Monday, July 13, 2009

Jealousy #2: The Use of Language


Number two of my jealously list came to my realization in the form of the straight linguistic masterings of Pharoahe Monch. It's something beyond metaphors, rhyme scheme, articulation, or anything else that can be amply described. The only thing I could compare it to to try and get my point across is any given basketball player's floor game. You know, everything involving court vision, dribbling, understanding of offensive sets, decision making, shooting ability, timing, and whatever else. Pharoahe Monch has one of the best floor games in the hip hop world when it comes to his overall use of the language that makes rap so beloved by its fans.


"The master who speaks masterfully what he has mastered. For flaws to change, new laws are forecasted. This is bigger than the Dirty South or bi-coastal. It's global war, and the weapon we choose are Pro Tools. Rap moguls get slapped with vocals until they learn its colloquial, as though we're going postal. It's what I am supposed to do. I suppose you revolutionists stop to thinking that's old school. Let me assist you like Malone from Stockton; I'm in the cock pit, cocked back and locked it, indoctrinated with these hot toxins, refuse to be labeled, degraded, and boxed in. Let's go."

To me, this should be read as something from the letter of a great American mind's journal entry in the diary of livelihood. It's poetic, yet darn near an address to the nation. I left it in paragraph form because I almost feel it's a disservice to the verse's overall cohesive message to break it up bar by bar. Monch is an orator. Forget the forum. We just normally hear him in rhythmic form. I'm jealous.

Re-Link:

... but do take my word for it.

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Part Five: Destructive Tendencies


We lost. Our beautiful orchestra of motivated last-chancers dissipated. The Laker Empire would slowly and destructively crumble over the coming months. Kobe was an unrestricted free agent that summer and wouldn’t even publicly acknowledge whether he would recommit with the organization who had housed him since his days at Lower Marion High School. Shaq demanded a trade (to a team in warm climate city, no less) away from the Bryant, whom he claimed was a terrible teammate, and even sold his L.A. home weeks before an accommodation with the Miami Heat was even made. Our supposed-to-be savior Derek Fisher signed away with the lowly Golden State Warriors for more money than the Lakers’ front office was willing to commit to the role-playing point guard. Gary Payton was shipped for spare parts to the gutter-dwelling Beantown Celtics. Phil Jackson was at an odds with management and just kind of went away to zen however much he wanted to away from professional basketball, with an all-revealing book rumored to be coming soon after. Malone’s knee required extensive offseason work and while he entertained the possibility of coming back with the Spurs, Wolves, or Lake Show, he wound up riding off into the Louisiana sunset of post-basketball life. And while Kobe did wind up re-upping after a flirting period with the Bulls and (*deep breath*) Clippers, darn near no one was recognizably left. The team was in tatters.

The inaugural season of my fandom was supposed to be perfect. The Lakers were supposed to ride the coattails of my support to a championship, cementing my personal revenge of 53-foot tall Michael Jordan for attaining so many while I was too young to object to it. But the season wasn’t perfect. Karl didn’t get the championship to cap off his beyond-extraordinary career. The Mailman moved on and I had to stick with the Lakers to start this climb back up from the gutter. Now while I had my hopes for a roster now consisting of the likes of the lanky (and interestingly enough, my second favorite player from the previous season) Lamar Odom, the Swiss army knife Caron Butler, the aged and dreadlocked rebounder Brian Grant, jellybean-sized shooter Chucky Atkins, and the nearly dead chain-smoking Vlade Divac, the ’05 season was something that had me wishing for a temporary case of Alzheimer’s.

We started it all right enough, simply living up to extensively lowered expectations. We had replaced Phil with a similarly larger-than-life coach in Rudy Tomjanovich, but because of health issues and the pressures that are a package deal with being the Lakers coach, he barely lasted past the Christmas meeting with the now rivaling Heat, and the indignantly bitter Shaq, before re-retiring. All in all, we fell apart midseason due to a never-ending string of injuries and overall lack of talent, missing the playoffs altogether. That was a first (and odds-on, only) for Kobe in his career. Drastic measures needed to be implemented. And then a trade went down that would change all of our lives drastically.

[to be continued]

... but do take my word for it.

