Showing posts with label Raekwon. Show all posts
Showing posts with label Raekwon. Show all posts

Tuesday, November 16, 2010

G.O.O.D. Fridays

I'm gonna bring this post back up to the top for however many new G.O.O.D. Friday joints Kanye has left. This is pretty much the best thing to happen in commercial hip hop in a minute. Ye basically releasing posse cuts with a random combination Jigga, Mos, Wu-Tang, and the entire G.O.O.D. Music roster every single week? Keep it going. But why can't Swizz Beatz keep away just spend more time with his wife?

14. Kanye West - Chain Heavy (feat. Talib Kweli & Consequence)
13. Kanye West - Looking for Trouble (feat. Pusha T, CyHi Da Prynce, Big Sean, & J. Cole)
12. Kanye West - The Joy (feat. Pete Rock, Jay-Z, Charlie Wilson, & KiD CuDi)
11. Kanye West - Don't Look Down (feat. Mos Def, Lupe Fiasco, & Big Sean)
10. Kanye West - Take One for the Team (feat. Keri Hilson, Pusha T, & CyHi Da Prynce)
9. Child Rebel Soldier - Don't Stop!
8. Kanye West - Christian Dior Denim Flow (feat. KiD CuDi, Pusha T, John Legend, Lloyd Banks, & Ryan Leslie)
7. Kanye West - So Appalled (feat. Jay-Z, Pusha T, CyHi Da Prynce, RZA, & Swizz Beatz)
6. Kanye West - Lord Lord Lord (feat. Mos Def, Swizz Beatz, Raekwon, & Charlie Wilson)
5. Kanye West - Good Friday (feat. Common, Pusha T, KiD CuDi, Big Sean, & Charlie Wilson)
4. Kanye West - Devil in a New Dress
3. Justin Bieber - Runaway Love (feat. Kanye West & Raekwon)
2. Kanye West - Monster (feat. Jay-Z, Rick Ross, Nicki Minaj, & Bon Iver)
1. Kanye West - Power (Remix feat. Jay-Z, John Legend, & Swizz Beatz)

... and do the John Wall.

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Thursday, October 7, 2010

More Sir Lucious Left Foot

Today's "Bonus" segment takes us to the newest output by half of OutKast. The album would have featured both halves, but you know how label politics go. Good thing we got the internet giving us the concealed collaborations for free, right? Since Sir Lucious Left Foot was rumored to be almost-released for three straight years, there were plenty of tracks that fell through the cracks of getting stale or simply replaced. This is the place for those tracks. And I decided to throw in "Lookin' 4 Ya" as track 10, which Big said on Twitter is where it should have been anyways. Adjust everything else accordingly, Kast heads.

Bonus Tracklisting
10. Lookin' 4 Ya (Jedi Remix feat. Andre 3000 & Sleepy Brown)
17. Theme Song
18. Shine Blockas (Remix feat. Gucci Mane, Bun B, & Project Pat)
19. Royal Flush (feat. Raekwon & Andre 3000)
20. Sumthin's Gotta Give (feat. Mary J. Blige)
21. Dubbz (feat. Backbone)
22. Follow Us (Remix feat. Vonnegutt)
23. Tangerine (Remix feat. Rick Ross, T.I., Bun B, & Khujo)

... and do the John Wall.

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Saturday, July 17, 2010

I Weigh with Kilos

I don't quite understand why the second song was even made at all. The first was a song called "Kilo" by two coke rappers rhyming over a beat sampling "I Weigh with Kilos" by Jimmy Van & Richard Hieronymus, the remix of which featured a member of the Clipse. The second was a song called "Kilo" by four coke rappers rhyming over a beat sampling "I Weigh with Kilos" by Jimmy Van & Richard Hieronymus, two of which were the Clipse. This is stupid. Oh well.

Ghostface Killah - Kilo (Remix feat. Raekwon & Malice)
Fat Joe - Kilo (feat. Clipse & Cam'Ron)

... and do the John Wall.

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Tuesday, October 13, 2009

Classic: Riot


I'm a Wyclef stan. While on The Score he pretty much just made me laugh with his crazy off-kilter and free barely-rhyming. But I loved it. While Pras was off ... um ... doing whatever he was doing every third verse and Lauryn was redefining the art of intrinsic rhyming, Clef played the role of the court jester who obviously had skills, yet seemed bored with any and all semblance of convention. And once the Fugees split, he's been on an absolute tear ever since in regularly providing his fans with new product.

