Wednesday, June 16, 2010

Way-Too-Early 2011 UK Preview

I think next year’s team is Final Four caliber. I know that’s insane to say with all of the departures from last year. 4/6ths of our all-time freshman class left for professional pastures leaving the unproven pieces of Jon Hood and Darnell Dodson to try their hand at a second year of Division 1 basketball. With our seniors (Ramon Harris and Perry Stevenson) and pseudo-senior (Patrick Patterson) also leaving, all veteran leadership is potentially left to big man senior Josh Harrellson and wing juniors Darius Miller and DeAndre Liggins. Those obviously weren’t the optimal conditions to enter the summer under.

While anyone who wasn’t oblivious to the lures of being a top-5 draft pick knew that Demarcus Cousins and John Wall were guaranteed to have single year tenures, less expected Daniel Orton and Eric Bledsoe to have such high stock and bolt. Orton was supposed to effortlessly assume Jarvis Varnado’s place as the most feared big in the country. With his impeccable size and extra year amongst the college ranks, Orton could have put up monster numbers while inheriting literally all of Pat and Boogie’s frontline minutes. He could have showed everyone that he could stay out of foul trouble as well as have his face-up game utilized to prove his versatility and cement his status as one of Billy G’s proudest leftovers. Him and Bledsoe were supposed to become the nation’s elite 1-2 punch, usurping that claim from their former teammates the previous year. Bledsoe was going to slide into the pure point role and pair with Brandon Knight to cement the strongest backcourt combo along with the stupid Dukies (Kyrie Irving and Andre Dawkins). With his full year of off-guard experience, Bledsoe could have curbed his turnovers and established his elite passing skills that would so strongly compliment his otherworldly athleticism. But neither scenario will come to fruition as the pair’s raw skills and limitless potential has allowed them to be a first round pick on everyone and their mom’s draft board. So instead of bringing in some strong complimentary pieces to cement a mostly established Elite 8 roster, Coach Cal had to improvise an entire new team and managed to pull five more highly touted freshmen and an untapped Gator transfer into the fold. So here’s UK’s prospective do-over line-up.

C: Enes Kanter/Josh Harrellson
PF: Terrence Jones/Eloy Vargas
SF: Darius Miller/Darnell Dodson/Stacey Poole
SG: Doron Lamb/DeAndre Liggins/Jon Hood
PG: Brandon Knight/Jarrod Polson

The biggest difference that you need to understand right off the bat is how many more 3-point shooting options we will have this year. Doron Lamb is the perfect spot-up guard that Eric pretended to be for about 4 games, while Brandon Knight is a consistent threat to create his own long-range opportunities whenever he wants. Terrence Jones is also a more than capable shooter who will pick his spots since he has the ultimate floor-game in the mold of a player like Lamar Odom. Enes Kanter will be a surprise threat as a fast break trailer. While Coach Cal may or may not utilize his shooting specifically or regularly in the offense, you just need to know without a doubt that Enes is dead-eye from anywhere on the floor. I promise. With those four freshmen mixed in with the hopefully improving 3-point confidence of Darius and DeAndre plus Darnell as the ultimate wildcard, we should never have a game next season similar to the West Virginia brickfest. On paper, it’s impossible with this roster.

The second point of note is our reconstructed front court. The Cousins/Patterson/Orton trio has been completely reconstructed into a Kanter/Jones/Vargas trio with Harrellson on deck if Vargas doesn't adjust to the level of competition right away. As weird as it is to say, Jones could possibly be more productive than Pat was for most of the year in his power forward slot. The Dribble Drive Motion Offense is made to especially highlight two very specific skill sets. The first is a penetrating point guard who can finish with power to guarantee that the defense is drawn to the rim on any given play. Examples 1A, 1B, 1C, and 2 are Derrick Rose, Tyreke Evans, John Wall, and Brandon Knight. The second skill set is a forward who's a shooting threat, but one who can put the ball on the floor with ease. Unfortunately, Coach Cal hasn't had a premier prospect in that mold since Shawne Williams, who was more famous for his marijuana and codeine issues than his basketball skill set. So T-Jones is in line to be that guy in the system next year. Just know that it's gonna be fun. Before Terrence committed, Coach Cal was faced with a roster where he may have had to go exclusively with line-ups composed of 4 guards and a forward. But now we have the legitimate size threat again with the frontline clocking in at 6'11"/6'9"/6'11" that may see a rotation similar to last season's.

One potential situation that won't really be an issue, but will inevitably be written about shamelessly, is the point guard position. Knight will be the only true point in the rotation as no one expects Jarrod Polson to ever hit the floor besides in Krebs-like mop-up duty. Therefore, either Brandon is going to have to catch on seamlessly and stay on the floor every single minute or we'll have to have to institute a back-up-by-committee approach. That committee could very well look Gillispie-like with Miller and Liggins attempting their hand at ball handling duties along with Lamb whenever needed. So while it may look like a possible derailing point at some instance in the season, there will never actually be a real drop off at the lead guard during regulation. Plus, with a guy as multi-faceted as Jones, there will always be a capable player to step up who can get advance the ball to where it needs to be if Knight happens to be taking a breather. So, barring an actual Knight injury, don't worry about it.

Speaking of back-ups, we'll have quite a serviceable bench mob next season. DeAndre seems the likely candidate to be the first guy pulling off his warm-up jersey every night as he could actually, if needed, fill in any position 1-4. With his will to be an energy player, general unselfishness, and vastly improved shooting confidence, I like him as one of the best 6th men in the NCAA. Vargas will most likely be the first big to substitute in at the first sight of foul trouble. While not half the athlete of Orton a year ago, Eloy is actually significantly taller and has a hint of SEC experience and a full year of JuCo dominance under his belt. Hopefully that will translate into significant production, both on the defensive end and creating his own scoring opportunities on the offensive glass. Assuming that Hood doesn't make summer strides to leapfrog him or that Poole isn't quite an immediate contributor, Darnell Dodson is probably slated as the resident 8th man. If he can improve his general decision making, Dodson's shooting will be as strong a weapon as any team has coming off their bench. That kind of surprise player every few games is what changes this squad from a very, very good team to a great team. The last bench factor would be if you have faith in Harrellson's summer progression. He could never manage to break into the rotation last year, stuck even behind Stevenson. But with his sizable frame and sweet shooting stroke, any quality floor time from him would make us as deep a team as there is out there. Our bench is full of potential X-factors everywhere on the floor. If two or so of these guys click each game while the starters are chilling, there will be very few teams that could give us a run for our money.

