Wednesday, October 20, 2010
Comeback #8: So Like a Pip, I'm Glad it's Night
In going the reverse order of UGK and OutKast's previous collaboration, Dre started things off before the drums even kicked it ...
UGK - International Players Anthem (I Choose You feat. OutKast)
So, I typed a text to a girl I used to see
Sayin' that I chose this cutie pie with whom I wanna be
And, I apologize if this message gets you down
Then I CC'd every girl that I'd see see round town and
Hate to see y'all frown but I'd rather see her smilin'
Wetness all around me, true, but I'm no island
Peninsula maybe, makes no sense. I know, crazy
Give up all this pussycat that's in my lap, no lookin back. Spaceships
Don't come equipped with rearview mirrors, they dip
As quick as they can. The atmosphere is now ripped
I'm so like a Pip, Im glad its night (Gladys Knight)
So the light from the sun would not burn me on my bum
When I'd shoot the moon high, jump the broom
Like a premie out the womb, my partner yellin' "Too soon!
Dont do it! Reconsider!
Read some litera - ture on the subject."
You sure? F*** it
You know we got your back like chiroprac-
-tic. If that b***h do you dirty
We'll wipe her a** out as in detergent
Now hurry hurry, go on to the altar
I know you aint a pimp but pimp remember what I taught ya
Keep your heart 3 Stacks, keep your heart
Aye, keep your heart 3 Stacks, keep your heart
Man, these girls is smart, 3 Stacks, these girls is smart
Play your part, play your part
Only Dre can rub in the fact that he's leaving all these other girls dry and still sound like a gentleman. It's the same ole pimp-turned-husband story but 3000 articulates it better than anyone else ever could. The wetness/island/peninsula/makes-no-sense lines are ridiculous, the spaceships/rearview mirrors/atmosphere lines are monstrous, the premie/too soon lines are sick, and the sounding-out of Gladys Knight just takes the cake. It completely went over my head on first listen, which makes the replay value that much more enjoyable. And even though Big Boi pulls out the big guns with some chopped-n-screwed bars to close out the song, no one was able to steal the spotlight from Dre. It was his fake wedding, so it's only appropriate.
... and Free Enes.
Friday, October 15, 2010
Comeback #7: Take Your Corn on the Cob
Even though Devin the Dude is notoriously redundant, he's always got some super slick joint that creeps its way into the forefront conscious for hip hop heads. In 2007, that song was "What a Job". Off of his Waitin' to Inhale LP, this joint (no pun) was hailed as an instant classic by any and everyone in the know. While the initial breakthrough of this project was the Weezy and Bun B-featured "Lil' Girl Gone", it was quickly usurped by "What a Job" and two other legends who joined the Dude to lend their vocal prowess. It had the jagged off-key crooning sample laced in the easy riding beat, a smooth Devin chorus singing about (of course) the substances needed to get through the night of recording, one of the few recent inspired Snoop verses, and the already-assumed genius of a closing verse tinged with a couple falsetto bars by Dre. Plus it didn't hurt to bring together Los Angeles with Houston with Atlanta for creative hip hop's sake.
Devin the Dude - What a Job (feat. Snoop Dogg & Andre 3000)
We work nights, we some vampires
Aggins gather round the beat like a campfire
Sangin' folk songs, but not no Kumbaya my Lord
You download it for free, we get charged back for it
I know you're saying, they won't know, they won't miss it
Besides, I ain't a thief, they won't pay me a visit
So if I come to your job, take your corn on the cob
And take a couple kernels off it that would be alright with you
Hell no! Yeah, exactamundo
But we just keep recordin' and it ain't to get no condo
And Candy Bentley, fanny with no panties in Miami
And that cute lil' chick named Tammy that you took to the Grammys
See we do it for that boy that graduated
That look you in yo eyes real tough and say 'preciate it
And that he wouldn'ta made it if it wasn't for your CD number 9
And he's standing with his baby momma Kiki and she cryin' talkinbout
That they used to get high to me in high school
And they used to make love to me in college
Then they told me 'bout they first date, listenin' to my tunes
And how he, like to finger nail polish
I say hate to cut you off but I gotta go
I wish you could tell me mo', but I'm off to the studio, gotta write tonight
Hey, can you put us in your raps? I don't see why not
Devin, it's the Dude, you gon' probably hear him talking 'bout ...