Wyclef Jean - Riot (feat. Serj Tankian & Sizzla)

He's got six (and soon to be seven) solo albums to go with the two and a half Fugee records. And I proudly own a physical copy of every one of them. His latest offering from '07 was The Carnival, Vol. II and he capitalized on all his amazing music connections with this one. Don't hold me to it, but I'd say Clef's got a better collaborative posse than Wayne, Akon, or any other hip hop artist out there. Besides collaboing with those two titans I just mentioned, do these names mean anything to you: T.I., Shakira, Paul Simon, Mary J. Blige, Chamillionaire, Norah Jones, will.i.am, or Raekwon? That's just this one album ...

But this "Riot" song specifically, that's what kills me. I'm an undercover System of a Down junkie and I think Serj has one of the greatest voices in all of history. And when two musical geniuses come together like this who are 100% different stylistically and still produce a classic product, it makes me very, very happy. It should make you feel like that, too.

... but do take my word for it.

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Monday, April 27, 2009

Do Em All Over Again


Back around '06 when I was in my CD collecting prime, I made sure and copped Hi-Tek's Hi-Teknology 2: The Chip on the strength of the guest features plus Reflection Eternal's classicness. It remains one of my absolute favorite gems of a CD. Unfortunately, I think it turned out about 17 times better than Hi-Teknology 3. That one kinda made me sad.

Tek's production was so perfectly refined. Every song created a highly unique atmosphere to go with perfect selections of guest emcees. And featured singer Dion lent his chamelion-like crooning to a few of the cuts keeping subject transition smoother than anything you could ever imagine. It's so hard for me to choose a favorite track off the project. "So Tired" comes on the ridiculously laid back tip with Bun B and Devin the Dude lending their expertise. "Where It Started At" is one of the few believable NY anthems featuring a crazy collective of Kweli, Jadakiss, Raekwon, and then-relevant Papoose. And "Keep It Moving" has my favorite suprise deal emcees with Q-Tip and Kurupt perfectly complementing each others' 180 degree style differences.

But I think my favorite is churned out by the collaboration of Tek, his father, Wu-Tanger Ghostface, and the unknown Pretty Ugly. It's one of the most genuine chick joints I've ever heard. It's so much more than the usual "girl gone wrong" tracks that are prevalent in hip hop nowadays. Maybe the immense production sets the metaphorical and aural tone immediately. This story makes me feel like I actually knew Josephine. Maybe I actually do. Maybe I know a couple of her.

Hi-Tek - Josephine (feat. Willie Cottrell Band, Ghostface Killah, & Pretty Ugly)

It's the acoustics. It's the gentle, but excited, piano keys. It's the chord progression highlighted by synth touches and choral portions of the bridge. It's the chemistry between Tek's older generation father singing the chorus introducing a woman's story that's picked up by the younger rappers. It's just a really nice finished product. Too many songs have a certain aspect of it that's great, but you're disappointed by the whole thing itself not living up to its potential. This song fulfills. As does the rest of Tek's second magnum opus.

... put 'em both together and you got yourself a super spork.

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Sunday, February 1, 2009

Best Songs of '08


10. "Who" - Joe Budden
16 minutes of hip hop dissertation. Joey is the rapper I want at Senate hearings waxing poetic. Who ruined hip hop? The rap world points lots of fingers, and all targets are dissected here. I can't explain anything better than simply listening to this track would. Perfect example of blogging on beat. (c) Charles Hamilton

9. "Going On" - Gnarls Barkley
Truthfully, I could simply put The Odd Couple track list on here and feel justified. But this is the one that squeaked slightly ahead to blow my auditory system away. The beat comes in resounding majestically as Danger Mouse is so accustomed to doing, and Cee-Lo soulfully and lyrically traces the soundscape like something else. "The touch and feeling of free is intangible, technically. Something you've got to believe in." There's an immediate sense of specialness in great songwriters, and Cee-Lo definitely has it. 

8. "Street Lights" - Kanye West
Spoke on it a couple times already, but I think this song is gonna be a staple on soft rock stations in future decades ... if there are still soft rock stations in future decades. The melody of this song is simply intoxicating and you'll know every single word after first listen. Kanye has an amazing ability to select a distinctive noise and turn it into an integral portion of the overall composition. Exhibit A is the first noise of whatever instrument you hear once this song starts. "See I know my destination, but I'm just not there." A masterpiece among many on 808s.

