So this year was a weird one in the rap world. For the first time ever, the mixtape game caught up and lapped its secular album counterparts. To reflect that, I'll have a separate EP/mixtape Top 10 because there honestly would only be about 3 of these joints that would survive on a combined list. That's dirty. Unless some record exec comes up with something serious, this industry's gonna die a whole lot sooner than later. There's only gonna be like three and a half dudes left that could put out hit albums from any given genre. Or albums are gonna be weeded out altogether and you're only gonna be seeing singles for the rest of forever. Oh well. Let's move on, shall we, with the few LPs that did escape the grasp of the label heads. And we'll make no further mention of Robert Plant, ever.
10. Asleep in the Bread Aisle - Asher Roth
Yes. This shows how lacking 2009 was. But I can't lie, the album that was forced out immediately on the inexplicable hype of "I Love College" had some quality to it. If you wanna go back and read my track-by-track Twitter review, go ahead. For a few months at least, the resident thugs of rap were asked to step aside and make way for the MTV-friendly blonde frat boy who could twist a rhyme scheme a lil' bit and make all the teenage girls swoon. He was just as easily discarded from the limelight, but not before the blog campaign to support the guy's debut album as the first 09 Freshman to get a release. With strong features such as my man Cee-Lo, Miss Keri Hilson, double time Busta Rhymes, pre-Jigga-hating Beanie Sigel, and the always great Slick Rick, I genuinely enjoyed approximately 85% of this album. When avoiding the topic of weed smoking and hitting on anything that walks, Asher can be pretty interesting. Who knows if the guy will ever recover for a major sophomore follow-up, but he undeniably had his impact on 2009. Surprise track: "Fallin'"
9. Brooklynati - Tanya Morgan
These guys came to Lexington last semester for a show and I'm very proud to have attended. The trio with a girl's name released Brooklynati to their cult-like following those privileged enough to be amongst them knew what to expect. With Ohio natives Ilyas and Donwill plus the Justus League's resident New Yorker Von Pea, Tanya Morgan is all about the rapping. With stylistic inspiration of the old Native Tongues crew and the Soulquarians, all the production by Von Pea and Brick Beats nestle in on a range of boom bap to soul hop. Jermiside, Phonte, Che Grand, Kay, Blu, and even Ms. Info all join the party on features. The hook are most always chant worthy and transitioned perfectly into their hyped live show, which forever cements this album as essential in my book. Brooklynati is fun, lighter listen than the rap world's grimy alternatives. It's all about style and dopeness with this crew who you can tell just loves hip hop more than the majority of rap acts out. Surprise track: "Hardcore Gentleman"
8. This Perfect Life - Charles Hamilton
Yes, I know this never got its proper release. But it should have, so we'll treat it like it did. I already gave a long rundown of the circumstances around this project, so I'll just talk about the music itself. This was unfiltered CH. It was completed before the industry exile and represented all the aspects of composition that Charles loved to experiment with. The beats were all self-produced with heavy drums over roughly chopped samples that had been utterly decomposed. And over this signature lo-fi sound, Charles rapped in his free-associating, lazy manner while distortedly crooning on the hooks. Each song was heavy on this album. Whether discussing the industry, racism, or the motivation to live, Charles did it his way and with witty thoughtfulness. This music was the epitome of his bare-all diary reading, making it everything that caused his fans to connect with him on the most instinctual level while it also was exactly what made his detractors disregard him in the first place. You either love or you hate this failed Interscope CD. Just like you do with all of Charles' music. Surprise track: "Post-Lynching Ceremony"
7. Padded Room - Joe Budden
