Showing posts with label 50 Cent. Show all posts
Showing posts with label 50 Cent. Show all posts

Wednesday, September 22, 2010

Game vs. Nas

It's crazy to me that these guys got so many tracks together. The old school era-defining Queensbridge emcee with the cocky, name-dropping leader of the New West? Oh well. Their mic chemistry works crazy nice. Maybe it was their mutual hatred of 50 Cent that makes it work so well. Whatever it is, it started on Game's super long "Why You Hate the Game" cut and continued on the same Doctor's Advocate album with the monster "One Blood" remix. Then they just kept swapping cuts on every single release with Hip Hop is Dead, L.A.X., N***er, and most recently the Brake Lights project. They're apparently legally required by the Pac&Biggie Convention to collaborate on everything for the rest of their lives.

2006
Game - Why You Hate the Game (feat. Nas & Marsha Ambrosius)
Game - One Blood (East Coast Remix feat. Jim Jones, Fabolous, Clipse, Juelz Santana, Nas, Jadakiss, Styles P, Fat Joe, N.O.R.E., & Ja Rule)
Nas - Hustlers (feat. Game & Marsha Ambrosius)
2008
Game - Letter to the King (feat. Nas)
Nas - Make the World Go Round (feat. Game & Chris Brown)
2009
Busta Rhymes - Don't Touch Me (Remix feat. Nas, Lil' Wayne, Big Daddy Kane, Spliff Star, Game, & Reek Da Villain)
2010
Game - Street Riders (feat. Akon & Nas)

... and do the John Wall.

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Friday, July 2, 2010

Game vs. Kanye

I got a new recurring post segment. It's called "Favors". And it has nothing to do with that guy taken before Boogie in the draft who won't really be that good. All it is is me quickly detailing the collaborative efforts back and forth between artists. Today's opening example is Kanye and Game.

2005
Game - Dreams
Kanye West - Crack Music (feat. Game)
2006
Game - Wouldn't Get Far (feat. Kanye West)

The combination of the two, verging on parody territory, was actually joked on in their music video to the song "Wouldn't Get Far". The L.A.-native who claimed Blood and was a former G-Unit start-up paired up with the early Chicago backpacker who was famous for his sped-up soul sampling beats and colorful polos. But they actually managed to find a creative medium and make dope music together.

The first incarnation was "Dreams" produced by Ye, Game's biggest hit outside of his 50-assisted singles. It brought out the heavy, introspective material in Game's lyricism that let the car bragging and gun toting take a backseat to relating a heartfelt story. Then the two jumped from Game's debut to Kanye's sophomore effort on the track "Crack Music" where Game lent his vocals to highlight the anthemic chorus. Apparently there was supposed to be a guest verse as well, but money issues got in the way at the time of the album's release. The two finally got a full collaboration out on the aforementioned "Wouldn't Get Far" where they traded musings on the rap game's video vixens. As an added bonus, they collected their promo checks by jumping on a commercial with Luda for Boost Mobile. You prolly remember that one, now.



... and do the John Wall.

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Wednesday, April 29, 2009

I Guess He's Back


Why is the 2dopeboyz comment boards my favorite place to argue now? Well, regardless, a new Eminem song came out. So ... I might have had something to say about it.

Eminem - 3 A.M.

I'll just highlight my few points and rebuttals amongst the 276 comments:

-"yea, i’m not feeling it too much. is there really a need for kim kardashian butt reference in BOTH of the first 2 songs released on any given album?
voice is grating, as mentioned. i don’t know. guess i’m not feeling psychotic murder tracks in 2009. but that might just be me."

-"is anybody sittin at their computer listenin to this and thinkin to themselves, “heck yeah. i can relate to this.”?
i mean, if this is the kind of song some of you all bump on repeat, cool. the story itself is straight i guess, but i know i won’t be riding to this track or playing it at a party or meditatin to it or prolly ever searchin out for it on my ipod again after today.
my favorite part is how sick the instrumental gets on that demented “lotion in the bucket” bridge. i’m not one to question dre, but i enjoyed that part a lot more than the rest of the instrumental."

