Today's "Bonus" segment takes us to the newest output by half of OutKast. The album would have featured both halves, but you know how label politics go. Good thing we got the internet giving us the concealed collaborations for free, right? Since Sir Lucious Left Foot was rumored to be almost-released for three straight years, there were plenty of tracks that fell through the cracks of getting stale or simply replaced. This is the place for those tracks. And I decided to throw in "Lookin' 4 Ya" as track 10, which Big said on Twitter is where it should have been anyways. Adjust everything else accordingly, Kast heads.
Bonus Tracklisting
10. Lookin' 4 Ya (Jedi Remix feat. Andre 3000 & Sleepy Brown)
17. Theme Song
18. Shine Blockas (Remix feat. Gucci Mane, Bun B, & Project Pat)
19. Royal Flush (feat. Raekwon & Andre 3000)
20. Sumthin's Gotta Give (feat. Mary J. Blige)
21. Dubbz (feat. Backbone)
22. Follow Us (Remix feat. Vonnegutt)
23. Tangerine (Remix feat. Rick Ross, T.I., Bun B, & Khujo)
... and do the John Wall.
Showing posts with label Khujo. Show all posts
Showing posts with label Khujo. Show all posts
Thursday, October 7, 2010
More Sir Lucious Left Foot
Thursday, September 23, 2010
Classic: Crooked Booty
I can't believe I haven't posted this song yet. Ever since I obtained a copy of the Dungeon Family compilation album Even in Darkness, one of my all-time favorite joints has been "Crooked Booty". Even though the majority of the songs unfortunately aren't actually that great when compared to the incomparable Goodie and Outkast (and even Witchdoctor) albums before this tape, I've still got a soft spot for it. On this joint, Cee-Lo goes in on the hardest eight bars you've ever heard darn near a cappella while ending each rhyme on an explosive singing note. Then Andre starts in sing-rapping the chorus as the music triumphantly comes into the picture. Between Sleepy Brown's signature crooning while trying to describe what the crooked booty actually is and Khujo's aggressive dance rapping, this entire song's just classic. I don't wanna think too much about Dre's bridge three minutes into the joint, but it's hilarious, nonetheless. Just remember that when the doctor tells you that you're coming down with a bad case of the crooked booty ...
... and do the John Wall.
Monday, August 10, 2009
If Ya Take Me, Ya Don't Hate Me
Way back in my hip hop upbringing, I was devastated when Cee-Lo left Goodie Mob. It didn't matter that I was finding it out around in its contextual history about a whole year later than it happened in everyone else's timeline. With Soul Food and Still Standing spinning in constant rotation just screaming out "classic" each and every time, I didn't know how I was gonna be able to handle if the group proportionally dropped any lower than they already did on World Party. It didn't help either that while this revelation was happening to my psyche in 2006 that I was actually the one who originally created the Wikipedia pages on two of these three albums back when I sorta knew wiki-script. Why weren't there hip hop fanatics out there that wanted the internet's encyclopedia to have a linkable page about these records? They've since been crapped on and pretty much destroyed so I guess that specific hip hop head still isn't even out there to give these pages the treatment they deserve.
And then came One Monkey Don't Stop No Show. While the title obviously alluded to the mild hostility held by the remaining three members of the group at that point, I was just worried about how Gipp and the Lumberjacks were going to be able to hold up without the distinctive crooner who was long gone into a solo foray. It came as quite the pleasant surprise to me that could, in fact, hold their own on a full length LP. At that point in the grand scheme of things, it was an impossibility at that point that any of the four original Mobsters could ever achieve crossover appeal anyway, so I was solely interested in how the album spoke to me. And they sure knew how to start talking, as Big Rube provided a signature piece of epic spoken word poetry that could cut straight to the soul of any human being with a semblance of one.
And then right after the Dungeon Family's resident poet took my mind on a minute-and-a-half spiritual journey, the fellow DF member Witchdoctor greeted me while already midway into a prayer. "God I wanna live to be an old man, but I understand ... if ya take me, ya don't hate me. No, no ... no, no."
Goodie Mob - God I Wanna Live (feat. Witchdoctor)
And the rest of the album progressed with some well chosen production (even a Cool & Dre joint!) and a familiar balance of consciousness with street relativity that made the first two albums so pivotal in the second half of the nineties. They even threw in a few absolute bangers that, even thought they wouldn't ever get a taste of the radio, you could definitely still knock a dude back if you drive by with the speakers blasting. While it didn't quite round out into the end-to-end classic to compete with the aforementioned records, it let me firmly believe in the other three members of Goodie. And that's all that I could ask for. It then gave me the faith to cop Gipp's solo joint, the Lumberjacks record, and the determination to never give up until I discovered both of Khujo's Mercury and Gun Club Goodie albums. And I've had complete faith in the Mob ever since. And even though I say all that, it still gives me chills to imagine what the fully reunited collective has churning. I know a brand new foursome Goodie record has been rumored since 2006, but I still have my faith. Shoot, if Slaughterhouse has enough time to throw together a full length group LP, then Gipp can ditch Nelly's crew for a minute while Cee-Lo turns down a featured chorus or twelve to get this thing fully completed. I have that kind of faith in them. All of them.
... but do take my word for it. iTunes Goodie Mob One Monkey Don't Stop No Show link
Tuesday, March 3, 2009
Lumberjacks
The lost child of the Dungeon Family collective to me is the Livin' Life as Lumberjacks album. Not sure if it was just my copy, but the album had one of those queer copyright imbed codes on it to where you couldn't even play the CD on anything that wasn't strictly a CD player. That meant no copying to your iPod or even registering on a computer at all. Needless to say, the Khujo & T-Mo half of Goodie Mob effort wasn't the most successful from the DF.
But it still has some definite gems on it. Unfortunately at its release, Cee-Lo was completely out of the picture, OutKast was on hiatus, and Big Rube was poetically missing. Witchdoctor and Gipp lent some assistance, but the Lumberjacks themselves carried the bulk of the album. And that means aggressive choruses over some straight Dirty South production and lots of history and fightin' words. You'll definitely come out with some knowledge. My favorite incarnation was the more laid-back "Superfriends", a 3-piece Goodie joint with a really nice vibe. The rest of the album's still got quality, but this lane-changer really stood out to me in that ... I just really like this song.
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