I guess the key is that you're only able to not sound like a douchebag while complaining about illegal downloading if you sing about it and metaphorically compare it to corn kernels. Bingo. And who else could talk about some fans he encountered and how they wanted to randomly be dropped in his song ... thereby officially being randomly (yet seamlessly) dropped in his song! And then there's the implementation of different flows and shock bars that turn out to just be about ... nail polish. Crazy stuff. 3000 stays unblemished on his slow-rolling comeback tour.
... and Free Enes.
Thursday, October 7, 2010
More Sir Lucious Left Foot
Today's "Bonus" segment takes us to the newest output by half of OutKast. The album would have featured both halves, but you know how label politics go. Good thing we got the internet giving us the concealed collaborations for free, right? Since Sir Lucious Left Foot was rumored to be almost-released for three straight years, there were plenty of tracks that fell through the cracks of getting stale or simply replaced. This is the place for those tracks. And I decided to throw in "Lookin' 4 Ya" as track 10, which Big said on Twitter is where it should have been anyways. Adjust everything else accordingly, Kast heads.
Bonus Tracklisting
10. Lookin' 4 Ya (Jedi Remix feat. Andre 3000 & Sleepy Brown)
17. Theme Song
18. Shine Blockas (Remix feat. Gucci Mane, Bun B, & Project Pat)
19. Royal Flush (feat. Raekwon & Andre 3000)
20. Sumthin's Gotta Give (feat. Mary J. Blige)
21. Dubbz (feat. Backbone)
22. Follow Us (Remix feat. Vonnegutt)
23. Tangerine (Remix feat. Rick Ross, T.I., Bun B, & Khujo)
... and do the John Wall.
Thursday, September 16, 2010
Private Affair
Funny that the only picture of Trae and Lupe I could find had the last "Favors" features ...
Trae - Bad Don't Seem So Wrong (feat. Lupe Fiasco)
CunninLynguists - Nothing to Give
... and do the John Wall.
Friday, September 10, 2010
Vizzy Vizzy Vizzy Vizzy
I root for XV. The guy makes really, really good music 85% of the time. Great stuff. And his newest effort even ups the ante as he only has one major miss in the catastrophic "Gettin' Busy". Everything else is great. Even though it never made it onto wax, I did love the fact that he gave my dude brandUn DeShay a winning verse on his "Bruce Lee" contest joint. I've been checking for XV's stuff ever since, even though he had a day-and-a-half squabble with Charles Hamilton. But then again, who hasn't? Vizzy has quite a line-up with him on this one with guest features from Talib Kweli, Mike Posner, Killer Mike, Colin Munroe, GLC, and more plus the production of Seven, Omen, and Woody. That's on some other kind of indie monstrous.
XV - Vizzy Zone
Tracklisting:
1. Theme To Vizzy Zone
2. The Flying V
3. Tunnel Vision
4. Gettin' Bizzy
5. We Zonin'
6. Reset Button (feat. Talib Kweli)
7. Nevermind
8. She Go, I Go (feat. Chiddy Bang)
9. Falling Awake
10. Mirror's Edge (feat. Mike Posner)
11. Vizzy Zone (feat. KiD CuDi)
12. Passport
13. Isn't It Awesome
14. May The Force Be With You (feat. Killer Mike & Mac Miller)
15. Familiar
16. Best Is Yet To Come (feat. Colin Munroe)
17. Ending Credits (Interlude)
18. Talk My S***
19. Mirror's Edge (Remix feat. Bun B, GLC, & Mike Posner)
... and do the John Wall.
Bull$#!@ing
Big Sean - Finally Famous, Vol. 3
Tracklisting:
1. Final Hour
2. Meant To Be
3. What U Doin? (Bull$#!@ing)
4. Money & Sex (feat. Bun B)
5. Five Bucks (5 On It feat. Chip Tha Ripper & Curren$y)
6. High Rise
7. Crazy
8. Home Town
9. Supa Dupa Lemonade
10. My Closet (feat. Sayitainttone)
11. Too Fake (feat. Chiddy)
12. Fuck My Opponent (feat. Tyga)
13. Made (feat. Drake)
14. Ambiguous (feat. Mike Posner)
15. Love Song (feat. Saui)
16. Memories
17. Glenwood (feat. Kanye West)
... and do the John Wall.
