Wednesday, September 22, 2010
Game vs. Nas
2006
Game - Why You Hate the Game (feat. Nas & Marsha Ambrosius)
Game - One Blood (East Coast Remix feat. Jim Jones, Fabolous, Clipse, Juelz Santana, Nas, Jadakiss, Styles P, Fat Joe, N.O.R.E., & Ja Rule)
Nas - Hustlers (feat. Game & Marsha Ambrosius)
2008
Game - Letter to the King (feat. Nas)
Nas - Make the World Go Round (feat. Game & Chris Brown)
2009
Busta Rhymes - Don't Touch Me (Remix feat. Nas, Lil' Wayne, Big Daddy Kane, Spliff Star, Game, & Reek Da Villain)
2010
Game - Street Riders (feat. Akon & Nas)
... and do the John Wall.
Friday, July 2, 2010
Game vs. Kanye
2005
Game - Dreams
Kanye West - Crack Music (feat. Game)
2006
Game - Wouldn't Get Far (feat. Kanye West)
The combination of the two, verging on parody territory, was actually joked on in their music video to the song "Wouldn't Get Far". The L.A.-native who claimed Blood and was a former G-Unit start-up paired up with the early Chicago backpacker who was famous for his sped-up soul sampling beats and colorful polos. But they actually managed to find a creative medium and make dope music together.
The first incarnation was "Dreams" produced by Ye, Game's biggest hit outside of his 50-assisted singles. It brought out the heavy, introspective material in Game's lyricism that let the car bragging and gun toting take a backseat to relating a heartfelt story. Then the two jumped from Game's debut to Kanye's sophomore effort on the track "Crack Music" where Game lent his vocals to highlight the anthemic chorus. Apparently there was supposed to be a guest verse as well, but money issues got in the way at the time of the album's release. The two finally got a full collaboration out on the aforementioned "Wouldn't Get Far" where they traded musings on the rap game's video vixens. As an added bonus, they collected their promo checks by jumping on a commercial with Luda for Boost Mobile. You prolly remember that one, now.
... and do the John Wall.
Wednesday, April 29, 2009
I Guess He's Back

Why is the 2dopeboyz comment boards my favorite place to argue now? Well, regardless, a new Eminem song came out. So ... I might have had something to say about it.
Eminem - 3 A.M.
I'll just highlight my few points and rebuttals amongst the 276 comments:
-"yea, i’m not feeling it too much. is there really a need for kim kardashian butt reference in BOTH of the first 2 songs released on any given album?
voice is grating, as mentioned. i don’t know. guess i’m not feeling psychotic murder tracks in 2009. but that might just be me."
-"is anybody sittin at their computer listenin to this and thinkin to themselves, “heck yeah. i can relate to this.”?
i mean, if this is the kind of song some of you all bump on repeat, cool. the story itself is straight i guess, but i know i won’t be riding to this track or playing it at a party or meditatin to it or prolly ever searchin out for it on my ipod again after today.
my favorite part is how sick the instrumental gets on that demented “lotion in the bucket” bridge. i’m not one to question dre, but i enjoyed that part a lot more than the rest of the instrumental."
-"if you LIKE listening to murder stories in an intentional crazy voice, then you will LIKE this song. if you DON’T like listening to murder stories in an intentional crazy voice, then you will NOT like this song.
you can’t expect everyone to like this. it IS a great concept. it IS genius writing in the portrayal of a psychopath. it IS genius rhyme schemes. but the song packaged as a whole isn’t that great. it might be fully appreciated by some fans, but most of us don’t have that lane where we wanna listen to a high-pitched audio clip of “cape fear”."
-"what the staunch supporters of this song need to understand is that some people just don’t have a place for this song in their lives. i’m happy that eminem created this narrative if that’s what he needed to creatively get out of his system. BUT … the package of this song is a genius psychopath gore story wrapped in the middle of a slightly annoying character.
just because someone doesn’t enjoy this song doesn’t mean that they’re retarded or hate quality music. i guarantee there’s gonna be songs on the album that us who DON’T enjoy this song will still bump on repeat. but i’m sure em made this song KNOWING that a lot of people wouldn’t be able to appreciate it because of the full package that he presented it in. and, after listening to this joint open-mindedly five different times tonight, i’m prolly not gonna ever look for it again to play. that’s where most of us are coming from.
i’ll admit any day of the week that the lyrics are AMAZING in this song. but, to me, it’s just not an enjoyable song. that’s all. and yes, there are definitely blind haters that would type the same crap shooting down eminem on here no matter what the song sounded like, but that’s NOT the mindset that most of us are coming from. and it doesn’t make you any better of a hip hop fan than us if you disagree. and it dang sure has nothing to do with rick ross or 50 cent or soulja boy or anyone else regardless …"
-"AGAIN. what the heck does rick ross have to do with someone liking or not liking this song? or pop culture at all for that matter?"
-"em has sold tens of millions of records. do people really feel the need to bring up racism here? the white man isn’t that down on his luck or public image … come on now."
You gotta read the rest of the crap here to know the full story of everybody fighting over this track. Ha.
... put 'em both together and you got yourself a super spork.
Tuesday, March 3, 2009
Expectations
Thursday, November 20, 2008
New New-ish: GemStones
Wednesday, November 19, 2008
New New: Cory Gunz
Tuesday, November 18, 2008
Is JT Hip Hop?
Thursday, October 23, 2008
It's What You Expected, Ain't It?