Some may think that any expectations of matching or surpassing last season's breakout are utterly ridiculous. I thoroughly disagree with that notion. Though none of our freshmen are as singularly talented or naturally dominant as John Wall turned out to be, this recruiting class is much more balanced and provides the pivotal shooting proficiency that we lacked for the majority of the season. No one will be asked to play out of position as Bledsoe was and no one will have to find how they can change their already established game to fit the offense as Patterson did. While we'll miss out on the locker room leadership and general experience of Pat, Perry, and Ramon, Coach Cal will find the right buttons to press with the right players to fill that void. My last surprise prediction for the upcoming season is about the potential production of our new foreign big man Enes Kanter. I think he'll garner attention for National Player of the Year. While a more appealing wing player like Harrison Barnes will probably wind up as the top pick in the 2011 Draft as teams hope he's the next Kobe/Durant-type franchise player, I have an inkling that Kanter will set himself up for that second slot. Just a hunch. I'll throw this link up again approximately a year from now and you can be sure to praise/clown me appropriately.

My 2010-2011 UK season prediction: a 4 loss regular season record, the third #1 seed, and a Final Four birth. Hold me to it.

... and do the John Wall.

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Sunday, June 13, 2010

V3 to Get Ready

My man b-Rud released his monster third charm in his mixtape series last month. I'm a jerk friend for not throwing it up right away, but here it is now. While it's maybe a little heavy on the features, it's hard to argue against throwing emcees like Charles Hamilton, Dom Kennedy, Von Pea, and QuESt in the fold. brandUn is the absolute truth and solidifies his production style, spit game, and big deal potential with every release. You better get on the bandwagon yesterday.

brandUn DeShay - Volume: Three! to Get Ready

Tracklist
1. Good Morning (Ceven AM)
2. Veterens Day (feat. Charles Hamilton)
3. Livin' Life (feat. Ev4n Holt)
4. Why You Gotta Zodiac Like That
5. Right Back (feat. Dom Kennedy)
6. Awe Stars (feat. Casey Veggies)
7. Hate to Say I Told You So (feat. Von Pea)
8. ODd Party (feat. Casey Veggies & Overdoz)
9. Congrats
10. Orjazzmic
11. Wish Me Luck! (feat. Dom Kennedy)
12. LAXtasy
13. They Know (feat. QuESt)
14. Zeroes

... and do the John Wall.

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Saturday, June 12, 2010

Potluck Post 6/12/10

I've been out of regular posting for a good while now. School had been tearing me up pretty bad this past semester and then I've just been outright lazy since the summer started, so here's a little catch up. Drake. John & Demarcus. Terrence Jones. Kobe. Kanye. Here we go.

I thoroughly enjoy Thank Me Later. I wrote a pretty harsh column on the notion of Drake ruining a good thing by becoming popular. And while many of those points still ring true in the contextual sense of commercial reception, I've had a personal 180 on my opinion of the dude. My roommate at school has met Drake four separate times and still holds that the kid is a genuinely nice person. What further standards can I act self-righteous enough to hold another artist to? Drake has his style and raps about what he wants to rap about. He doesn't try to hide that he intentionally makes certain kinds of records. He has the arrogant boi-1da street banger. He has the Kanye-helmed 808s-esque singing joint. He has the career(-so-far)-reflecting album closer. But he still goes out and makes music. And at this point, I'm just glad that the album doesn't feature Gudda Gudda or Lil' Twist. "Fancy" is the only cut that I'm inclined to say outright sucks, but that might be more so because of my utter distaste of all post-DMX Swizzy. So while Thank Me Later may not strike me as perfectly as Man on the Moon did a year ago, I've still spun this leak endlessly with genuine enjoyment and will be shelling out a purchase on opening week. After seeing him in concert and having a crazy good time, I have a legit investment in his career. So here's hoping that he throws a great pre-Draft party for my UK boys.

Speaking of the future greatest point guard ever ... I hope John Wall saves the Wizards. It's guaranteed that they will take him with the very first pick and though I'm inclined to believe that a Wall-Arenas backcourt wouldn't be optimal, John'll make it work. I just think Gil is kinda the one player in the entire league who wouldn't be content deferring at times to a player of Wall's magnitude for the good of the team. He's kind of annoying like that. All future Wizards decisions must be made knowing that the ball needs to be in J's hands as much as humanly possible, whenever he wants, so he can get NBA-adjusted in the first 15 or so games of the season. I don't know if they have enough talent to compete for the playoffs after their roster implosion last year, but I wouldn't be surprised if John found a way to sneak them in there. It is the East after all. And staying with the Cats ... whoever doesn't pick up Demarcus Cousins in the proceeding draft picks after J will innately regret it down the road. His body is the perfect NBA big man prototype that you can never find with an aggressive attitude mixed in. He will not only be an immediate contributer, but he'll be an all-star within three years with KG, Duncan, and the last remaining '90s bigs on their ways out. Neither Favors nor Monroe nor anyone else from this class who was not a Kentucky Wildcat will be able to compete with Cousins' career. If an NBA GM is dumb enough to skip over Boogie because of his perceived attitude problem, then they won't matter anyways because they'll be promptly fired once he hits his professional stride. That's a guarantee in my book. Quote me.