Thursday, September 2, 2010
Bun B vs. Drake
The two first got together on wax over So Far Gone's Boi-1da banger "Uptown". Of course, Bun happened to only be tagging along as the third wheel of the 87th Drake/Wayne collabo. After that, Daddy must've recognized that his children were playing nice together because Birdman reprised their collective combo in the song "Mo Milli" (produced by ... Boi-1da) for his Pricele$$ album. Bun B took the initiative from there and kept Drake on two additional (guess who ...) Boi-1da beats for his new Trill O.G. album. I guess that double take made up for Drake only letting Bun have a half-bar ad-lib on "Miss Me" instead of fully recreating the Drake/Bun/Wayne triumvirate. And to finish it all off in historic style, Drake's most recently made an appearance on Pimp C's posthumous album, The Naked Soul of Sweet Jones, on the Bun-approved UGK joint "What Up". I don't exactly know why the two hit it off as great as they did, but obviously the music is there to prove there's a legitimate respect between the two hip hop giants.
2009
Drake - Uptown (feat. Bun B & Lil' Wayne)
Birdman - Mo Milli (feat. Drake & Bun B)
Bun B - It's Been a Pleasure (feat. Drake)
2010
Bun B - Put It Down (feat. Drake)
UGK - What Up (feat. Drake)
Bonus: Drake - Miss Me (feat. Lil' Wayne)
... and do the John Wall.
Monday, September 28, 2009
Runnin' on Walls
So my laptop got stolen for a minute. My bad.
Since I've been M.I.A. (no "Paper Planes") for a lil' while, I just wanna throw up a crazy nice collabo joint that you should prolly already have in your collection. If you aren't already a huge fan of one of the dudes on this track, then you don't like anybody. And I don't know about you, but I just really like this song.
XV - Mirror's Edge (Benzi Remix feat. Mike Posner, Bun B, & GLC)
... but do take my word for it.
Monday, June 22, 2009
New Wale
Who could possibly get most of Slaughterhouse, all of State Property, Talib & Jean, Bun B, Black Thought, and a disposal of singers and other rappers to boot for one project??? An apparently very patient Wale.
Wale -
Pretty much anyone who cares about rap was waiting for this one. Will it be the critics' darling like The Mixtape About Nothing? Probably most definitely not. But it's a lot of rap that you need in your collection.
Wale's proved he can push a concept joint like almost none other, but here he just wants to feed the fans a collection of dudes rapping like their lives depend on it. Collabos between writers can only push the product in positive ways. I even like what I hear on this tape from a few rappers I usually don't care too much for. What's crazy is how easily Wale still manages to standout regularly. The host emcee could have gotten lost in the fray of guest appearances on literally every single song, but Wale's rhyming style is so distinctive and enticing that you're practically waiting for him on every track.
Now my one complaint. 9th Wonder. Back when dude was with Little Brother, I thought he could literally do no wrong. Their sound was so defined that I swore and abided by it. It just worked some other kind of perfection to my ears. But on here ... some of the beats feel stale to me. I hope you don't hear it the same, but I can't help it. 9th is renound for having an unbelievable amount of compositions at his disposal, but on this project you can pretty much understand why. Some don't seem to have gotten much individual attention besides some conveyor belt treatment. There's the soul sample and the drums and ... yeah.
But don't let that detract you. If the tape fits your mood, that's the last of your worries. And the MCs shred every bar something unholy. They had to. This is a Wale tape.
... put 'em both together and you got yourself a super spork.
Monday, April 27, 2009
Do Em All Over Again
Back around '06 when I was in my CD collecting prime, I made sure and copped Hi-Tek's Hi-Teknology 2: The Chip on the strength of the guest features plus Reflection Eternal's classicness. It remains one of my absolute favorite gems of a CD. Unfortunately, I think it turned out about 17 times better than Hi-Teknology 3. That one kinda made me sad.
