it came almost literally out of nowhere! And off a pre-Graduation Kanye mixtape that would have been a virtual throwaway without it. And while I'm not always the biggest fan, Pharrell went in on the closing verse. This brings up dreams of the old Jay, Ja, and DMX super group talks (that I kinda don't wanna hear thinking back on it). And the Thom Yorke sample just fits. I'm not asking any hip hop heads to convert to indie rockdom, but it just feels good and every "uh" and all of Lupe's "and they love it" achieve a real atmosphere. If the album ever makes itself for real, who knows what could happen? I don't.
Bun B - Swang On 'Em (feat. Lupe Fiasco)
Why it didn't work: With all the talk of the glasses-toting Chicago emcee about how he came up more on UGK and NWA than A Tribe Called Quest, this was the chance for Lupe to let his performance speak for him. He was getting a track on a huge album by a Houston legend to exercise his gangsta, South-tinged material. But what came out of it was a chopped and screwed pile of uninteresting. It just wasn't any fun. It wasn't any kind of intelligent. It wasn't any kind of hood either. It dwelled in the middle land of Lupe not knowing how to write balancing either extreme of rap, equalling an unappealing verse to either side. Bun was Bun, but not enough to rescue it.
Kanye West - Barry Bonds (feat. Lil' Wayne)
Why it didn't work: Why does Kanye let anybody else in the world get a beat on his own tape? Especially a plodding, yawn-inducing one from Nottz? Unfortunately we've found that Wayne often brings the worst out of Yeezy (though I don't exactly hold that judgement on the "Lollipop Remix"). He becomes trapped into a monotonous cycle of swagger braggadocio that's redundantly redundant. It happened on "Swagga Like Us", too, enough that it has the world praying that the Nas & 3K variation exists just to save the mess. Was anyone that excited to hear Kanye out-do Wayne on his own braggy punchline lane that he's made popular?
Jay-Z - Hello Brooklyn 2.0 (feat. Lil' Wayne)
Why it didn't work: Why this track about this subject? Wayne on an ode to Brooklyn? Why couldn't they wait the tiniest bit longer to allow "Mr. Carter" to be the one and only Jay-Wayne collabo? I like the bass it rattles off in my car, but the song isn't convincing in any other way whatsoever. Honestly, it's a humungous blemish on American Gangster as a whole. And the Beastie Boys yelling at me randomly? Sigh.
OutKast - Mighty "O"
Why it worked: While this may seem out of place, let's not forget the always persistent break-up rumors by Georgia's resident rap legends. Especially those that were coming out in the way-too-long gap between Speakerboxxx/The Love Below and Idlewild. This song was the first leaked single from the latter album and featured crazy intricate 32's by each rhyming partner. Both were up on their lyrical hardness and differential cohesiveness. Both unapologetically insulted those in the media and the fans for keeping up rumors that both parties denied. Whether or not you liked the Prohibition era'd movie (if you ever went and saw it) and it's accompanying soundtrack, this track yelled from the mountain tops that Andre was not to be done with the art of rhyming and he would stay bar for bar with Big Boi on his own terms.
Obviously I can't hit on every major joint venture between timeless artists, but what are your favorite hits and misses with big time collaborators?
... and so concludes another masterpiece