I cannot believe we got Terrence Jones. When dude came for a visit forever back for the Blue-White game, I sat at a table with him and John Wall (who was destroying way too many crab legs from Hooters) while we watched the Bulls and Spurs play on TV. That's the first time I understood why J came to Kentucky hands down (he sweats Derrick Rose like none other) and the time that I gave up on TJ committing to UK. The kid was as nice as possible and became a personal favorite of mine after admitting he was a Laker fan even though he lives in Portland, but I could just tell how insanely homesick he was just from spending a single weekend that far away from his home. He was talking about all of his other scheduled visits and he wasn't even looking at another school that wasn't plastered right on the Pacific coastline. So I had him pegged for Washington and told everyone confidently so for that day forth. Little did I know the commotion that would come due to that decision so many months later. From now on I'll just firmly entrust all my recruiting worries in Coach Cal's hands. He's infallibly great at selling his offensive system, the tradition of the school, and his professional track record. No one thought this 2010-2011 roster could possibly look so great after our mass early departures, but Coach Cal had his plan all along. Since every single potential LeBron destination is filling out its coaching position without a genuine Calipari scoping (no matter what Adrian Wojnarowski keeps making up), it's safe to say that our all-time 2011 recruiting class will remain intact as well and we will see an unprecedented level of talent funnel through my great University. It's a good time to be a Wildcat fan. There will be no violations on our books. There will only be similarly immaculate 3(or less)-loss seasons.

I have said it before and will hold to the fact that I think Kobe Bryant is the greatest basketball player of all time. The NBA Finals is currently tied 2-2, but I fully expect the Lake Show to pull it out. Kobe's skill set is so vastly superior to any player ever, plus he adds to it unrelentingly on a yearly basis. His long range prowess is what notches him above MJ in my book. Here's exhibit A. He still can be a slasher whenever it's in the game plan, but his midrange game and the billion ways he can get a quality look off is where his natural dominance has lied in the last seven or so years. But I don't need to regurgitate everything you already know about Mr. Bryant. I just wanted to remind you that he is now one of the ultimate and prolific winners in NBA history. Besides his late game heroics (having that reputation cemented with seven game winners this year) in general, he's now made his way to the Finals for the seventh time representing the Western Conference. And in case you haven't watched any professional basketball since Michael Jordan retired, the West has been the far stronger conference in each of those instances. In hopefully capturing his fifth title within the next week, how can anyone deny Kobe's resume? Do you actually remember that there was a discussion as to whether Kobe or T-Mac was the premier wing in the league only five years ago? It was a misguided argument back then that has turned into a psychotic one now. Kobe's run of playoff vengeance this year has been nothing short of brilliant and awe-inspiring. I'll be watching the next two or three games praying that he finishes off his first hand in rings finally.

Lastly, I just wanted to say that the Kanye West comeback will be epic. There's no way around it. This guy is most prolific commercially viable rap artist ever. With his new single "Power", he's continued his constantly evolving sound that never ceases to impress and push boundaries. He's completely unpredictable and no one but the G.O.O.D. Music family and certain guys like Premo know what to expect from his full-length return to rapping, A Good Ass Job. I just know it will be great. His catalogue ensures so. He literally cares what no one thinks about the next direction he takes because he knows the masses will eat it up. It's encoded in his DNA. The man is a legend. Now and for as long as he graces us with his creative genius.

... and do the John Wall.

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Sunday, June 6, 2010

Return of the G



It took me half the commercial during Game 1 of the NBA Finals to decidedly realize the possibility that this was Andre 3000 singing to the world. I was not prepared for my favorite artist of any and all time to be singing a Beatles song with absolutely no warning during the intermission of my beloved Lakers' thrashing of the Boston Beanstalks. The Dungeon Family pervades your life in ways that you know not of. OutKast for life. And since there's no mp3 I can post for this, I'll tack on Sir Luscious Left Foot's latest epic sampling.

Big Boi - General Patton (feat. Big Rube)

KOBE.

... and do the John Wall.

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Stray Bullets

This is enough to get me out of my summer blogging hibernation.

Cee-Lo Green has returned sans Danger Mouse to release a solo mixtape. Free Cee-Lo literally out of nowhere? Plus it features a brand new full Goodie Mob cut that rides smoother than anything this side of Stankonia? DOWNLOAD THIS YESTERDAY! And while there's no rapping on this project from Lo, the strength of his vocals is undeniable and you need this kind of soul in your life.

Cee-Lo - Stray Bullets

1. Goldschlager
2. You Don’t Shock Me Anymore
3. Cho Cha the Cat (feat. The B-52’s)
4. Talking to Strangers
5. Little Black Book
6. I Like It
7. ChamPain
8. Night Train (by Goodie Mob)
9. The Secret
10. Sophisticated Bitch
11. I’ll Kill Her
12. Is It
13. Super Woman Theme Song
14. Night Cap Outro

... and do the John Wall.

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Wednesday, May 12, 2010

Cal Era, Year 2

Since I already touched on all the guys making the jump, I wanted to discuss the future. I'm of the opinion that you're never allowed to complain about guys leaving early to the pros when they're either a guaranteed first round pick or have a legit need to go pro (i.e. Kelenna Azubuike), so you should either enjoy the out-of-this-world talent that Coach Cal brings in on a yearly basis or you should change teams and root for San Jose State. Regardless of how long these guys stay, enjoy and appreciate their contribution to making UK the premier college basketball program of the 2010s.

1. Brandon Knight. No, he's not gonna effortlessly step into John Wall's shoes. Instead, he's gonna try to run a 2010-2011 UK squad that will pretty much only feature Darius Miller and DeAndre Liggins in a return role. Regardless, he's the next kid in cementing Coach's historic point guard legacy. Anyone who caught his high school game against Austin Rivers' squad a few months back saw him unload seemingly every single shot in the game to notch his 48 points. But, obviously, his HS team sucked and we won't even remotely see that version of Knight against collegiate competition. What all UK fans will love is his deft jump shot. He's far superior to John and Eric with his unlimited range and pre-perfected form. In high school he took far more highly-contested, off-balance jumpers than he will in Cal's system, but the skill to make those kinds of shots under bail-out circumstances is never a bad gift to have. And while he can't quite compare with Wall's elite ability to finish at the basket with uncanny power, Knight is more than proficient at getting to wherever he wants to on the floor and forcing the hand of the defense. His decision-making on how to properly run our offense at the collegiate level will easily improve over the course of the season while also taking some getting used to from the fans, as he has a completely different floor game than John. He most likely won't be Top-2 in the National Player of the Year debates, but he will definitely have an immense impact and lead this surprise 2011 UK squad way beyond his freshman expectations.