Tek's production was so perfectly refined. Every song created a highly unique atmosphere to go with perfect selections of guest emcees. And featured singer Dion lent his chamelion-like crooning to a few of the cuts keeping subject transition smoother than anything you could ever imagine. It's so hard for me to choose a favorite track off the project. "So Tired" comes on the ridiculously laid back tip with Bun B and Devin the Dude lending their expertise. "Where It Started At" is one of the few believable NY anthems featuring a crazy collective of Kweli, Jadakiss, Raekwon, and then-relevant Papoose. And "Keep It Moving" has my favorite suprise deal emcees with Q-Tip and Kurupt perfectly complementing each others' 180 degree style differences.
But I think my favorite is churned out by the collaboration of Tek, his father, Wu-Tanger Ghostface, and the unknown Pretty Ugly. It's one of the most genuine chick joints I've ever heard. It's so much more than the usual "girl gone wrong" tracks that are prevalent in hip hop nowadays. Maybe the immense production sets the metaphorical and aural tone immediately. This story makes me feel like I actually knew Josephine. Maybe I actually do. Maybe I know a couple of her.
Hi-Tek - Josephine (feat. Willie Cottrell Band, Ghostface Killah, & Pretty Ugly)
It's the acoustics. It's the gentle, but excited, piano keys. It's the chord progression highlighted by synth touches and choral portions of the bridge. It's the chemistry between Tek's older generation father singing the chorus introducing a woman's story that's picked up by the younger rappers. It's just a really nice finished product. Too many songs have a certain aspect of it that's great, but you're disappointed by the whole thing itself not living up to its potential. This song fulfills. As does the rest of Tek's second magnum opus.
... put 'em both together and you got yourself a super spork.
Sunday, April 12, 2009
Chester Connects
I don't know what the did to get straight on the inside of the hip hop industry, but Chester French did something. This line-up for their new mixtape (rock bands have mixtapes?) is like a nightmare The Game name-dropping track.
Chester French
Jacques Jams, Vol. 1: Endurance
They're more indie-pop than anything. Maybe I'm just dumb blind to the connection, but for all I know Biggie prolly bumps em in his grave. Maybe Jedi Mind Tricks already samples them extensively. Maybe Heltah Skeltah has been writing punchline references about these white dudes.
- Solange
- N.O.R.E.
- Kardinal Offishall
- Cassie
- Pusha T
- Bun B
- Talib Kweli
- Mickey Factz
- Janelle Monae
- Common
- Diddy
- Jadakiss
- Wale
- Pharrell
- Jermaine Dupri
... put 'em both together and you got yourself a super spork.
Thursday, October 23, 2008
It's What You Expected, Ain't It?
This post is dedicated to any and every song out there that made you pray on your pillow that night a collabo album would be in the works and be released at least in the next ten years by the artists that just got together. These are in no particularly symbolic order of any kind. These are automatic download links!
Nas - Black Republicans (feat. Jay-Z)
Why it worked: This was the result of one of those beefs that made you question the get-over-ability of any given hip hop beef. But it was so timely. I was one who got goosebumps the morning I checked all my rap blogs and they each had headlines involving Jay's concert where he brought out Nas announcing to the world that NY's golden children were putting aside their differences. After the obligatory Def Jam joint album rumors that neither exactly shot down, this track finally made its way to the world. The epic-ness of any supposed-to-be epic track can quickly be achieved by an epic sounding beat, and the kings of NY milked it for everything it's worth back and forth for an entire 58 seconds before the actual lyrics come up. And this is one of those that actually felt like it was jointly birthed between the artists as each rapper chimes in with adlibs and doubled-up chorus vocals. Success. As was the pun-intended follow-up.
Jay-Z - Renegade (feat. Eminem)
Why it kinda worked: Back in '01 you'd be hard pressed to find any two more commercially viable rap artists with as dedicated a following and critical love. And on the unfortunate release date of 9/11, Blueprint was pushed further into a realm of cultural lore. The main detraction is ... um ... why did Em so insist on being behind the boards for a long stretch and why did Jay chose to take that beat that he didn't exactly outstandingly shine on? It became the prodigal "killed on your own ish" punchline example. And the original had Royce in Jay's place, so why exactly didn't he come harder? Truth be told, neither was too impressive lyrically on those awkward snares and depressing back orchestration. But epic is what epic does. Whatever that means.