Joey's another hate-him-or-love-him type of emcee. Especially when he's on his mentally tortured steez. This album is the second in a series of (kinda) conceptual releases. Besides a couple of weird momentum shifters, this record's pretty much halfway to an old school Eminem-type project minus the white boy angle and at half the speed. Filled with hallucinations, drug binges, depression, and suicidal notions, Joe narrates you through his inadequacies in life. The main problem a lot of people had with this release was the lineup of unknown producers. I'm not going to give him the Nas title of having a lead ear, though. I don't mind most of the beats, even though some of them seem to fall short in contributing to the darker mood that you'd assume he would've wanted. And I'm never one to complain as long as Budden is going on thought-provoking rants or just simply telling a story about whatever. Somehow this is technically his sophomore release, but that's a nonexistent point with Joe's veteran status on the mic. While it doesn't always stay on track from song to song, I don't really care. If you don't mind your hip hop in emotional turmoil and somewhat disorganized, then this will be found in your rotation. Surprise track: "Exxxes"
6. Slaughterhouse - Slaughterhouse
The blogosphere's darling supergroup actually got a release. Color me surprised. New Jersey's Joe Budden, Detroit's Royce da 5'9", New York's Joell Ortiz, and Los Angeles' Crooked I all took a pause from their mixtape campaigns and joined together to make the hardest album lyric-by-lyric in years. Sure, it's a lot of murder, murder, murder talk, but when the emcees doing the talking can rap like these four can, it's anything but recycled. In my opinion, you know you're dope when people can't agree on what to hate on you about. I read some reviews saying that Slaughterhouse is too monotonous with their hardcore lyrical aggressiveness on every track. But then I also read some reviews complaining about the concept tracks of "Pray", "Cut You Loose", or "Rain Drops" when they switched their collective style up. So ... ya know. This album, bar for bar, is stank-face-inducing. But I have to air my one and only gripe ... You should NEVER have Pharoahe Monch on your tracklist and confine him solely to a chorus. It's a dope track, but "Salute" could have been an all-timer with a single additional 16. Ha. Surprise track: "Not Tonight"
5. Attention:Deficit - Wale
I feel like this album got the "disappointment by popular demand" treatment. You know, when something's really dope, but everyone listens (or doesn't listen at all) to it after they've read that it's a sellout attempt that couldn't compare to The Mixtape About Nothing. And then that person perpetuates that one quotable description and everyone jumps along with it. Attention:Deficit is dope. Yeah, he has commercial features by Lady Gaga and Gucci Mane on his singles, but he also K'naan and J. Cole features along with BKS and Dave Sitek beats. Is that selling out, too? And I don't care how dumb Gucci's mumbling rapping (I had to fight myself to not put that in quotations) is, nothing could ruin the inerrant greatness of "Pretty Girls" as a bomb single or any other classification. Dude puts a go-go singer that all of us non-DMV residents have never heard of and it rocks like none other. Wale's musical stylings are still the same as any of his other projects, his awkward rhyme schemes at times are still there, his punctuating punchline referencing is still adamant, and his diverse subject matter is still present. The quality gap between this debut album and his mixtapes that reviewers quip about simply isn't there. If you liked Wale before, you'll enjoy this album and spin it ridiculous. Don't believe the non-hype. Especially if you extend your iTunes version of this album by tacking on the joints that didn't make the cut, like "Ice & Rain", "Letter", and "Bittersweet". Surprise track: "Contemplate (feat. Rihanna [sampled, but close enough])"
4. The Blueprint 3 - Jay-Z
I don't care what anybody accuses this album of being. This is destined to be a classic in my book. With three legit smash singles in the calling-out of "D.O.A.", the (NWO) anthemic "Run This Town", and the hometown opus "Empire State of Mind", this album easily meant more to commercial hip hop than any other release last year. But the heart of it to me is the deeper digging chemistry of Jay with Kanye and No I.D.'s work on the boards plus all the chances that he took with hip hop's newcomers. Some call it a desperation reach to remain relevant, but I see his collaborations with J. Cole, KiD CuDi, and Drake as spotlight generosity. His album was gonna be on easy platinum status whether or not anyone else was on it, so don't kid yourself. And if you were lucky enough to get in on a leg of the Blueprint 3 tour, then you heard, saw, and felt the purpose that each track served. Hov brought back his quiet flow, experimented with some techno sounds, and even threw out a full blown indie collabo with Empire of the Sun. It's already cliche for me to repeat, but if you want the old Hov, buy his old album. Surprise track: "Venus vs. Mars (feat. Cassie/Beyonce)"
3. The Element of Freedom - Alicia Keys