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Saturday, July 11, 2009

Just What I Needed


NEW ANDRE 3000. I REPEAT ... NEW ANDRE 3000. (snippet from 2dopeboyz)



Well here's a revolutionary idea,
Why don't we both stay home and if the doorbell goes ding dong, we can act like we're not here.
Put them [?] on and take em right back off,
As a result. Like we work at IKEA,
Test every piece of furniture to see if it is stable.
You wanna take it out on me? Then do it on the table.
Mmm. Blow to the head, it's fatal.
Wait'll you get low to me. I ain't jokin, Dark Knight, Batman,
And I'm pokin that PussyCatwoman.
Pokieman (Pokemon) baby, go and push it back on me.
Hopin that maybe you'll wake up in the mornin and forget about it all.
I hate to see ya sad so if anybody call,
Tell em you'll let em know when we fall back to Earth.
Go berserk, bay-bay.

... but do take my word for it.

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Part Four: The Defining Tease


But nothing solved my lack of cable that first season. It kinda sucked a lot as NBC's jingle-worthy NBA contract was long-gone from the masterful Bob Costas days of league action. All I got was the occasional ABC Sunday double-header. Stupid near monopoly by ESPN and TNT stealing my thunder. So the sneaking around ensued. I had to make up as many excuses as possible to go to Garrett's house and catch a game. If we were camping, why don't we drive out to a restaurant that, I don't know, has a TV? I had to beeeeg to stay up and bum on the couch for a super late night game when we stayed the weekend with my aunt in Frankfort. I know it's a school night, but how does B-Dub's sound at 10 pm? I had to make visits to see Caroline more than just a weekend thing to bum her TV, too. Every week it was a mission to get to view this immaculate game I was so terribly elated with.

The regular season was tough. With our quad HoFers (Hall of Famers), we were immediately tagged to possibly be the successors of those '96 Payton-beating Bulls in all-time wins. It started beautifully ... until Karl Malone got hurt for the very first time in his entire fricking life. Scott Williams, the most irrelevant player to ever get in the league, decided he overzealously just had to compensate for his lack of significance by jumping for the only time in his career to defend a jump shot and just had land on top of The Mailman's knee. Jerk. No one knew then, but it would cost him much of the season and get reaggravated literally a game before the NBA Finals. That left us ... *sigh* ... Slava Medvedenko (intended to be read irritatingly slow, syllable-by-syllable) as our next power forward option. Doomed.

Here's the 2004 season fast-forwarded, which toyed with every emotion I didn't know I had. Kobe had one of most classic endings ever to the regular season, with playoff seeding on the line. In regulation, Kobe flung off Ruben Patterson for an absolutely disgusting way-too-far-away off-balance three pointer to send the game into overtime. And if only to outdo himself, Kobe came off a screen at the buzzer of the second overtime to hit another fade-away three over the switching shot blocker Theo Ratliff which gave them the improbable season-ending win. This leap-frogged them from the 4th seed to 2nd seed as the Pacific Division champs, only behind the (soon to expire) T-Wolves and a much more favorable schedule. This somehow positively capped a regular season of Bryant stupidity involving (... of course ...) the rape trial and shot selection questioning which all came boiling over during a game against Sacramento where Kobe seemingly refused to shoot the ball under any circumstances in the first half. Just to prove a point. Ugggh. But I knew we'd get it straight in the playoffs. We had to. This was my adopted franchise!

We made short work of the then-rising Houston Rockets with the human log Yao Ming and soon-to-be-nonexistant Steve Francis. I specifically remember a nail-biting where the Lake Show played entirely perfect defense on a crazy long 24 second sequence where Houston had one last shot for the game, ending on a back-up option kick-out to Jim Jackson which was heavily contested (and thankfully missed) by our rotating defender. Those are the kinds of missed opportunities by underdog teams that legitimately kick them in the butt and they rarely recover from. But who cares about H-Town? We had to take a cab up I-(something or another) to San Antonio for the defending champs.

And the rusty boot-pokies (or Spurs, if you wanna be all proper) blitzed us. I mean, I hate football as well as unnecessary inter-sport references, but they absolutely knocked the wind out of us with Tony Parker getting any and every uncontested lay-up he cared for along with Tim Duncan being all boring and efficient like usual. Most people called for Shaq or Karl to simply club the Frenchman in the face for the rest of the series to deter his lay-upnicity. While they did adjust to body him up better from that point on, it just turned out that all the Lakers needed was a classic miracle for the ages by the player everyone least expected. You know, one of those.