50 Cent - I Get Money (Forbes 1-2-3 Remix feat. Diddy & Jay-Z)
Why it didn't work: Did anybody really like the original? It just happened to be the least worst of the fourteen pre-album singles that Fiddy dropped around the same time and it had a semi-respectable Audio Two sample. And plus, no one exactly praises 50 or Diddy for either they or their ghost writers' lyrical prowess. Even Jay-Z seemed bored when it got around to his verse, only quipping "in case y'all forgot, New York is still mine" to spark a bit of controversy amongst an all NY cast. But ... it's just not enough for anyone else to really care about. I kinda actually did want it to turn out alright. Kinda. I shoulda known better.
CRS - Us Placers
Why it worked: Because it came almost literally out of nowhere! And off a pre-Graduation Kanye mixtape that would have been a virtual throwaway without it. And while I'm not always the biggest fan, Pharrell went in on the closing verse. This brings up dreams of the old Jay, Ja, and DMX super group talks (that I kinda don't wanna hear thinking back on it). And the Thom Yorke sample just fits. I'm not asking any hip hop heads to convert to indie rockdom, but it just feels good and every "uh" and all of Lupe's "and they love it" achieve a real atmosphere. If the album ever makes itself for real, who knows what could happen? I don't.
Bun B - Swang On 'Em (feat. Lupe Fiasco)
Why it didn't work: With all the talk of the glasses-toting Chicago emcee about how he came up more on UGK and NWA than A Tribe Called Quest, this was the chance for Lupe to let his performance speak for him. He was getting a track on a huge album by a Houston legend to exercise his gangsta, South-tinged material. But what came out of it was a chopped and screwed pile of uninteresting. It just wasn't any fun. It wasn't any kind of intelligent. It wasn't any kind of hood either. It dwelled in the middle land of Lupe not knowing how to write balancing either extreme of rap, equalling an unappealing verse to either side. Bun was Bun, but not enough to rescue it.
Kanye West - Barry Bonds (feat. Lil' Wayne)
Why it didn't work: Why does Kanye let anybody else in the world get a beat on his own tape? Especially a plodding, yawn-inducing one from Nottz? Unfortunately we've found that Wayne often brings the worst out of Yeezy (though I don't exactly hold that judgement on the "Lollipop Remix"). He becomes trapped into a monotonous cycle of swagger braggadocio that's redundantly redundant. It happened on "Swagga Like Us", too, enough that it has the world praying that the Nas & 3K variation exists just to save the mess. Was anyone that excited to hear Kanye out-do Wayne on his own braggy punchline lane that he's made popular?
Jay-Z - Hello Brooklyn 2.0 (feat. Lil' Wayne)
Why it didn't work: Why this track about this subject? Wayne on an ode to Brooklyn? Why couldn't they wait the tiniest bit longer to allow "Mr. Carter" to be the one and only Jay-Wayne collabo? I like the bass it rattles off in my car, but the song isn't convincing in any other way whatsoever. Honestly, it's a humungous blemish on American Gangster as a whole. And the Beastie Boys yelling at me randomly? Sigh.
OutKast - Mighty "O"
Why it worked: While this may seem out of place, let's not forget the always persistent break-up rumors by Georgia's resident rap legends. Especially those that were coming out in the way-too-long gap between Speakerboxxx/The Love Below and Idlewild. This song was the first leaked single from the latter album and featured crazy intricate 32's by each rhyming partner. Both were up on their lyrical hardness and differential cohesiveness. Both unapologetically insulted those in the media and the fans for keeping up rumors that both parties denied. Whether or not you liked the Prohibition era'd movie (if you ever went and saw it) and it's accompanying soundtrack, this track yelled from the mountain tops that Andre was not to be done with the art of rhyming and he would stay bar for bar with Big Boi on his own terms.
Obviously I can't hit on every major joint venture between timeless artists, but what are your favorite hits and misses with big time collaborators?
... and so concludes another masterpiece