I think it's her best album. If I don't know what to listen to at any given minute, I scroll down just a little bit through the A's and double-click that gorgeous spoken word intro and let this album ride. Ms. Keys (I will never refer to her as Mrs. Beatz) creates some of her most catchy melodies and accompaniment of her career and still somehow finds a way to take her vocals to different places even on her fourth album. It only takes managing to get to track 2 ("Love is Blind") to find that out. The LP's sole blemish is the God-awful Beyonce collaboration, "Put It in a Love Song". Alicia rarely does any collaborations in any way, shape, or form, and this track kinda shows why the majority of pop artists probably shouldn't break into her artistic circle. Forgetting that that song exists ... the three lead singles ("Doesn't Mean Anything", "Try Sleeping with a Broken Heart", and "Empire State of Mind, Part 2") are all anthemic and have already carved up the charts. The insanely classic "Un-thinkable" that just so happened to be written by Drake needs some single treatment, too. That cut is too big to be denied. Alicia is 4 for 4 on studio projects and I don't think she could drop a disappointing album if she tried. Surprise track: "Love is My Disease"
2. Man on the Moon: The End of the Day - KiD CuDi
This debut destroyed any defining barrier that was possibly left in hip hop. No one can convince me otherwise. CuDi hit the emotional vein of a generation of listeners who have never heard someone live through their music for them. Kanye tried, but he'd already been rich and critically acclaimed ten times over again by the time 808s came around. So while Kan's music was easily full of brilliant expression, CuDi hits that nerve in a more genuine way and did it on his very first attempt. He sorta rapped and sorta sung his way into the consciousness of a fan base that he created himself. He didn't go out seeking his niche in music, he just made it and let people flock to it as they pleased. Yeah, "Day N Nite" was a smash hit that was released years before this album dropped to the public, but that joint was included on this album by default of the record label. Man on the Moon is about a journey. An incomplete journey. An incomplete journey filled with lowest of mistakes followed up by five minute highs and rounded off by further disappointment. It's about not being good enough and knowing that even though you're not good enough, sometimes that's good enough. It's about not understanding your purpose. It's about knowing that even though you may never know your purpose, the journey to try and understand it anyways may very well be your purpose. It's about being the man on the moon. And KiD CuDi managed to pick the most epic instrumental landscape ever in which to articulately melodicize his way through this journey. And it would have been the album of the year in pretty much any other year ever. Surprise track: "Up Up and Away"
1. BLACKsummers'night - Maxwell
The first time I heard "Broken Wings", I knew this was gonna one of my favorite projects of the decade. I admittedly had to do some Maxwell research as I came to my age of musical appreciation right in the middle of Maxwell's hundred year break from music-making. But that hiatus only made this album more perfect. And let me emphasize the last word in that sentence. Perfect. This LP, though only 37.3 minutes long, is perfect. Each of the 8 songs, plus the musical outro, is perfect. Maxwell has as distinctive a voice as anyone in music history and he uses it to its full effect crooning over every track of his own production. I've listened to this whole project 22 times straight through. And that says nothing to the spins of each individual joint. I can't imagine a greater R&B record than this. I literally can't. While I thoroughly enjoy contemporary artists such as John Legend and Anthony Hamilton who are insanely great at what they do, no one I've ever heard has crafted an album like this down to every micro-detail of its development. I guess some of the greatest music ever comes in the briefest of packages. From "Bad Habits" to "Cold" to "Pretty Wings" to "Help Somebody" to "Stop the World" to "Love You" to "Fistful of Tears" to "Playing Possum", Maxwell crafts an immaculate atmosphere of absolutely wherever he wants to take his listener. While you may think the subjects of heartache and desire are familiar, this album is enough to make you rethink that. The brevity keeps you dying for more of this audible experience. I cannot articulate how much I need blackSUMMERS'night and blacksummers'NIGHT in my life. And my future woman's life. Surprise track: "Playing Possum"
... but do take my word for it.