2. Enes Kanter. This guy's our new resident beast. He's already NCAA-prepped by playing against men in his Turkish league, so simply expect him find his niche in Coach's offense the quickest of anyone and for him to be an immediate force on the backboards. There's really not a good comparison for him at this point. Some point to the throwaway Dirk parallels, but Nowitzki doesn't even remotely possess the low-post prowess and knack for rebounding that Enes exerts while over a decade his elder. Enes' jumper at his size will surprise in the same way, but that's not where he'll be utilized. With Coach Cal expected to utilize the Dribble Drive far more often this year, Enes will be a fill-in post presence and offensive rebounder who will receive much less direct entry passes than Demarcus needed to be effective. And comparatively, while Cousins had to be weened off his belief that a shot outside 7 feet was of good quality, Enes' floor game is far more-polished and multi-faceted. In essence, he's the quintessentially talent to be put on the block in the college game and I expect the national media to recognize his natural dominance far earlier in the season than when they started giving Demarcus any credit in the National Player of the Year race. This Washington decommit will prove to be the surprise of the basketball world, as he's already turned the heads of every talent scout in rising to #3 in both Scout and Rivals high school senior rankings and will only improve. He has none of the questions of character that Demarcus had, or even fellow freshman Josh Selby has, so all of his media coverage will hopefully focus on the actual basketball side of things. Thank God.

3. Doron Lamb. The shooter. Too bad he couldn't have snuck in on last year's team. Doron is a big catch for how future Coach Cal teams are to be constructed. Doron is not the killer athlete who has NBA execs drooling over his potential as the next WhoeverTheyWantHimToNeverBe, but he is a system player with a passion for defense and a jump shot to be admired. I see his pairing with Knight in the starting backcourt as a natural combination that will pay great dividends once they've clocked enough time on the floor. While the fans simply had to cross their fingers every time a three pointer was hurled up last season, this incarnation of the Wildcats will be a prolific shooting team. No longer will Darius be relied on to recreate his Arkansas game from the perimeter. Doron will gladly take on spot-up duties with his set-shot-looking jumper. He's not going to be an offensive initiator or be asked to create his own shot often, but Coach will refine his role and rely on his shooting stroke. Fans can now exhale. The 2 for 17 (or worse) 3-point nights are no more.

4. Stacey Poole. This is the power wing guy. He'll probably only get spot minutes this year behind Liggins and Miller at the small forward slot, but Stacey will be a contributing Cat before his college career is over. He's a bionafied slasher with his willingness to attack the paint and penchant for doing so effectively. Slasher prototypes usually take a little extra time to become effective collegiate scorers since the size differential from the high school level is so drastic and they are expected to still contend with the trees. Stacey's handle will need to be refined since he's used to bodying off every opposing high school wing with ease due to his natural size, but this same size and further development are the qualities that could make him a prime prospect down the road. He has an NBA frame and simply needs to fill it out, a la Azubuike, and his production will follow. He's definitely not a one-and-done threat, he's genuinely excited to be a Wildcat, and he was our sole early signing period commit. Stacey is the exact kind of player that a certain portion of the fanbase has begged for Coach to recruit, so here's hoping that he's appreciated as we watch his talent grow over the next few seasons.

There will assuredly be more legitimate pieces added to this class in either the form of Terrence Jones or another under-the-radar big, but these guys already in place will do just fine to fill in the gaps left by our NBA squad of 2009-2010. The freshmen will learn, the guys remaining will step up, and Coach Cal will coach. Try to not doom the season before the opening tip is even thrown.

... and do the John Wall.

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Wednesday, April 28, 2010

Till The Single

He didn't actually release these songs as a technical project, but I thought I'd spent 3 seconds of my time to package them in a zip file and dub it the Till the Single EP. I know, crazy generous of me, right? It's Charles Hamilton's last 6 songs he's leaked, by the way.

Charles Hamilton - Till the Single EP

Tracklisting
1. Paperboy (feat. B.o.B)
2. Sega Music (Last of the Mauritians)
3. Choices (A Wave for Alex)
4. I Hate Parties
5. Press C
6. Tax Evasion

... and do the John Wall.

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Wednesday, April 14, 2010

Mass Leviticus

I feel the need to throw my two cents in about the offseason happenings of the UK basketball team. And I think I'm more entitled than any on the subject, so let me rant.

Starting at the ending ... you are NOT allowed to feel any negative emotion whether anger or disappointment or anything else about our five underclassmen leaving. John Wall. Demarcus Cousins. Patrick Patterson. Eric Bledsoe. Daniel Orton. All gone.

Daniel is gone after a year with dominating averages of 3.4 points, 3.3 rebounds, and 1.4 blocks in ... 13.2 minutes. But guess what? He's gonna be a top 15 draft pick, maybe even to his home team of the Oklahoma City Thunder to play on the most talented up-and-coming squad in the league. I'm willing to put money on the fact that Daniel will shatter his college freshman averages easily with his NBA rookie averages. He's as nice a kid as you'll ever meet, his basketball I.Q. is off the charts, and he's already in California training to perfect his conditioning for his already NBA-size body. Sure, he would have killed next season in the NCAA as our primary offensive weapon while already being a defensive juggernaut, but there are no guarantees in the sporting world when it comes to health, money, or location an entire year down the road. With how much the scouts loved Orton and the kinds of strides he made late in the season with the little playing time he received, he had to go to the draft. He's now a millionaire and an immediate contributor for an NBA team, eclipsing all of his freshman shortcomings. Root for him. Or else you're a jerk. He was still gonna frickin' come to our school when Billy G was our frickin' coach!!!