So we’d somehow tied the series up 2-2. Who knew? It was Game 5 back on their turf. Pivotal, ya know? Crazy great contested game leading all the way to an exhausted Kobe go-ahead jumper off a classic Karl Malone screen with under a minute to go. Then the Spurs come down and we play crazy defense on them and force an inbounds with only a few second on the shot clock. Great position, right? And all Tim Duncan does is catch the ball out of his range, taking a bobbling couple of dribbles leading into a falling one-handed jumper/floater/turd of a shot that just so happens to fall through the net to give them the lead with nothing but 0.4 seconds left on the game clock. Zero-point-four seconds. Four-tenths-of-a-second. Fantastic.

So I guess Phil drew up a play or whatnot. I assume coaches do or say something inspirational to rally the troops in impossible situations. Anyways, masterful inbounder Gary Payton claps the ball on the wing, everyone starts in motion, and Gregg Pop-a-zit queues a quick timeout. Ugh. Re-do. Masterful inbounder Gary Payton claps the ball on the wing, everyone starts in motion, and Phil Jax queues a quick timeout. Ugh. Re-do. Masterful inbounder Gary Payton claps the ball on the wing, everyone starts in motion, and no one calls a timeout this time. Shaq and Karl run this double screen set in the paint to free up Kobe for a flash out at the three point line. But he’s covered. Dually, Shaq tries to rub off into an attempt for an alley-oop, but it’s covered. Karl falls back to towards a possible hole around the free throw, but … yep … it’s covered. Hmmm … has it been five seconds yet? Apparently not. There’s seemingly no one to go to, but out of nowhere … nowhere … Derek Fisher (who knew he was even in the game?) flares out directly towards GP who by now has to let go off the ball. In one motion, after seemingly hours of suspense, Fisher catches it mid-turn and lefty flings it a mile up in the air. To make a .4 second story even shorter … it swished. Pandemonium 2004! I think I screamed at that moment for (I hope) the only time in my life. Without even meaning to I launched out of my bed and found myself running up and down the hall at like midnight or whatever. One of the single greatest moments I can ever remember.

The Spurs were dead after that one. Of course they lost in L.A. on the Game 6 closeout. We were on a juggernaut rampage now and no one would get in our way. Not even the league-leading Timberwolves. In a series where Kevin Garnett cussed a lot, Latrell Sprewell had cornrows a lot, Sam Cassell looked like Gollum a lot, Michael Olowakandi lacked basketball skills a lot, and Oliver Miller prolly ate doughnuts a lot, the Lakers prevailed in six. That’s all you really need to know. It went a game longer than it should have, but even after Karl Malone left the series a little gimpy, everyone knew the inexperienced Eastern champ (by default of conference suckiness) Pistons would be no match for us. We had four HoFers (if you needed reminding)! They had a ragamuffin band of unwanted parts that couldn’t put points on the board and barely had an all-star résumé between them. Case closed. Cancel the Finals and hand out the rings.

Now this minor little part of the story is so painful that I refuse to relive it piece by piece. It was now into June of the summer after my 8th grade year and I had my one church camp of the year leaving a day after Game 3 where the Lakers were down 1-2 in the series. I was devastated to have to leave after the previous night’s game where I literally turned the TV off and tried to go to sleep after the third quarter of a pathetically mediocre Laker showing (but I couldn’t handle it a half hour later and turned it back on, just to see them in the same exact hole with seconds left). But so be it. With all my instantaneous obsession with the NBA, I somehow had just enough sense left to know God could take precedence over what was going on in the basketball world. Begrudgingly so. But I swore I was going to camp without the burden of the Finals outcome and wouldn’t be sneaking around to find out the scores over the week. But the jerk camp leaders who had TVs and cell phones for nighttime use just haaad to talk about the games the mornings after anyway. Ugh. The website prolly didn’t exist back then, but FML.

[to be continued]

... but do take my word for it.

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Classic: Give In to Me


So, understandably, I've been listening to a lot of Michael Jackson lately. I don't care if you're tired of the coverage or whatever, that's definitely a deserved opinion by now, but for the rest of my life I will never be tired of putting his albums back on repeat.

While I was expanding my MJ library past all the common singles that get regular play, I found a crazy pattern going on. For every song I added, I gave it a full and honest listen and what killed me was that darn near every new tune became one of my favorite Jackson songs. It happened over and over and over again. Mike killed his competitors and pushed his relevancy because he was literally able to take any and every form of song possible and mold it into his distinctive signature style. Dance, ballad, funk, radio pop, hard rock, old school R&B, edgy soul ... it didn't matter. But what ultimately became my favoritest favorite MJ joint (for now) was the Slash-assisted "Give In to Me" off his Dangerous album. To me, it's song writing at its finest. The dude could even ride any guitar riff he wanted to a perfectly constructed chorus that absolutely engraves in your brain. I love it. No one messes with Mike's pen skills.