7. "Playing With Fire" - Lil' Wayne
This is Weezy's lane. His strength as an emcee is in his vocal inflection and amorphous flow. As seen by its ranking in my '08 Top 10 Albums, the latest Carter was very impressive to me as a not-exactly-fan of Dwayne. The story is emotively invoking and listener-involving and I can't ask for a whole lot more and still hold my non-hater card. Personally though, I think this is as far as he should have ventured into rock music, but who am I to tell the (self-proclaimed) best rapper alive what to not do? All in all, too bad the song no longer exists because of Rolling Stones sample issues.

6. "An Ocean of Stars" - brandUn DeShay
It's not like his whole mixtape wasn't absolutely amazing, but this is the song that slapped me in the face. Ranks up there with the greatest all-time stories ever told in a rap song. And I'm talking "Renee" and "Children's Story" and "Art of Storytellin', Part 4" up there. No joke. This song consists of the most saturated metaphors you'll find this side of a Lupe cheeseburger song and yet they're all relatable and understandable. "I said I could take you higher." Yup. brandUn's a beast. Expect Volume: Two! for the Show to be in on the '09 best-of lists once it drops. Guaranteed.

5. "I'll Be in the Sky" - B.o.B
Some have said Bob is almost too 3000-like. Maybe that explains why I'm drawn to his music so naturally. But I don't think that's it. I'm pretty sure it's more cuz he's so ridiculously talented and has the uncanny ability to spit about something interesting and couple that with stellar unique beats and catchy choruses and still be distinctive. Wait ... that sounds like Andre. Crap. But I swear to you, this song reeks of Bob and no one else. You'll have the piano accompaniment stuck in your head the rest of the week. And you won't even be annoyed by it.

4. "Royal Flush" - Big Boi feat. Raekwon & Andre 3000
This dropped crazy early in the year, but it's frickin' OutKast and Wu-Tang!!! Even though Big's album is delayed like crazy, this single is flexing lyrical firepower. Big succinctly dissects world issues and reminds you who he is and why you better pay attention, Chef spits classic hypnotizing Wu matters, and finally 3K flies off somewhere else and chronicles his and your life in more bars than any other rapper could fill with name drops. "Do you B) hit the streets hard with a flare? Or do you A) go to school for heatin' and air? Dare make an honest livin'? Or make a crooked killin'? Do a little bit of both until you're holdin' on a million?" That is OutKasted. Are you ready for potentially 3 records this year from the two dope boyz prolly currently driving in something else besides a Cadillac? I don't think you are.

3. "Love Lockdown" - Kanye West
I'm still not tired of this song yet. I can't tell you how fiendishly I check the net for when this would finally leak. I bumped the live VMA rip countless times waiting for it in full glory. And with all of Ye's re-tweaks, the product was perfected as the love-or-hate R&B venture of one of the world's few true rock stars. The music video still freaks me out, but I love it. I've just been enraptured by the composition and direction of the song since its first public inception. You may be almost too used to it by now from the radio, but this song sounds absolutely nothing like any other R&B or rap composition and while the lyrics are somewhat generic, they're genuinely heartfelt and meaningful to anyone. It was a completely different direction from a completely different artist that no one foresaw. And, again, either you love it or you hate it. But I'm leaning more towards the former.

2. "Air Conditioner" - Charles Hamilton
The song that cemented my view of Charles Hamilton as the real deal. It features his signature distorted/echoed/layered chorus that completely overrides his self-proclaimed lack of singing ability and metaphorically explores life through the breeze of an air conditioner. His flow is so laid back, but accentuates the smooth humming sample loop and tells a love story (imaginary or not) that's simply thoughts resting rhythmically on a bed of cool music. "Because you're not even real (I feel you), therefore you gotta be real (I'm near you), and yet you follow me still (my rear view), shows where you are." That chorus is imprinted in my mind more than anything else in the world ... Except ...

1. "Day N Nite" - KiD CuDi
"The lonely stoner seems to free his mind at night. He's all alone, some things will never change. The lonely loner seems to free his mind at night. At, at, at night." I'm convinced. Trust me. Single of the year. Cudi made people wanna flow like him.


... this was whatcha all been waitin' for ain't it?

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