Showing posts with label Joe Budden. Show all posts
Showing posts with label Joe Budden. Show all posts
Friday, February 26, 2010
Best Albums of '09
Sunday, August 2, 2009
Slaughtered
Just got through listening to the entire new Slaughterhouse tape and I gotta say ... I am not disappointed. The stuff that I've been reading has people complaining that they didn't come crazy hardbody for 15 straight tracks but ... if they did the exact same emotion every track then they'd be complaining the tape was redundant. I pretty much feel the entire album in its whole. It's hot. Trust me.
"Rain Drops" featuring Novel is an instant classic in my book. Just saying. Again. But I don't want to post any of the actual album cuts, so I put together an impromptu EP (read: copied into a random folder) of all the Slaughterhouse jams that were released prior to the real thing in random projects or just loose non-LP singles. So here ya go! You're welcome. Unless you're an avid hip hop head already. Cuz then you'd definitely already have each of these, easily. And as a side note: how sad is it to be Nino Bless in this equation? He was literally on the very song called "Slaughterhouse", with the first incarnation of the collective group, except at that point it was just a random super-collaboration track that read as featuring Joe Budden, Nino Bless, Joell Ortiz, Crooked I, & Royce da 5'9". But then the other four went and had to build a supergroup without him? Man. That would suck. Anyone else looking out for the new Nino Bless record now? Hmm ...
Slaughterhouse -
1. Warriors
2. Slaughterhouse (feat. Nino Bless)
3. Onslaught
4. Flight Club
5. Wack MCs
6. Woodstock Hood Hop (feat. M.O.P.)
7. Money On the Floor (by Corte)
8. Move On (Slaughterhouse Remix)
Tuesday, March 3, 2009
Exxx-Girlfriends
Straight dirty, so don't download if you have sensitive ears, but I just really like this song.
This beat is something I'd kill to have. The gentle acoustics come off so hauntingly awesome. Joey dominates the chorus, though. Not sure if I could one up that. I really like the 9 or so songs I've heard from Padded Room, but it, as all albums (I digress), has gotten terrible reviews by heads as a 6 year late sophomore effort. But it got great reviews by mainstream mediums that only hit audiences who wouldn't buy a Budden album anyways. I'm definitely gonna cop it at some point, though, when we cross paths.
What could never get a negative nod is if a Slaughterhouse record actually pops up at some point. That would be a straight miracle.
Sunday, February 1, 2009
Best Songs of '08
10. "Who" - Joe Budden
16 minutes of hip hop dissertation. Joey is the rapper I want at Senate hearings waxing poetic. Who ruined hip hop? The rap world points lots of fingers, and all targets are dissected here. I can't explain anything better than simply listening to this track would. Perfect example of blogging on beat. (c) Charles Hamilton
9. "Going On" - Gnarls Barkley
Truthfully, I could simply put The Odd Couple track list on here and feel justified. But this is the one that squeaked slightly ahead to blow my auditory system away. The beat comes in resounding majestically as Danger Mouse is so accustomed to doing, and Cee-Lo soulfully and lyrically traces the soundscape like something else. "The touch and feeling of free is intangible, technically. Something you've got to believe in." There's an immediate sense of specialness in great songwriters, and Cee-Lo definitely has it.
8. "Street Lights" - Kanye West
Spoke on it a couple times already, but I think this song is gonna be a staple on soft rock stations in future decades ... if there are still soft rock stations in future decades. The melody of this song is simply intoxicating and you'll know every single word after first listen. Kanye has an amazing ability to select a distinctive noise and turn it into an integral portion of the overall composition. Exhibit A is the first noise of whatever instrument you hear once this song starts. "See I know my destination, but I'm just not there." A masterpiece among many on 808s.