... but do take my word for it.

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Friday, July 10, 2009

Part Three: An Interest Fulfilled


But as anyone who's ever known me knows, I can't just kinda do anything. Right then and there in that comfy condo's SportsCenter-viewing chair, the spark was ignited. I immediately copped my copies of (the temporarily titled) ESPN NBA Basketball with Allen Iverson for the PS2 as well as NBA Live 2004 with Vince Carter for the GameCube. And of course I couldn't rest with the previous generation of video game systems' lack of updating capability. Once I noticed Dikembe Mutombo wasn't supposed to be on the Nets anymore, I immediately had to create a system to keep track of these dang rosters that changed every single day. So I used my spreadsheet savvy to organize rosters with every single player's information, as well as free agents, that also integrated depth charts based on starting percentage and minutes played. Without even meaning to, I knew where every guy in the association was, where they had been, what their role was on the team, a scouting report on them, their physical spec's, and all the important garbage. I got the Harvey Pollack Statistical Yearbook full of every obscure stat and non-stat and amusing anecdote you never wanted to know, yet for some reason I needed to know. I got the straight stat book collections later. The exact numbers of points per game and turnovers were an afterthought to the collection of distances of every individual player's shots and who got blocked the most.

But that was all just for my newfound love of the game in general. The important premise behind the whole thing was my inabsolvable commitment to the Los Angeles Lakers. Yes, I knew they were the most hated team in America, yet still sold the most merchandise year in and year out. Yes, I knew that most people considered them a cop-out favorite team for any given sports fan and consensus was that the refs cheated for them. Yes, I knew Shaq sometimes came in overweight and lazy because of a minor toe injury and that Kobe was supposedly a ball-hogging adulterer. But who cares? They felt right to me. I would soon understand enough about them to pimp slap any approaching hater with a stat sheet-clad fist. As I have/do regularly.

[to be continued]

... but do take my word for it.

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Wednesday, July 8, 2009

Part Two: The Suppressed Traumatization


The way these reporters talked about Malone and Payton blew me away. The fact that the surly 40ish power forward whose previous championship aspirations were twice trashed by the infallible Michael Jordan, as once was the pesky rail-thin point guard's, tugged at my epic tale-seeking heart's strings. I had to see how this would work. Evil dream-crushing Michael Jordan had of course been presented to me through the movie Space Jam, but more intensively (if you can imagine it so) by a long-forgotten field trip to the IMAX that detailed in all its 72-by-53 foot capacity how "Air Jordan" had greedily stolen away the ball from the hulking Karl Malone to hit a championship-winning (though, later understood, illegal) jump shot in his (supposed-to-be) final act of basketball ring-hogging.

All the emotions of the forgotten epic IMAX rushed back to me. Karl Malone was the real life human hero that I'd been searching for away from my world of sequestered intrigues. Everything about him was interesting to me, even down to what the heck he was talking to himself about for every single one of his 13,000-plus free throws he attempted. As another selling point, other people in the universe actually had a reference point to him as opposed to anyone else I would care to talk about. At the age of 13, there's only so much someone will listen to you about "Weird Al" or the dreaded card games I was finally pushing past and leaving on the back burner. I had to follow this Karl Malone character and his newfound team that gave him another chance to reach the pinnacle of the basketball universe after 5 years of failed attempts since his trip to the Finals via that huge screen I watched it on.


[to be continued]

... but do take my word for it.

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Jealousy #1: The Voice


Sometime last year I put together a list on a whim. It was during a heavy hip hop listening binge where I was going through entire discographies of different artists on the daily. I was taking in every aspect of all of my favorite emcees and trying to understand what specifically stood out to make them as unbelievably dope as I thought they were.


The first and easiest distinction I made was that Black Thought's voice was made by God for him to rap. Point blank. As I've come to find out because of Late Night with Jimmy Fallon, dude can also carry a tune if he needs to for a hilariously placed cover song to intro some actor/athlete/musician/douche bag. But the slightly gruff, calculatedly lazy, and powerfully stern inflection that he uses to drop knowledge any given day of the week is where it's really at. He could have jumped out solo from The Roots anytime he'd wanted, but he knew his voice was gonna be heard and respected regardless. That's what makes it even more special when he hops on an independent feature. And kills every other rapper's bars in the vicinity. Sure, dude's got wordplay and concepts and smarts and awareness, but it's his voice that throws him in the forefront to me. I'm jealous.