This post is dedicated to any and every song out there that made you pray on your pillow that night a collabo album would be in the works and be released at least in the next ten years by the artists that just got together. These are in no particularly symbolic order of any kind. These are automatic download links!
Nas - Black Republicans (feat. Jay-Z)
Why it worked: This was the result of one of those beefs that made you question the get-over-ability of any given hip hop beef. But it was so timely. I was one who got goosebumps the morning I checked all my rap blogs and they each had headlines involving Jay's concert where he brought out Nas announcing to the world that NY's golden children were putting aside their differences. After the obligatory Def Jam joint album rumors that neither exactly shot down, this track finally made its way to the world. The epic-ness of any supposed-to-be epic track can quickly be achieved by an epic sounding beat, and the kings of NY milked it for everything it's worth back and forth for an entire 58 seconds before the actual lyrics come up. And this is one of those that actually felt like it was jointly birthed between the artists as each rapper chimes in with adlibs and doubled-up chorus vocals. Success. As was the pun-intended follow-up.
Jay-Z - Renegade (feat. Eminem)
Why it kinda worked: Back in '01 you'd be hard pressed to find any two more commercially viable rap artists with as dedicated a following and critical love. And on the unfortunate release date of 9/11, Blueprint was pushed further into a realm of cultural lore. The main detraction is ... um ... why did Em so insist on being behind the boards for a long stretch and why did Jay chose to take that beat that he didn't exactly outstandingly shine on? It became the prodigal "killed on your own ish" punchline example. And the original had Royce in Jay's place, so why exactly didn't he come harder? Truth be told, neither was too impressive lyrically on those awkward snares and depressing back orchestration. But epic is what epic does. Whatever that means.
50 Cent - I Get Money (Forbes 1-2-3 Remix feat. Diddy & Jay-Z)
Why it didn't work: Did anybody really like the original? It just happened to be the least worst of the fourteen pre-album singles that Fiddy dropped around the same time and it had a semi-respectable Audio Two sample. And plus, no one exactly praises 50 or Diddy for either they or their ghost writers' lyrical prowess. Even Jay-Z seemed bored when it got around to his verse, only quipping "in case y'all forgot, New York is still mine" to spark a bit of controversy amongst an all NY cast. But ... it's just not enough for anyone else to really care about. I kinda actually did want it to turn out alright. Kinda. I shoulda known better.
CRS - Us Placers
Why it worked: Because it came almost literally out of nowhere! And off a pre-Graduation Kanye mixtape that would have been a virtual throwaway without it. And while I'm not always the biggest fan, Pharrell went in on the closing verse. This brings up dreams of the old Jay, Ja, and DMX super group talks (that I kinda don't wanna hear thinking back on it). And the Thom Yorke sample just fits. I'm not asking any hip hop heads to convert to indie rockdom, but it just feels good and every "uh" and all of Lupe's "and they love it" achieve a real atmosphere. If the album ever makes itself for real, who knows what could happen? I don't.
Bun B - Swang On 'Em (feat. Lupe Fiasco)
Why it didn't work: With all the talk of the glasses-toting Chicago emcee about how he came up more on UGK and NWA than A Tribe Called Quest, this was the chance for Lupe to let his performance speak for him. He was getting a track on a huge album by a Houston legend to exercise his gangsta, South-tinged material. But what came out of it was a chopped and screwed pile of uninteresting. It just wasn't any fun. It wasn't any kind of intelligent. It wasn't any kind of hood either. It dwelled in the middle land of Lupe not knowing how to write balancing either extreme of rap, equalling an unappealing verse to either side. Bun was Bun, but not enough to rescue it.
Kanye West - Barry Bonds (feat. Lil' Wayne)
Why it didn't work: Why does Kanye let anybody else in the world get a beat on his own tape? Especially a plodding, yawn-inducing one from Nottz? Unfortunately we've found that Wayne often brings the worst out of Yeezy (though I don't exactly hold that judgement on the "Lollipop Remix"). He becomes trapped into a monotonous cycle of swagger braggadocio that's redundantly redundant. It happened on "Swagga Like Us", too, enough that it has the world praying that the Nas & 3K variation exists just to save the mess. Was anyone that excited to hear Kanye out-do Wayne on his own braggy punchline lane that he's made popular?
Jay-Z - Hello Brooklyn 2.0 (feat. Lil' Wayne)
Why it didn't work: Why this track about this subject? Wayne on an ode to Brooklyn? Why couldn't they wait the tiniest bit longer to allow "Mr. Carter" to be the one and only Jay-Wayne collabo? I like the bass it rattles off in my car, but the song isn't convincing in any other way whatsoever. Honestly, it's a humungous blemish on American Gangster as a whole. And the Beastie Boys yelling at me randomly? Sigh.
OutKast - Mighty "O"
Why it worked: While this may seem out of place, let's not forget the always persistent break-up rumors by Georgia's resident rap legends. Especially those that were coming out in the way-too-long gap between Speakerboxxx/The Love Below and Idlewild. This song was the first leaked single from the latter album and featured crazy intricate 32's by each rhyming partner. Both were up on their lyrical hardness and differential cohesiveness. Both unapologetically insulted those in the media and the fans for keeping up rumors that both parties denied. Whether or not you liked the Prohibition era'd movie (if you ever went and saw it) and it's accompanying soundtrack, this track yelled from the mountain tops that Andre was not to be done with the art of rhyming and he would stay bar for bar with Big Boi on his own terms.
Obviously I can't hit on every major joint venture between timeless artists, but what are your favorite hits and misses with big time collaborators?
... and so concludes another masterpiece