7. "Playing With Fire" - Lil' Wayne
This is Weezy's lane. His strength as an emcee is in his vocal inflection and amorphous flow. As seen by its ranking in my '08 Top 10 Albums, the latest Carter was very impressive to me as a not-exactly-fan of Dwayne. The story is emotively invoking and listener-involving and I can't ask for a whole lot more and still hold my non-hater card. Personally though, I think this is as far as he should have ventured into rock music, but who am I to tell the (self-proclaimed) best rapper alive what to not do? All in all, too bad the song no longer exists because of Rolling Stones sample issues.
6. "An Ocean of Stars" - brandUn DeShay
It's not like his whole mixtape wasn't absolutely amazing, but this is the song that slapped me in the face. Ranks up there with the greatest all-time stories ever told in a rap song. And I'm talking "Renee" and "Children's Story" and "Art of Storytellin', Part 4" up there. No joke. This song consists of the most saturated metaphors you'll find this side of a Lupe cheeseburger song and yet they're all relatable and understandable. "I said I could take you higher." Yup. brandUn's a beast. Expect Volume: Two! for the Show to be in on the '09 best-of lists once it drops. Guaranteed.
5. "I'll Be in the Sky" - B.o.B
Some have said Bob is almost too 3000-like. Maybe that explains why I'm drawn to his music so naturally. But I don't think that's it. I'm pretty sure it's more cuz he's so ridiculously talented and has the uncanny ability to spit about something interesting and couple that with stellar unique beats and catchy choruses and still be distinctive. Wait ... that sounds like Andre. Crap. But I swear to you, this song reeks of Bob and no one else. You'll have the piano accompaniment stuck in your head the rest of the week. And you won't even be annoyed by it.
4. "Royal Flush" - Big Boi feat. Raekwon & Andre 3000
This dropped crazy early in the year, but it's frickin' OutKast and Wu-Tang!!! Even though Big's album is delayed like crazy, this single is flexing lyrical firepower. Big succinctly dissects world issues and reminds you who he is and why you better pay attention, Chef spits classic hypnotizing Wu matters, and finally 3K flies off somewhere else and chronicles his and your life in more bars than any other rapper could fill with name drops. "Do you B) hit the streets hard with a flare? Or do you A) go to school for heatin' and air? Dare make an honest livin'? Or make a crooked killin'? Do a little bit of both until you're holdin' on a million?" That is OutKasted. Are you ready for potentially 3 records this year from the two dope boyz prolly currently driving in something else besides a Cadillac? I don't think you are.
3. "Love Lockdown" - Kanye West
I'm still not tired of this song yet. I can't tell you how fiendishly I check the net for when this would finally leak. I bumped the live VMA rip countless times waiting for it in full glory. And with all of Ye's re-tweaks, the product was perfected as the love-or-hate R&B venture of one of the world's few true rock stars. The music video still freaks me out, but I love it. I've just been enraptured by the composition and direction of the song since its first public inception. You may be almost too used to it by now from the radio, but this song sounds absolutely nothing like any other R&B or rap composition and while the lyrics are somewhat generic, they're genuinely heartfelt and meaningful to anyone. It was a completely different direction from a completely different artist that no one foresaw. And, again, either you love it or you hate it. But I'm leaning more towards the former.
2. "Air Conditioner" - Charles Hamilton
The song that cemented my view of Charles Hamilton as the real deal. It features his signature distorted/echoed/layered chorus that completely overrides his self-proclaimed lack of singing ability and metaphorically explores life through the breeze of an air conditioner. His flow is so laid back, but accentuates the smooth humming sample loop and tells a love story (imaginary or not) that's simply thoughts resting rhythmically on a bed of cool music. "Because you're not even real (I feel you), therefore you gotta be real (I'm near you), and yet you follow me still (my rear view), shows where you are." That chorus is imprinted in my mind more than anything else in the world ... Except ...
1. "Day N Nite" - KiD CuDi
"The lonely stoner seems to free his mind at night. He's all alone, some things will never change. The lonely loner seems to free his mind at night. At, at, at night." I'm convinced. Trust me. Single of the year. Cudi made people wanna flow like him.