... but do take my word for it.

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Tuesday, July 7, 2009

Classic: Aquemini


The world has gone far too long without some OutKast pumping up and down its collective block. Between that lil' fact and Charles Hamilton's crazy disappearance recently, I don't know how I've made it. Now while Big Boi's album has seemingly been complete for like two years and still isn't out, there aren't even any rumors floating around about Dre's anymore. Man. Y'all can say whatever, but I prefer over-saturation from my favorite artists, my darn self.


This song features my favorite Andre 3000 verse of any and all time. Just surpassing the 5-minute epic of "A Life in the Day of Benjamin Andre" and the dissertation on existence that is "Mighty 'O'". But as I sometimes gotta remind myself, Big kills it, too. I could write a whole other million words about it, but nothing is better to me in music than those two juxtaposing each other so perfectly in sync yet distinctively different. It's a beautiful thing. Anyways ... here's the most ridiculously densely packed 10 bars you've ever been exposed to:

My mind warps and bends, floats the wind, count to ten.
Meet the twin, Andre Ben. Welcome to the lion's den.
Original skin many men comprehend.
I extend myself, so you go out & tell a friend.
Sin all depends on what you believin in,
Faith is what you make it. That's the hardest ish since MC Ren.
Alien can blend right on in wit yo kin,
Look again, cuz I swear I spot one every now & then.
It's happenin again, wish I could tell you when.
Andre, this is Andre, y'all just gon' have to make amends.

... but do take my word for it.

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Part One: Intro to a New World


So it's been weeks now. I've been trying to get all my senses straight about the whole thing. For the first time since I've committed my unadulterated fandom (est'd 2003) to the troops in purple and gold, we have won the whole thing. Part-by-part I will be releasing my epic essay (or novel as it seems to be turning into now) on my reasons as to why this team is so integral to my life. Essential even. I’ll start slow on the intro so you can get your reading chops ready, but trust me, there’s much to be posted. Enjoy, comment, harass, whatever. I’ll prolly update this here and on Facebook each day with each new part.

It all started in Pigeon Forge while I was immersed in all the channels of our family's condo's television set. We didn't have cable back home, so that was half the lure of any given vacation. Previous to that day, I couldn't have cared any less about any given sport. But through the miracle of the immaculate presentation of ESPN's coverage of the opening week of NBA free agency, I was exposed to the initial story-line that would dictate my future in-depth interests and attachments to the game and organization I am immersed with today. Rumors were swirling that it was possible that one Karl Malone and one Gary Payton could sacrifice the extensive riches entitled to two close-to-retirement future Hall-of-Famers and join one Shaquille O'Neal and one Kobe Bryant to vie for an NBA championship.


[to be continued]

... but do take my word for it.

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Anyone Else. Anyone


Just to keep up with the undeniable rapping force as of late (one Kanye West), here's my Nah Right impression of linking up a song the millisecond it leaks. And you know I usually don't like to post the big records that you could find on any random blog tonight, but I'm on vacation about to hang out with my best friend ever that I rarely get to see. So let's just break the mold a little. Cool?


Did autotune just un-die? It's a possibility. Has Kan reached the pinnacle of music where he gets veto power over what Jay-Z says, yet? It's a possibility. Dude already laces all of Hova's beats, so he very well may have finally caught onto that same rung of public declaration. It's a possibility. Regardless, I really feel the concept and execution of this record. I relate too well almost. And I get that reaction off an immediate listen, too. I mean, I ain't on to much British-tinged pop music right now, but the three joints I've heard from Mr. Hudson sound really defined and distinctive in the direction he's going. I mess with it. "G.O.O.D. Music is definitely in tha beeldin." It's a possibility.

... but do take my word for it.

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Saturday, July 4, 2009

iNeedaGirl


So in most cases I'm a pretty big Trey Songz fan. He puts in work prolly better than anyone in R&B right now behind Ne-Yo. Now while on first listen I think his new mixtape (Anticipation: download link) is a snoozer and that "LOL" joint with Gucci & Soulja is a radiating turd, I dig pretty much all of his freestyles as of late. As well as this song.