And Eric's a completely different story. Eric needed to go for his and our mental health this upcoming season. Don't underestimate the power of tight-knit friendship with a teenager who was uprooted from his home state and planted in the most publicly scrutinized athletic program in America. All the talk last preseason, if you remember that far back, was about "The Three Amigos". John, Boogie, and Eric hit it off immediately on campus after getting to know each other through different high school all-star games and all uniting under the new UK Calipari regime. E is a pretty quiet and introverted guy, and while he may be able to connect with some other teammates closer and kill it on the court as a sophomore next year, I'm just saying that he probably wouldn't enjoy himself as much and that could create an issue with his psyche. Who knows if he would mesh as well in the backcourt with Brandon Knight as he did with John? I have a feeling that his NBA stock would probably be higher after this year as a top 20-pick (and the 2nd point guard prospect) than it would be if he'd stayed additional seasons. So it's pretty much a no-brainer that he should follow the two other amigos. Don't look down on the kid for that.

The 2009-2010 season left so many incomparable memories for all the UK fans in the world, especially the younger ones like me. I was only 8 when we got our second title in three years with Coach Pitino and Tubby. So, sure, I had the autographed Scott Padgett poster in my room, but I wasn't fully enthralled on the day to day happenings of the program like I am today. Now I'm blessed enough to live in the same dorm as these instantly legendary UK guys who are about to blow up the NBA. I'll never forget Eric seemingly incapable of missing a jump shot against Indiana, Florida, and East Tennessee. I'll never forget Demarcus becoming a completely different basketball entity altogether after nearly single-handedly losing the Cancun Challenge for us, all culminating in that beautiful 0.1 tip-in to send the SEC Championship game into overtime. I'll never forget the worries of if Pat would be able to fit into Coach's new offense, only to witness him knock down 24 threes this season and still finish 57.5% from the floor altogether to improve his draft stock. I'll never forget John's debut game-winning jumper or his NC/UCONN dominance or his regular behind-the-back lay-up drives or his undying will to win at all costs. I'll never forget Daniel's step back three pointer to end the Blue-White scrimmage or his 3-block possession against Florida or his hilarious goaltending.

Yeah, we lost to West Virginia in the Elite 8. Yeah, we got three guys graduating, five guys leaving early, and few other huge question marks. But you know what? This was the greatest season I've ever been a part of on a daily basis and I'm perfectly fine accepting it exactly how it happened. Year One of the John Calipari era is over and it's better than I ever could've expected. Our record was 35-3, we broke 2000 wins all-time, and we won the SEC regular season and tournament titles. I don't know about you, but I can appreciate that after two years of Billy G failure while also knowing we're sending five guys into the NBA (including the #1 overall pick) and set to easily reload and compete at an elite level every single year for the foreseeable future. So if you're complaining ... shut up.

... and do the John Wall.

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Thursday, April 8, 2010

Classic: 85


This might be the smoothest joint ever. Real talk. Whether or not you prolly won't trust me.

YoungBloodZ - 85 (feat. Big Boi)

I have no idea what the sample is or who produced it ... but I don't really care. Of course Big Boi is the feature attraction, but the YoungBloodZ kill em softly on this joint from their debut album. The hook rolls absolutely perfect and is impossible to not start singing along with upon first listen. It's classic Atlanta rap back from 1999. Nothing beats that. And that's all I got to say.

... but do take my word for it.

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Tuesday, April 6, 2010

I Need a Dollar


Two of my favorite blogosphere emcees (or maybe their respective producers ...) apparently had the same idea to flip the theme to How to Make it in America and rock over it. I watched about 20 minutes of one of the episodes and KiD CuDi was nowhere to be found, so I lost interest. I'll admit that I didn't give it a fair shake though. It might be a series I'll have to collect on down the road if takes off. Oh well ...

Marky - Rasta Monsta
Mike Dreams - How to Make it in America
Sample: Aloe Blacc - I Need a Dollar

... but do take my word for it.

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Monday, April 5, 2010

Back to Life


It's just a simple ha ha, but it's inspired Talib Kweli, the entire Lox crew, and a few other cats to conjure up some quick freestyles. Scoop DeVille sampled Soul II Soul's acapella track "Back to Life" to create the driving melody to the new Joey Crack radio joint. I recognized it immediately as the sample to the first Juggaknots song I ever heard. And then I Wiki-ed it and found a Maino track spinning the sample as well a little more generously. So here they are to compare.

Juggaknots - Clear Blue Skies
Maino - However Do You Want It
Fat Joe - Ha Ha (Slow Down feat. Young Jeezy)

... but do take my word for it.

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Monday, March 1, 2010

III: Laptopical


III: Laptopical is finally here.

My brand new full length project, the third and final one in my "laptop trilogy", is now available to the public on this 1st of March in the year of 2010 featuring original production by Chris Campbell and Charlie Hilton as well as retakes of tracks produced by DJ Khalil, Mr. DJ, Elite, & Just Blaze. I do have to throw out the word of warning that the epic "Hold On (Remix)" listed as track 12 is not currently in the zip file for download. It's still pending completion with some amazing emcees lending their verses to the Charlie Hilton reinterpretation of my lead single from I Get That a Lot, but trust that I'll get that joint out the minute it's ready. I just didn't want to hold back this project any longer that I'd started producing for as far back ago as July '09. So here's the follow up to The Laptop Mixtape and Vol. 2, A Laptop Chronicle that have defined my progress as an emcee since 2007 to where I am today in this whole music thing.

Chris Campbell
III: Laptopical [alt. Mediafire link] [alt. bandcamp link]

Tracklist
1. Fear Freestyle (feat. Aaronn Ralph) [originally by Drake; prod. by DJ Khalil]
2. The Reason I Smile [prod. by Chris Campbell, sampling "Pretty Wings" by Maxwell]
3. The Disorder [prod. by Chris Campbell, sampling "Brand New Start" by Alter Bridge]
4. MJ is Hip Hop (Interlude) [mixed by Chris Campbell]
5. Why Oh Why (feat. Aaronn Ralph) [prod. by Chris Campbell, sampling "Human Nature" by Michael Jackson]
6. Giving In (feat. Aaronn Ralph) [prod. by Chris Campbell, sampling "Give In to Me" by Michael Jackson feat. Slash]
7. No I [prod. by Chris Campbell, sampling "Wicked Game" by Chris Issack]
8. Probably Won't [prod. by Chris Campbell, sampling "Cooler Than Me" by Mike Posner]
9. Me [prod. by Chris Campbell, sampling "Let Me Be Myself" by 3 Doors Down]
10. B.I.G. (Interlude) [mixed by Chris Campbell]
11. Da Art of Storytellin' Part 2 Freestyle [originally by OutKast; prod. by Mr. DJ]
12. Hold On (Remix feat. brandUn DeShay, LaVish, Mike Dreams, Chris Barz, & Aaronn Ralph) [prod. by Charlie Hilton, sampling "Hold On" by Chris Campbell feat. Steven Gilpin]
13. Oh So Much [prod. by Chris Campbell, sampling "No Other Love" by John Legend feat. Estelle]
14. Pseudo Making It [prod. by Chris Campbell, sampling "Not as We" by Alanis Morissette]
15. I Can't Win Freestyle (feat. Aaronn Ralph) [originally by Pack FM; prod. by Elite]
16. Exhibit A Freestyle [originally by Jay Electronica; prod. by Just Blaze]

