Showing posts with label Q-Tip. Show all posts
Showing posts with label Q-Tip. Show all posts

Sunday, September 26, 2010

Kweli vs. Kanye

In Kanye's College Dropout outro, "Last Call", Ye says the following about Talib Kweli:
"My relationship with Kweli I think was one of the best ones to ever happen to my career as a rapper. Because, you know, of course later he allowed me to go on tour with him. Man, I love him for that."
That's enough for me to compile a "Favors" segment on them. From Quality to the aforementioned College Dropout to as recent as Ear Drum, this one-time underground duo traded bars. They have extensively more stuff together, but it's all Kweli over Kan beats on albums and unreleased compilations alike, like on "Young Man", "I Try", "What I Seen (Lonely People)", "Get By", "Good to You", and "Momma, Can You Hear Me". But I decided to just link up when they were both vocally on the same joint. You just gotta deal with it. Or utilize Google.

2002
Talib Kweli - Guerilla Monsoon Rap (feat. Black Thought, Pharoahe Monch, & Kanye West)
Talib Kweli - Get By (Remix feat. Mos Def, Jay-Z, Kanye West, & Busta Rhymes)
2004
Kanye West - Get 'Em High (feat. Talib Kweli & Common)
Consequence - Wack N****s (feat. Kanye West, Common, & Talib Kweli)
2005
Kanye West - We Can Make It Better (feat. Talib Kweli, Q-Tip, Common, & Rhymefest)
2007
Talib Kweli - In the Mood (feat. Kanye West & Roy Ayers)

... and do the John Wall.

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Monday, April 27, 2009

Do Em All Over Again


Back around '06 when I was in my CD collecting prime, I made sure and copped Hi-Tek's Hi-Teknology 2: The Chip on the strength of the guest features plus Reflection Eternal's classicness. It remains one of my absolute favorite gems of a CD. Unfortunately, I think it turned out about 17 times better than Hi-Teknology 3. That one kinda made me sad.

Tek's production was so perfectly refined. Every song created a highly unique atmosphere to go with perfect selections of guest emcees. And featured singer Dion lent his chamelion-like crooning to a few of the cuts keeping subject transition smoother than anything you could ever imagine. It's so hard for me to choose a favorite track off the project. "So Tired" comes on the ridiculously laid back tip with Bun B and Devin the Dude lending their expertise. "Where It Started At" is one of the few believable NY anthems featuring a crazy collective of Kweli, Jadakiss, Raekwon, and then-relevant Papoose. And "Keep It Moving" has my favorite suprise deal emcees with Q-Tip and Kurupt perfectly complementing each others' 180 degree style differences.

But I think my favorite is churned out by the collaboration of Tek, his father, Wu-Tanger Ghostface, and the unknown Pretty Ugly. It's one of the most genuine chick joints I've ever heard. It's so much more than the usual "girl gone wrong" tracks that are prevalent in hip hop nowadays. Maybe the immense production sets the metaphorical and aural tone immediately. This story makes me feel like I actually knew Josephine. Maybe I actually do. Maybe I know a couple of her.

Hi-Tek - Josephine (feat. Willie Cottrell Band, Ghostface Killah, & Pretty Ugly)

It's the acoustics. It's the gentle, but excited, piano keys. It's the chord progression highlighted by synth touches and choral portions of the bridge. It's the chemistry between Tek's older generation father singing the chorus introducing a woman's story that's picked up by the younger rappers. It's just a really nice finished product. Too many songs have a certain aspect of it that's great, but you're disappointed by the whole thing itself not living up to its potential. This song fulfills. As does the rest of Tek's second magnum opus.

... put 'em both together and you got yourself a super spork.

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Thursday, January 1, 2009

Blank


I've been dookie on updating this since I've gotten home for the semester. Truth be told it's cuz I was sleeping. And watching the Lakers send the Celtics into a dismal spurt. Hahahaha. Been waiting since June for that one.

But I can make it better.