Stargate handles production on this track. Talking about rhythm & blues lately ... what good song hasn't Stargate handled in recent years? But anyways, due to Ma$e's latest attempt at a comeback, this track caught my attention again. While I'm doing my internal investigation into my iTunes of songs I didn't remember I had, I found the demo over the same gorgeous acoustic instrumental. Now, dead serious, I don't know which version I like better. Trey Songz does some really great things with his voice on this one, like he does on darn near every track, but Johnta has those pure vocals that come from a dude who's been in the background of the industry and hasn't been forced to change the way he naturally sounds even one iota. But here's still hoping for a day when Austin'll keep a single for himself that'll stick on the radio. But so is the strife of a professional ghostwriter. Oh well.


... but do take my word for it.

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Too Late


This one makes me sad. The full story hasn't been uncovered yet, but most likely what happened was this song was slated to have Michael Jackson either replace the demo's reference track or lay an entirely new verse altogether. But, at least with the latest version, that never came to be. I hope more information comes out about it specifically, but until then, here's the original leak and the one that just came about. MJ would have out-shined them all. Easily. No one could have touched dude's proper presence on this track.


... but do take my word for it.

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Wednesday, July 1, 2009

Gregg Pockovich


Just cuz I had a little DMX binge this morning and was inspired by the following lyrics:

"I wish Adam wouldn't have listened to Eve when he bit the apple,
I wish the Ku Klux Klan didn't own Snapple."

Ahhhhh, man. I needed a laugh from Mr. Simmons. The KKK doesn't own Snapple, in case you were wondering. But dead serious, I sweat X's music. That's no joke. Before his latest jail stint he was set to release a double album consisting of a hardcore CD juxtaposed with a ... gospel album. I was really looking forward to it, but who knows what the plans are now. As far as my collection goes, I got three cuts supposedly slated for that album. One of them, "I Wish", featured the (... um ...) thought-provoking lyrics above. And it also features Seal. When's the last time you thought about that guy? Prolly when you were flipping through random radio stations and stumbled across "Kiss from a Rose" and sang it at the top of your lungs. I put five bucks on it.


... but do take my word for it.

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Friday, June 26, 2009

Finally the Good Food


So late on this mixtape, but best know I had it Dee-Elled and on repeat the day it came out. As presented on 2dopeboyz.

Charlie Hilton -

Good Food

Fact: Charlie Hilton's production is nothing if not epic. Through his patience with all the emcees lacing verses for his motion-picturesque soundtrack, he's created a blogosphere underground who's-who guide.

Whether it's brandUn DeShay, XV, Show TuFli, Frank Ramz, Marky, or QuESt, there's definitely connections made and showcased here from track to track. And somehow CH#2's production is still the main feature. Every time. Epic, I said. Download this and get your iTunes more blog cred. Charlie Hilton is next up if tapes like these keep getting made.

... but do take my word for it.

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Forever the King of Pop


Beautiful track was lain in the recent aftermath. Props to Game for getting it together on such crazy short notice.

The Game - Better on the Other Side (Tribute to MJ feat. Chris Brown, Diddy, Polow Da Don, & Boys II Men)


While it kinda bothers to hear Chris Brown all over the chorus, everyone had their problems (MJ obviously included) and the world has to take in the whole picture of a troubled human being and try to respect someone's contributions positively to the world that they tried to make. So I can deal.

Every site and show in the world will be throwing out tributes and whatnot constantly for the near future and they really should. MJ is definitely not my generation of music, but I just checked last night and I got 55 songs from the king in my iTunes. And they've all gotten constant run. The man, musically, was unequivocally a genius. His voice, trademarks, dancing, composition, vision, and presence was irrefutable. He literally ushered in the era of mainstream, comercially-viable black artistry. It's impossible for us who weren't there to truly understand, but he started in the music industry as a child in the '60s. And he somehow transitioned that into his youth and adulthood leading up to literally being the single biggest music figure in the world in 1982 with Thriller. The biggest artist in the entire world. Only the Beatles and Elvis could even touch his level of success and influence.

Yes, everyone knows and has even told all the jokes. The allegations of child molestation, the facial reconstruction, the skin disease destroying his complexion, his prescription drug addiction, the marriages, everything surrounding Neverland Ranch, and even the erradic appearances with his own children. But what the majority of us can't speak to is the mental and physical abuse he himself took from his father as a child and all the tolls being a cultural icon since the age of 6 enacted upon him. We can never understand his mental state or world view from being one of the most recognizable and polorizing people in all of humanity. It's impossible. He was never for a moment in his formative years a normal human being. He never had an ounce of the privilege of privacy, subtlety, normality, or anonymity that we enjoy daily. That's why I pray in his passing that we can try to respect and not demean his legacy. He had serious issues, as we all do, and while we may not have enacted his alleged sins, we have no right continually harp upon, tarnish, and judge who we think he was and what we think he did. At least don't throw it all out perpetually into the world.