... but do take my word for it.

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Friday, February 26, 2010

Best Albums of '09


So this year was a weird one in the rap world. For the first time ever, the mixtape game caught up and lapped its secular album counterparts. To reflect that, I'll have a separate EP/mixtape Top 10 because there honestly would only be about 3 of these joints that would survive on a combined list. That's dirty. Unless some record exec comes up with something serious, this industry's gonna die a whole lot sooner than later. There's only gonna be like three and a half dudes left that could put out hit albums from any given genre. Or albums are gonna be weeded out altogether and you're only gonna be seeing singles for the rest of forever. Oh well. Let's move on, shall we, with the few LPs that did escape the grasp of the label heads. And we'll make no further mention of Robert Plant, ever.

10. Asleep in the Bread Aisle - Asher Roth

Yes. This shows how lacking 2009 was. But I can't lie, the album that was forced out immediately on the inexplicable hype of "I Love College" had some quality to it. If you wanna go back and read my track-by-track Twitter review, go ahead. For a few months at least, the resident thugs of rap were asked to step aside and make way for the MTV-friendly blonde frat boy who could twist a rhyme scheme a lil' bit and make all the teenage girls swoon. He was just as easily discarded from the limelight, but not before the blog campaign to support the guy's debut album as the first 09 Freshman to get a release. With strong features such as my man Cee-Lo, Miss Keri Hilson, double time Busta Rhymes, pre-Jigga-hating Beanie Sigel, and the always great Slick Rick, I genuinely enjoyed approximately 85% of this album. When avoiding the topic of weed smoking and hitting on anything that walks, Asher can be pretty interesting. Who knows if the guy will ever recover for a major sophomore follow-up, but he undeniably had his impact on 2009. Surprise track: "Fallin'"


9. Brooklynati - Tanya Morgan

These guys came to Lexington last semester for a show and I'm very proud to have attended. The trio with a girl's name released Brooklynati to their cult-like following those privileged enough to be amongst them knew what to expect. With Ohio natives Ilyas and Donwill plus the Justus League's resident New Yorker Von Pea, Tanya Morgan is all about the rapping. With stylistic inspiration of the old Native Tongues crew and the Soulquarians, all the production by Von Pea and Brick Beats nestle in on a range of boom bap to soul hop. Jermiside, Phonte, Che Grand, Kay, Blu, and even Ms. Info all join the party on features. The hook are most always chant worthy and transitioned perfectly into their hyped live show, which forever cements this album as essential in my book. Brooklynati is fun, lighter listen than the rap world's grimy alternatives. It's all about style and dopeness with this crew who you can tell just loves hip hop more than the majority of rap acts out. Surprise track: "Hardcore Gentleman"


8. This Perfect Life - Charles Hamilton

Yes, I know this never got its proper release. But it should have, so we'll treat it like it did. I already gave a long rundown of the circumstances around this project, so I'll just talk about the music itself. This was unfiltered CH. It was completed before the industry exile and represented all the aspects of composition that Charles loved to experiment with. The beats were all self-produced with heavy drums over roughly chopped samples that had been utterly decomposed. And over this signature lo-fi sound, Charles rapped in his free-associating, lazy manner while distortedly crooning on the hooks. Each song was heavy on this album. Whether discussing the industry, racism, or the motivation to live, Charles did it his way and with witty thoughtfulness. This music was the epitome of his bare-all diary reading, making it everything that caused his fans to connect with him on the most instinctual level while it also was exactly what made his detractors disregard him in the first place. You either love or you hate this failed Interscope CD. Just like you do with all of Charles' music. Surprise track: "Post-Lynching Ceremony"


7. Padded Room - Joe Budden

Joey's another hate-him-or-love-him type of emcee. Especially when he's on his mentally tortured steez. This album is the second in a series of (kinda) conceptual releases. Besides a couple of weird momentum shifters, this record's pretty much halfway to an old school Eminem-type project minus the white boy angle and at half the speed. Filled with hallucinations, drug binges, depression, and suicidal notions, Joe narrates you through his inadequacies in life. The main problem a lot of people had with this release was the lineup of unknown producers. I'm not going to give him the Nas title of having a lead ear, though. I don't mind most of the beats, even though some of them seem to fall short in contributing to the darker mood that you'd assume he would've wanted. And I'm never one to complain as long as Budden is going on thought-provoking rants or just simply telling a story about whatever. Somehow this is technically his sophomore release, but that's a nonexistent point with Joe's veteran status on the mic. While it doesn't always stay on track from song to song, I don't really care. If you don't mind your hip hop in emotional turmoil and somewhat disorganized, then this will be found in your rotation. Surprise track: "Exxxes"


6. Slaughterhouse - Slaughterhouse

The blogosphere's darling supergroup actually got a release. Color me surprised. New Jersey's Joe Budden, Detroit's Royce da 5'9", New York's Joell Ortiz, and Los Angeles' Crooked I all took a pause from their mixtape campaigns and joined together to make the hardest album lyric-by-lyric in years. Sure, it's a lot of murder, murder, murder talk, but when the emcees doing the talking can rap like these four can, it's anything but recycled. In my opinion, you know you're dope when people can't agree on what to hate on you about. I read some reviews saying that Slaughterhouse is too monotonous with their hardcore lyrical aggressiveness on every track. But then I also read some reviews complaining about the concept tracks of "Pray", "Cut You Loose", or "Rain Drops" when they switched their collective style up. So ... ya know. This album, bar for bar, is stank-face-inducing. But I have to air my one and only gripe ... You should NEVER have Pharoahe Monch on your tracklist and confine him solely to a chorus. It's a dope track, but "Salute" could have been an all-timer with a single additional 16. Ha. Surprise track: "Not Tonight"