-"if you LIKE listening to murder stories in an intentional crazy voice, then you will LIKE this song. if you DON’T like listening to murder stories in an intentional crazy voice, then you will NOT like this song.
you can’t expect everyone to like this. it IS a great concept. it IS genius writing in the portrayal of a psychopath. it IS genius rhyme schemes. but the song packaged as a whole isn’t that great. it might be fully appreciated by some fans, but most of us don’t have that lane where we wanna listen to a high-pitched audio clip of “cape fear”."

-"what the staunch supporters of this song need to understand is that some people just don’t have a place for this song in their lives. i’m happy that eminem created this narrative if that’s what he needed to creatively get out of his system. BUT … the package of this song is a genius psychopath gore story wrapped in the middle of a slightly annoying character.
just because someone doesn’t enjoy this song doesn’t mean that they’re retarded or hate quality music. i guarantee there’s gonna be songs on the album that us who DON’T enjoy this song will still bump on repeat. but i’m sure em made this song KNOWING that a lot of people wouldn’t be able to appreciate it because of the full package that he presented it in. and, after listening to this joint open-mindedly five different times tonight, i’m prolly not gonna ever look for it again to play. that’s where most of us are coming from.
i’ll admit any day of the week that the lyrics are AMAZING in this song. but, to me, it’s just not an enjoyable song. that’s all. and yes, there are definitely blind haters that would type the same crap shooting down eminem on here no matter what the song sounded like, but that’s NOT the mindset that most of us are coming from. and it doesn’t make you any better of a hip hop fan than us if you disagree. and it dang sure has nothing to do with rick ross or 50 cent or soulja boy or anyone else regardless …"

-"AGAIN. what the heck does rick ross have to do with someone liking or not liking this song? or pop culture at all for that matter?"

-"em has sold tens of millions of records. do people really feel the need to bring up racism here? the white man isn’t that down on his luck or public image … come on now."

You gotta read the rest of the crap here to know the full story of everybody fighting over this track. Ha.

... put 'em both together and you got yourself a super spork.

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Tuesday, March 3, 2009

Expectations


This pretty much goes hand-in-hand with the previous Kanye post, but I've been thinking recently about what people expect from the rappers they listen to. I think that's mainly where hip hop gets its bad rap. Hmmm ...

Why would I listen to Young Jeezy unless I was in the mood to hear nursery rhyme paraphrasing from a self-proclaimed non-rapper? Why would I listen to 50 Cent unless I want to hear him going at another hip hop figure with more talent than him, threatening to murder his siblings, household pets, and the family doctor's entire patient list? I mean, the easy counter to that point is the fact that thugged-out mother goose rap is forced down our throats as the majority representation on any urban or pop radio station. Even worse on your frequent offender TV music video channels.

But that's pretty much a moot point in that radio-intended music moves the most numbers, in turn receiving the most promotion, and furthering the watered down intentions of many musicians to cease creativity and fit in a radio-friendly brand. But for the most part, I've solved that issue in my life. It's two things mainly:
1) equipping your internet's "favorites" bar
2) having a transportable car setup for your iPod

I should write a self-help book. Goodness. I see all these rapper interviews all over the place and the most retarded question ever (and one that is always asked) is what they think about the state of hip hop. Everyone asks questions they already know. Do you really need Obama to tell you during the Stat of the Union that the economy is on par with a Lil' Wayne toilet metaphor? Radio sucks and the underground scene is whiny. What other insight do you think they have that everyone else hasn't already said? But even with all of that, there's still about a hundred dead nice emcees, vets and newcomers alike, who consistently make dope music. It's that simple.