Michael Jackson somehow was able to funnel every bit of his soul into a body of music that no one in the coming age will ever be able to touch again. He is an historic treasure that was exposed to the world from the age of 6 to the age of 50. He took a very interesting and controversial journey through those years. But no one can deny his impact. He was given the title as "King of Pop". And he will forever be that. He was just about to restart his performing career with 50 already sold-out shows in London in the coming months. We, the world, are the ones who missed out.

... put 'em both together and you got yourself a super spork.

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Monday, June 22, 2009

New Wale


Who could possibly get most of Slaughterhouse, all of State Property, Talib & Jean, Bun B, Black Thought, and a disposal of singers and other rappers to boot for one project??? An apparently very patient Wale.

Wale -

Back to the Feature

Pretty much anyone who cares about rap was waiting for this one. Will it be the critics' darling like The Mixtape About Nothing? Probably most definitely not. But it's a lot of rap that you need in your collection.

Wale's proved he can push a concept joint like almost none other, but here he just wants to feed the fans a collection of dudes rapping like their lives depend on it. Collabos between writers can only push the product in positive ways. I even like what I hear on this tape from a few rappers I usually don't care too much for. What's crazy is how easily Wale still manages to standout regularly. The host emcee could have gotten lost in the fray of guest appearances on literally every single song, but Wale's rhyming style is so distinctive and enticing that you're practically waiting for him on every track.

Now my one complaint. 9th Wonder. Back when dude was with Little Brother, I thought he could literally do no wrong. Their sound was so defined that I swore and abided by it. It just worked some other kind of perfection to my ears. But on here ... some of the beats feel stale to me. I hope you don't hear it the same, but I can't help it. 9th is renound for having an unbelievable amount of compositions at his disposal, but on this project you can pretty much understand why. Some don't seem to have gotten much individual attention besides some conveyor belt treatment. There's the soul sample and the drums and ... yeah.

But don't let that detract you. If the tape fits your mood, that's the last of your worries. And the MCs shred every bar something unholy. They had to. This is a Wale tape.

... put 'em both together and you got yourself a super spork.

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New Bobby


I've been waiting for this mixtape.

Bobby Ray -
B.o.B vs. Bobby Ray


You should know that Bobby music is essential to me. But I just gotta say thank ya Jeebus for B.o.B's camp coming through with the "No DJ version" immediately. Artistic music needs to be released artistically. Gucci and Wayne and Khaled can keep their drops cuz there ain't nothing to miss. But on stuff I listen to, if it ain't DJ A-Mack then I ain't having it.

But anyways ... while most alter-ego records (see "T.I. vs. T.I.P." & "I Am ... Sasha Fierce") lack any real purpose or execution, Bobby has the talent and variety in his sound to deliver. You got that down south B.o.B soul food next to that rock-tinged singing Bobby Ray record. There's a difference. And both are entertaining. Cop it. Still listening through as many times as I can to catch my favorite joints. Only time you'll ever hear me big up an OJ Da Juiceman track ("I Am the Man"), though. You can write that down. For certain.

... put 'em both together and you got yourself a super spork.

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Tuesday, June 2, 2009

Lust for Life


Who knows if they're samples or Charlie re-did the Drake beat. I mean ... I could prolly just ask him ... but I haven't written an entry the whole summer, so that shows you how lazy I've been. Either way, they're both fire. I wrote up a piece on Drake awhile back and since then he's legitimately exploded on the scene. Just saw him the other night with Jamie Foxx on the new Conan Tonight Show (which I'm extremely impressed with so far). But you know what ... I ain't really feeling Drake anymore.

Drake - Lust for Life
Charlie Hilton - Smart to Talk to God (feat. brandUn DeShay)

I know it's blasphemous to say nowadays since he's still publicly brand new, but all the adoration surrounding him bores me. His music is definitely welcomed by me on the radio; I'm all for that. But people are talking foolish now that he's the best out like he's doing anything different than anyone else ... which he's not. He's got his own thing going, but he isn't pushing any boundaries (good or bad) that haven't already been pushed by Phonte, Lil' Wayne, or Trey Songz. He's nice, but ain't that nice.