5. Attention:Deficit - Wale

I feel like this album got the "disappointment by popular demand" treatment. You know, when something's really dope, but everyone listens (or doesn't listen at all) to it after they've read that it's a sellout attempt that couldn't compare to The Mixtape About Nothing. And then that person perpetuates that one quotable description and everyone jumps along with it. Attention:Deficit is dope. Yeah, he has commercial features by Lady Gaga and Gucci Mane on his singles, but he also K'naan and J. Cole features along with BKS and Dave Sitek beats. Is that selling out, too? And I don't care how dumb Gucci's mumbling rapping (I had to fight myself to not put that in quotations) is, nothing could ruin the inerrant greatness of "Pretty Girls" as a bomb single or any other classification. Dude puts a go-go singer that all of us non-DMV residents have never heard of and it rocks like none other. Wale's musical stylings are still the same as any of his other projects, his awkward rhyme schemes at times are still there, his punctuating punchline referencing is still adamant, and his diverse subject matter is still present. The quality gap between this debut album and his mixtapes that reviewers quip about simply isn't there. If you liked Wale before, you'll enjoy this album and spin it ridiculous. Don't believe the non-hype. Especially if you extend your iTunes version of this album by tacking on the joints that didn't make the cut, like "Ice & Rain", "Letter", and "Bittersweet". Surprise track: "Contemplate (feat. Rihanna [sampled, but close enough])"


4. The Blueprint 3 - Jay-Z

I don't care what anybody accuses this album of being. This is destined to be a classic in my book. With three legit smash singles in the calling-out of "D.O.A.", the (NWO) anthemic "Run This Town", and the hometown opus "Empire State of Mind", this album easily meant more to commercial hip hop than any other release last year. But the heart of it to me is the deeper digging chemistry of Jay with Kanye and No I.D.'s work on the boards plus all the chances that he took with hip hop's newcomers. Some call it a desperation reach to remain relevant, but I see his collaborations with J. Cole, KiD CuDi, and Drake as spotlight generosity. His album was gonna be on easy platinum status whether or not anyone else was on it, so don't kid yourself. And if you were lucky enough to get in on a leg of the Blueprint 3 tour, then you heard, saw, and felt the purpose that each track served. Hov brought back his quiet flow, experimented with some techno sounds, and even threw out a full blown indie collabo with Empire of the Sun. It's already cliche for me to repeat, but if you want the old Hov, buy his old album. Surprise track: "Venus vs. Mars (feat. Cassie/Beyonce)"


3. The Element of Freedom - Alicia Keys

I think it's her best album. If I don't know what to listen to at any given minute, I scroll down just a little bit through the A's and double-click that gorgeous spoken word intro and let this album ride. Ms. Keys (I will never refer to her as Mrs. Beatz) creates some of her most catchy melodies and accompaniment of her career and still somehow finds a way to take her vocals to different places even on her fourth album. It only takes managing to get to track 2 ("Love is Blind") to find that out. The LP's sole blemish is the God-awful Beyonce collaboration, "Put It in a Love Song". Alicia rarely does any collaborations in any way, shape, or form, and this track kinda shows why the majority of pop artists probably shouldn't break into her artistic circle. Forgetting that that song exists ... the three lead singles ("Doesn't Mean Anything", "Try Sleeping with a Broken Heart", and "Empire State of Mind, Part 2") are all anthemic and have already carved up the charts. The insanely classic "Un-thinkable" that just so happened to be written by Drake needs some single treatment, too. That cut is too big to be denied. Alicia is 4 for 4 on studio projects and I don't think she could drop a disappointing album if she tried. Surprise track: "Love is My Disease"

2. Man on the Moon: The End of the Day - KiD CuDi

This debut destroyed any defining barrier that was possibly left in hip hop. No one can convince me otherwise. CuDi hit the emotional vein of a generation of listeners who have never heard someone live through their music for them. Kanye tried, but he'd already been rich and critically acclaimed ten times over again by the time 808s came around. So while Kan's music was easily full of brilliant expression, CuDi hits that nerve in a more genuine way and did it on his very first attempt. He sorta rapped and sorta sung his way into the consciousness of a fan base that he created himself. He didn't go out seeking his niche in music, he just made it and let people flock to it as they pleased. Yeah, "Day N Nite" was a smash hit that was released years before this album dropped to the public, but that joint was included on this album by default of the record label. Man on the Moon is about a journey. An incomplete journey. An incomplete journey filled with lowest of mistakes followed up by five minute highs and rounded off by further disappointment. It's about not being good enough and knowing that even though you're not good enough, sometimes that's good enough. It's about not understanding your purpose. It's about knowing that even though you may never know your purpose, the journey to try and understand it anyways may very well be your purpose. It's about being the man on the moon. And KiD CuDi managed to pick the most epic instrumental landscape ever in which to articulately melodicize his way through this journey. And it would have been the album of the year in pretty much any other year ever. Surprise track: "Up Up and Away"


1. BLACKsummers'night - Maxwell

The first time I heard "Broken Wings", I knew this was gonna one of my favorite projects of the decade. I admittedly had to do some Maxwell research as I came to my age of musical appreciation right in the middle of Maxwell's hundred year break from music-making. But that hiatus only made this album more perfect. And let me emphasize the last word in that sentence. Perfect. This LP, though only 37.3 minutes long, is perfect. Each of the 8 songs, plus the musical outro, is perfect. Maxwell has as distinctive a voice as anyone in music history and he uses it to its full effect crooning over every track of his own production. I've listened to this whole project 22 times straight through. And that says nothing to the spins of each individual joint. I can't imagine a greater R&B record than this. I literally can't. While I thoroughly enjoy contemporary artists such as John Legend and Anthony Hamilton who are insanely great at what they do, no one I've ever heard has crafted an album like this down to every micro-detail of its development. I guess some of the greatest music ever comes in the briefest of packages. From "Bad Habits" to "Cold" to "Pretty Wings" to "Help Somebody" to "Stop the World" to "Love You" to "Fistful of Tears" to "Playing Possum", Maxwell crafts an immaculate atmosphere of absolutely wherever he wants to take his listener. While you may think the subjects of heartache and desire are familiar, this album is enough to make you rethink that. The brevity keeps you dying for more of this audible experience. I cannot articulate how much I need blackSUMMERS'night and blacksummers'NIGHT in my life. And my future woman's life. Surprise track: "Playing Possum"

... but do take my word for it.