Who are you listening to? What blogs are you hitting up? Do you leave comments in support of quality artists? Do you big up rappers on their MySpace pages? You ever try to contact an indie-type artist you actually enjoy? Too many people straight complain on end like their cries for revolt will change the music industry. But it won't. Any machine driven strictly by money will remain corrupted. But individual souls aren't corrupted.

I control the playlist on my headphones. I cop the albums I think are worth my money. I bothered brandUn DeShay and Praverb enough until they musically hooked up with me. That's what I can control.

If Lil' Boosie comes on, I expect a chalk board-pitched spelling marathon. If Lil' Wayne comes on, I expect a dope line or two sprinkled in with ish jokes and autotuned moaning while people sweat it regardless. But I'll tell you what I don't expect. I don't expect to bump Gucci Mane or Jim Jones or Birdman or a multitude of others and actually feel a passion for quality, fulfilling music through their sounds.

So lastly, I ask you ... what did you ever expect from anyone?

... put 'em both together and you got yourself a super spork.

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Thursday, November 20, 2008

New New-ish: GemStones


No, he didn't make the XXL list cuz he's kinda less new-ish than a bunch of other cats, but you need some GemStones in your life. Well, if you're into that kinda jewelry or whatever you can have that, too, but you really need the rapper formerly known as "G to the -emini".

Normally, famous rapper tag-a-longs suck pretty monstrously. Not here. GemStones to Lupe is no Tony Yayo (always love to shout him out!) to 50, Young Dro to T.I., D12 to Em, or Memphis Bleek to Jay. Dude's a ridiculous spitter and has a voice to boot. Reminds me of Tyler, for real. Not saying I'm Lupe or anything, though, swear! I ain't that nice ... yet.

He sings his cornrows out on Lupe's "Just Might Be OK", "He Say She Say", "Pressure", and "The Emperor's Soundtrack" on the debut Food & Liquor. So take away the early Fahrenheit mixtapes and the public's heard Gem for just as long as the other Chicagoan. But it wasn't until he got his own Fahrenheit 1/15, Part 5: Untamed Beast that everybody got to actually hear what he brought to the table lyrically. And it was something else.

But by the time you got to fully digest all the punchlines of the beast, The Cool came out with three more features and Part 6: The Testimony of GemStones dropped as well. And dude was completely different. Not that he was ever bad, per say, but he got inexplicably better. And this video of the intro of his second tape's intro pretty much explains it.


GemStones mixtapes -

And I gotta give you this super exclusive bonus GemStones cover. I promise on my life you can't find this anywhere else in the world.


... and so concludes another masterpiece

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Wednesday, November 19, 2008

New New: Cory Gunz


This dude is on something else lyrically. It's been said by retard rap analysts that the word "lyrical" really doesn't mean anything, but you listen to dude and tell me it's not the very first descriptive term that hits you.

Cory Gunz Mixtapes -

It never hurts to have hip hop in the blood. Like B.o.B and Charles Hamilton, Cory finally got big time shine by being included on XXL's "next up" cover. I believe it. The craziest thing to me is that dude was set to blow like none other by being featured on the original version of "A Milli" long before Tha Carter III ever made it to the masses. But Wayne done completely cut him out of it. Everybody's got reasons for why, but I'm very confident it's very simply because Cory's verse was better. Wayne's got too much of an ego to let a lesser known commodity kill him on his to-be redonkulously big street single. Check this YouTube vid of the original verse and it's short video with it.

"Illie in the mind, really with the nine, millie when I rhyme, silly anytime,
Fine, chilly gitty on da grind, [gritty] on a dime, Penny on the line,
Plenty's in me, any guineas with em bigger than a mini and remind I'm..."

Try saying that normally without tripping. And he rides the beat something silly with it. That's that Eminem on "Gatman and Robbin'" type flow, shout outs to Jon Payne. You're allowed to be a street rapper and still take pride in what comes out of your pen. The collective world is looking at you 50 Cent, Plies, Lil' Scrappy, Uncle Murda, Jeezy, and every single other self-proclaimed "hustler rapper".