But who cares. Both these tracks are nice.

... put 'em both together and you got yourself a super spork.

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Tuesday, May 5, 2009

Finally on iTunes!!!


http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=310963762&s=143441

Please give me a download and an album review. This is where the real stuff starts. Between this, the EP, and the big "Hold On" remix that's in the works, I'm gonna be pushing hard to get this whole thing on track. Man.

... put 'em both together and you got yourself a super spork.

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Monday, May 4, 2009

Highway Music


I posted the Show TuFli tapes yesterday, and now I present you with fellow Demevolist Music Group rapper B/A. I'm pretty sure he was formerly name Baghdad. I think. But I gotta say, this one has to be my favorite Demev project I've heard aside from Charles' tapes. It's perfectly serves its purpose as being ... highway music. Bump this stuff in your car. I did on my last trip back from school to Louisville. I made it all the way there. So that must mean something. Doesn't it?

B/A -
Highway Music

... put 'em both together and you got yourself a super spork.... put 'em both together and you got yourself a super spork.

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Sunday, May 3, 2009

2 Show Flis


I missed posting Show TuFli's last two tapes. Maybe it's my fanboyism towards anything CH related, but I enjoy these tapes. Unfortunately he's not half the lyricist that Charles is, but he's still definitely a competent emcee. Sometimes delves back into stereotypicalness a lil' too much for my taste, but still pretty nicely focused tribute tapes anyway. The first is an ode to my OutKasts, the second to one Eminem. The first one he put out was to Jay if you remember.

Show TuFli -


... put 'em both together and you got yourself a super spork.

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Saturday, May 2, 2009

Classic: Gunpowder


In my opinion, Wyclef Jean has a basketful of classic records under his belt. Fugees or not. This one just happens to have the beautiful Ms. Hill serenading with background vocals as well. But that just adds to its already perfect composition.

Wyclef Jean - Gunpowder (feat. Lauryn Hill)

This cut's from his solo debut The Carnival. It was hailed as an immediate classic post-Score. I don't disagree. It's decade later sequel of sorts is every bit as good to my ears as well. And a few of the several records in between, too. Ha. Well that's enough dubious honors alotted to the man for the moment.

"Gunpowder" is a back-from-war ballad, except Clef's brother didn't come back. I'm not gonna claim to be a connoisseur of reggae music, but I think Wyclef is the closest thing we'll ever have to another Bob Marley. Outside of the immediate Marley family, of course. There are quite a few of them ...

This song evokes all of the right emotions to play off of its crisp bongo accompaniment and tropical acoustic vibe. And Clef manipulates his voice magnificently as Lauryn accents certain lines in the anti-war song. I can't tell you how many times I've had this track on repeat.

... put 'em both together and you got yourself a super spork.

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175


Don't know why I chose that number. Maybe cuz 27 doesn't have eight syllables no matter how I try and rap it out.

Chris Campbell - 175

This is another one off Sonic the Campbellton. I think it's prolly my best written concept track since "Chasing Something" off Vol. 2, A Laptop Chronicle. It samples "Baby Come Back" by Player waaaaay back in the day. Prolly better known for this dumb commercial than the original, though. Everyone loves this sample. It's frickin' great. Download it and pass it around.

... put 'em both together and you got yourself a super spork.

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Friday, May 1, 2009

Classic: Do You Like the Way


Carlos Santana is the most relevant ancient musician ever. No shots, but his one guitar setting is probably the most distinctive, recognizable sound in music today. Every time you hear that high pitched wah ... yup. That's Santana.

And it's even better when you factor in that your favorite musician has prolly collaboed with him before. Or multiple times if you're a big fan of Shakira, Lauryn Hill, or Nickelback. And in the vain of some of the greatest collaborations ever, I present you with Santana shredding like a Mexican cheese greater over my two favorite soul singers of all time. Even if one only raps her part.

Santana - Do You Like the Way (feat. Lauryn Hill & Cee-Lo)

Ms. Hill is fierce on the mic regardless of the subject or backdrop provided. And Cee-Lo at the top of his lungs is a wonder for the world to be hold. I think I might even like the live version better, though. It has all the grittiness intact that makes the song even more ridiculously soulful and perfect. And just completely by the way ... Lauryn is absolutely sexy in this video.



... put 'em both together and you got yourself a super spork.

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