Top 10 Songs of '08 zip [DOWNLOAD IT]
Monday, January 19, 2009
Don't Fight Joe Budden
Ouch. The newest and definitely most interesting beef in hip hop today is Joe Budden vs. Saigon. Budden holds his fame from his huge club record "Pump It Up", an impressive mixtape series of Mood Muzik I, II, & III, plus his constant label trouble and reoccurring beefs. Saigon is famous for his highly emotional street records, never having an album released, being on Entourage, going to prison, and quitting the industry all together (...) over a MySpace blog.
It all started over a Joe Budden freestyle punchline which he's said was not meant to mean anything serious. Sai, though, took this as a call to arms and started a war he hoped he could out-flex his way through. Now this really sucks cuz I definitely like the previous material I've heard from the man a lot. I'm sure he's got the short end of a lot industy-wise, but he's always picked the wrong outlets to voice his frustration through and oftentimes comes off looking like a 'roided e-thug just wanting to pick fights. But his words on wax amount to so much more than that. And that's where my constant frustration with him lies. He fueled the wrong fight with the wrong rapper.
Joe Budden has voiced his own against the likes of Jay-Z, G-Unit, The Game, Mistah F.A.B., Ransom, Glasses Malone, Royce da 5'9", and now Saigon. Thankfully, the ones with Game and Royce resulted in amazing collaborations upon making up later. Can't beat that with a gat. The others ... not so much. Here's the line in question that started the Yardfather incident: "soon as my wife gone, they jump on the python, she ain't know I’m out to hit and run like Saigon." Joey, as he is a master at crafting relevant punchlines, simply stated here why Saigon went to jail. Sai didn't see it that way. So ensues the next beef hailed for the ages. Well ... prolly not, but oh well. Here's the three part back and forth between the men so far.
So there's those. For using his own instrumental against him and going five minutes hard, Joey wins. I don't think Saigon can even come back with anything after that. I hope for the best out of both of their upcoming albums (if either is ever released), cuz they both got their lanes still in the game. Saigon is just off-roading for a minute. Let's just hope he doesn't wear down his tread hitting the wrong pot hole. That metaphor went on three sentences too long. Now I could pull out Budden's old ether, but I wanna promote beef resolution with these two post-hatred products.
Are you in them shoes yet???
Monday, January 12, 2009
Classic: Three Sides to a Story
This song moved me when I first heard it. How many times do you think you would spin a 7 minute record? I had to listen to it four times in a row right then. And countless times after that. A story so vividly spoken and interwoven along three verses with their corresponding points of view and timelines all funneling to a chilling third-person narrative ending ... I still get chills.
It kills me cuz Joey did this strickly for a mixtape. Not even Steven Speilberg could have improved on this epic. Pleeeease listen to this song. It's retarded good. I don't feel like I can list the characters' names cuz even that's revealing too much. I got nothing else to say.
Sunday, December 7, 2008
Dear Diary ...
I did a word association post way long ago about my favorite songs featuring the word "nobody". And I wanna do another one. So I'm gonna do another one. Here's another one.
The Idle song uses the same instrumental composed by Alicia, but everything else is 100% original. Idle Warship is another Talib Kweli group to join the ranks of Black Star, Reflection Eternal, and Liberation. Dude's starting to get an alias complex like MF Doom or Madlib ... connect those dots ...
It's really sad back in the '90s that Nas offed Cormega. If he hadn't, Mega prolly would be in everyone's top NY rappers list ever. Dude's got a real heavy poetic influence in his rhymes for such a hard-persona emcee.
But Ms. Keys' "Diary" is one of my favorite songs ever. Forever ever. There was a point in my life last year where, I swear, I had to watch the video for that song on my iPod every single night or I couldn't fall asleep. She made me content like nobody else could at 1:30 on any random night. Below isn't the video I'm talking about, but it's a taste of the song.
... and so concludes another masterpiece
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