If that's not good enough, he took an extra stab at "A Milli" with Jadakiss. And I wanted to throw up his back-and-forth with Charles, too. It's good when lyricists push lyricists. Always. Weezy couldn't take the heat, so he pushed Cory out of the kitchen and turned down the thermostat.


And he rest his case. Next up.

... and so concludes another masterpiece

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Tuesday, November 18, 2008

Is JT Hip Hop?


Justin Timberlake. Complicated answer, debatable and prolly Column worthy. Real answer, no. Solves it for me.


Decide for yourself. I always was a "Signs" fan for the hilarity of Justin cursing something hard in the chorus. And I always thought he said "homies dead and gone" on the T.I. song, but nah, he said "old me's ...". So not as funny.

... and so concludes another masterpiece

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Thursday, October 23, 2008

It's What You Expected, Ain't It?


This post is dedicated to any and every song out there that made you pray on your pillow that night a collabo album would be in the works and be released at least in the next ten years by the artists that just got together. These are in no particularly symbolic order of any kind. These are automatic download links!

Nas - Black Republicans (feat. Jay-Z)
Why it worked: This was the result of one of those beefs that made you question the get-over-ability of any given hip hop beef. But it was so timely. I was one who got goosebumps the morning I checked all my rap blogs and they each had headlines involving Jay's concert where he brought out Nas announcing to the world that NY's golden children were putting aside their differences. After the obligatory Def Jam joint album rumors that neither exactly shot down, this track finally made its way to the world. The epic-ness of any supposed-to-be epic track can quickly be achieved by an epic sounding beat, and the kings of NY milked it for everything it's worth back and forth for an entire 58 seconds before the actual lyrics come up. And this is one of those that actually felt like it was jointly birthed between the artists as each rapper chimes in with adlibs and doubled-up chorus vocals. Success. As was the pun-intended follow-up.

Jay-Z - Renegade (feat. Eminem)
Why it kinda worked: Back in '01 you'd be hard pressed to find any two more commercially viable rap artists with as dedicated a following and critical love. And on the unfortunate release date of 9/11, Blueprint was pushed further into a realm of cultural lore. The main detraction is ... um ... why did Em so insist on being behind the boards for a long stretch and why did Jay chose to take that beat that he didn't exactly outstandingly shine on? It became the prodigal "killed on your own ish" punchline example. And the original had Royce in Jay's place, so why exactly didn't he come harder? Truth be told, neither was too impressive lyrically on those awkward snares and depressing back orchestration. But epic is what epic does. Whatever that means.

50 Cent - I Get Money (Forbes 1-2-3 Remix feat. Diddy & Jay-Z)
Why it didn't work: Did anybody really like the original? It just happened to be the least worst of the fourteen pre-album singles that Fiddy dropped around the same time and it had a semi-respectable Audio Two sample. And plus, no one exactly praises 50 or Diddy for either they or their ghost writers' lyrical prowess. Even Jay-Z seemed bored when it got around to his verse, only quipping "in case y'all forgot, New York is still mine" to spark a bit of controversy amongst an all NY cast. But ... it's just not enough for anyone else to really care about. I kinda actually did want it to turn out alright. Kinda. I shoulda known better.

CRS - Us Placers
Why it worked: Because it came almost literally out of nowhere! And off a pre-Graduation Kanye mixtape that would have been a virtual throwaway without it. And while I'm not always the biggest fan, Pharrell went in on the closing verse. This brings up dreams of the old Jay, Ja, and DMX super group talks (that I kinda don't wanna hear thinking back on it). And the Thom Yorke sample just fits. I'm not asking any hip hop heads to convert to indie rockdom, but it just feels good and every "uh" and all of Lupe's "and they love it" achieve a real atmosphere. If the album ever makes itself for real, who knows what could happen? I don't.