Today [January 1, 2009] will be my day of music making. For all intensive purposes, I'm spending the entire day over at Shtee's house and we're making clash-of-the-musically-inclined-minds "compos". (c) brandUn DeShay

Everybody's been so cool to me when they hear about the lil' deal, and that's prolly given me more motivation to make the best collection of sound I can over the next two months. I want every millisecond of these songs to be a hundred times better than anything on any of my mixtapes. I want to be able to listen to my own stuff for the first time because I'm funneling it from God instead of me, and I'm very willing to listen to Him. I don't wanna disappoint me or my A&R or anybody who would actually get hyped at the potential of hearing me on wax. I've always had my words, and now I just gotta find brand new beats for them to nestle into.

Shout outs to brandUn DeShay, Charlie Hilton, Praverb, and other open-minded and well-intended musicians. You all make yourselves better every day as well as the people around you. And, not to ruin one of my inevitable 2008 lists, thanks to Charles Hamilton who achieved becoming my favorite rapper this last year. Kind of a big deal.


I just really like this song. It's my corny "ring in the new year" song I decided to choose as I rolled through my 17,423 iTunes songs.

... this was whatcha all been waitin' for ain't it?

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Friday, October 24, 2008

The Cipher: Bittersweet


In its short three years of existence, the "Cipher" series has gained quite a bit of recognition as the solely reserved non-industry segment on the BET Hip Hop Awards. On the surface that's all quite apparent. While it's sad that grouping legitimate emcees in a celebration of the true foundation of rap is relegated to a few two minute segments yearly, I'm obviously happier that BET puts them together rather than not. And all praise for DJ Premier scratching every year.

BET Cipher Series - feat. Everybody

But I still feel I'm watching an eerily sold out product even though I enjoy every single addition to the series. It seems that BET makes this the annual equivalent of "Saturday sinners, Sunday morning at the feet of the father." (c) Talib Kweli

It's like the producers are trying to make up for all of the garbage they flood the masses with every single day by putting together a cut that'll have all the hip hop heads celebrating. Here are a few reasons why I so strongly get that vibe in elaboration after I've just got done bobbing my head and cheering.

1. Rappers are prominently featured that BET could absolutely not care any less about.
There was a big debacle that I remember awhile back about a Little Brother video being blacklisted from the station because their video was, infamously quoted, "too intelligent." Fans were in a big ole uproar over it, especially since The Minstrel Show was just such a monstrously dope album altogether. But when the next year came around, Phonte got a lead spot in a cipher. A more recent and even quicker-responding example is Q-Tip, whose video was also disgustingly quoted as being ... "different" as a reason for why it wasn't on online polls to be put on 106 & Park. And guess who gets a closing cipher appearance before his album even drops?

2. Nothing wrong with international rappers, but interlingual?
There's just something about a rapper spitting in Japanese while the dudes around her "ooh" and "uh" as if they're hanging on every punchline. For me personally, it's hard enough to pay attention to Dizzee Rascal's heavy accentuation, much less the aforementioned Hime or the French Flo or K'naan slipping into Somalian. Unless Fuse TV is on the brink of buying out BET, these artists have no chance of ever getting another two milliseconds on the station. And I'm serious, Willy Northpole was sweating Hime's tanka usage.

3. Hurricane Chris got a spot in there ...
Yeah. I know everybody's waiting for next year's Rakim-Lady Sovereign-Soulja Boy spit down.

Now I just gotta say it again, I absolutely love these cipher segments! But you know when something seems a little too good to be true and you just know the motives behind it are in no way honorable? I can't complain about the final aired product, though. I'll suffer through an I-don't-know-why-everybody's-bigging-upping-him Ace Hood verse if it means there's gonna be a Lupe, Rhymefest, or Jadakiss to come correct afterwards. Maybe if BET replaced Rap City with some form of a Cipher show that actually showcased real talent on a regular basis then I'd shut my mouth and actually enjoy the thing.


They say the game got the belly of a beast ... (c) Lupe Fiasco

... and so concludes another masterpiece

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