Bun B - Swang On 'Em (feat. Lupe Fiasco)
Why it didn't work: With all the talk of the glasses-toting Chicago emcee about how he came up more on UGK and NWA than A Tribe Called Quest, this was the chance for Lupe to let his performance speak for him. He was getting a track on a huge album by a Houston legend to exercise his gangsta, South-tinged material. But what came out of it was a chopped and screwed pile of uninteresting. It just wasn't any fun. It wasn't any kind of intelligent. It wasn't any kind of hood either. It dwelled in the middle land of Lupe not knowing how to write balancing either extreme of rap, equalling an unappealing verse to either side. Bun was Bun, but not enough to rescue it.

Kanye West - Barry Bonds (feat. Lil' Wayne)
Why it didn't work: Why does Kanye let anybody else in the world get a beat on his own tape? Especially a plodding, yawn-inducing one from Nottz? Unfortunately we've found that Wayne often brings the worst out of Yeezy (though I don't exactly hold that judgement on the "Lollipop Remix"). He becomes trapped into a monotonous cycle of swagger braggadocio that's redundantly redundant. It happened on "Swagga Like Us", too, enough that it has the world praying that the Nas & 3K variation exists just to save the mess. Was anyone that excited to hear Kanye out-do Wayne on his own braggy punchline lane that he's made popular?

Jay-Z - Hello Brooklyn 2.0 (feat. Lil' Wayne)
Why it didn't work: Why this track about this subject? Wayne on an ode to Brooklyn? Why couldn't they wait the tiniest bit longer to allow "Mr. Carter" to be the one and only Jay-Wayne collabo? I like the bass it rattles off in my car, but the song isn't convincing in any other way whatsoever. Honestly, it's a humungous blemish on American Gangster as a whole. And the Beastie Boys yelling at me randomly? Sigh.

OutKast - Mighty "O"
Why it worked: While this may seem out of place, let's not forget the always persistent break-up rumors by Georgia's resident rap legends. Especially those that were coming out in the way-too-long gap between Speakerboxxx/The Love Below and Idlewild. This song was the first leaked single from the latter album and featured crazy intricate 32's by each rhyming partner. Both were up on their lyrical hardness and differential cohesiveness. Both unapologetically insulted those in the media and the fans for keeping up rumors that both parties denied. Whether or not you liked the Prohibition era'd movie (if you ever went and saw it) and it's accompanying soundtrack, this track yelled from the mountain tops that Andre was not to be done with the art of rhyming and he would stay bar for bar with Big Boi on his own terms.

Obviously I can't hit on every major joint venture between timeless artists, but what are your favorite hits and misses with big time collaborators?


... and so concludes another masterpiece

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Thursday, October 2, 2008

The Wiz


Something new is all I ask of any rapper. I don't expect every release to be the new Rakim, to reincarnate Illmatic, or to be half the quality of any OutKast release, but at least bring something to distinguish yourself.


And that's how you do it. Come with a techno-influenced banger before Kanye even thought up "Stronger". No, you shouldn't, but Wiz did. And you specifically gotta come original like that if you're out of Pittsburgh, not exactly known as a rapper hotbed at the moment. Make no mistake, as long as you can put it to something, swagger/money/party rap can survive. It's when you get recycled the hundredth time by your own dang self that it gets frickin' boring and redundant. Anybody got fifty cents I can not borrow?

Hip Hop started as a braggadocio rhymes to dance tracks. I ain't forgot that yet. I got nothing against the mainstream. I got something against the untalented stream.

That's why Wiz Khalifa stands out against other rappers of a slightly similar style. I'm all good with you telling me why you're better than somebody. Just make sure you tell me why you're better than everybody ... better than everybody! Then make a mixtape called Star Power (downloadable link) to try and prove it. That's why I'll let you pass even if you put out a second-trick pony in your follow-up techno single.


But it's still good! So say yeah.

... and so concludes another masterpiece

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