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Tuesday, February 23, 2010

Zodiac



This is about as dope as it gets. brandUn got the professional treatment on this video. Quality is through the roof and it's 100% in his lane. This vid producer is legit. Here's to hoping it leads to even bigger and better things. Shoot, dude just got a beat on the newest Curren$y tape and he's got Vol. 3 coming up in a minute. This is gonna be that year.

... but do take my word for it.

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Monday, February 22, 2010

Never in Charge

Essentially one of the funniest videos I've ever witnessed.

Charles Discharged from jeff on Vimeo.


Random note: I got my tickets to the Drake & k-os show on April 27th. I cannot tell a lie. I'm hyped.

... but do take my word for it.

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Thursday, February 11, 2010

How Thoughtful


Great surprise today with this release. I guess I haven't been paying attention as of late, but you should know that any QuESt release is all quality. This one is a warm-up mixtape in the same vein of There's Only One Month Left. That means the focus is more on adding his vibe to industry beats with a few all original joints sprinkled in. And I ain't mad as he takes on such recent tracks as "Angels", "I'm So Appalled", and "Exhibit C" plus past bangers like "I Know" and "Boss' Life".

And by the way, how dope is that cover art? I sweat QuESt's flow regardless and the fact that he isn't afraid to go dark on some of his subject matter. He sounds like nobody else out there and I'll be straight with any project dropping from dude. Even though his manager dude wouldn't get me back about a feature on "Hold On". Haha. He'd kill it too since he's already destroyed some Charlie Hilton production and would sound perfect following up brandUn DeShay on the track. Oh well. I ain't bitter.

QuESt -
How Thoughtful

Tracklist
1. How Thoughtful
2. Exhibit Q
3. Still Calling on Them Angels
4. Trouble
5. Lyrics to Go
6. Elevator Status
7. Life of the Responsible
8. Love Until We Bleed (feat. Lykke Li)
9. QuESt is Active
10. No Future
11. Neato
12. The Anecdote
13. Haiku
14. Swear I'm Putting On
15. Just a Little Closer
16. How Thoughtful (Outro)
17. Letter to a Man's Broken Heart

... but do take my word for it.

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Dreamer's Poetry


So Mike Dreams just released his first full album since getting some 2dopeboyz love. And in his honor, I will pause that last statement. I don't know if we're #offthat yet, but you can ask him on Twitter. It's all good.

My favorite track might be the intro. It's legit prolly the best beat I've heard so far in this early year and Mike effortlessly runs throughout the entire track setting the atmosphere for the rest of the songs following. He's definitely got a knack for kicking off metaphor after metaphor referencing any and everything to fill out each verse. And though these aren't the big name producers you'll see on everyone else's projects, Mike definitely has an ear for quality beats throughout. His singer features are really nice highlights and the entire collective project feels like it should. Like an album. Funny how that works when you put the time in like he did and developed out this LP. If you're cool with a break from gutter hip hop and don't mind being uplifted for 17 tracks, then this is the early 2010 album you need to pick up.

Mike Dreams-
Dreamer's Poetry [Purchase link]

Tracklist:
1. The Dreamer (Intro)
2. Success Is ...
3. The Greatest Never Heard
4. We Goin' Worldwide (feat. Christina Fisher)
5. Gettin' Ours
6. I Go Crazy
7. Feelin' Out This World (feat. Christina Fisher)
8. Start Over Again (feat. Oli)
9. We'll Be Alright (feat. Ashley DuBose)
10. DreamGurl (feat. Oli)
11. Weekend Jam
12. Highway
13. Heaven's One Step Away (feat. Garey Hannah, Sr.)
14. Never Forget
15. Flight Dream Melody (feat. Margeaux Davis)
16. Hip Hop Anthem (Hello World)
17. Stay Forever (Outro)

... but do take my word for it.

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Friday, January 22, 2010

Comeback #6: Roto-Rooter/Plumber


After a short (read as: forever) intermission on "The 3000 Tour", it's back. Today's reminiscence comes due to, what I can only assume is, Andre's dabbling in charity work for his fellow southerners' music. He extended beyond his ATLien reach all the way over to Alabama and hopped on the official remix of 2006's summer jam out of nowhere. I thought the "Walk It Out" thing was completely crazy and unexpected, but chalk this up as an even bigger surprise. I just wish Jimmy wasn't a tag-along for a second time ...

Rich Boy - Throw Some D's (Remix feat. Andre 3000, Jim Jones, Nelly, Murphy Lee, & Game)

Ain't a hood aggin but a aggin from the hood
See mama stayed on me so I turned out pretty good
But if you wanna try it sucka, Nike, we can do it
Ha ha sleep, Tylenol PM if I pull it
Sh-sh-sheep, count em for the rest of ya life
Yeah yeah ya partner got away but now he vegetable-like
So so I sent his mom and dad a whole case of V8
He could die, any second, how much long it's gon take?!
Gon get it over with, oh what if, you were in my loafers then
You might be the dope and I would flush it down the toilet
Like the boys in blue, when they come through with them boots
And they kickin down the do', and they don't care who they shoot
But we do care who they shoot, so we do what we must do
So we act like we run track, then we run straight to the back
But they comin from the back, so we run back to the front
They say "get down on ya knees". We say "what the f you want?"
They want cheese, they want bread, they want dough, they want mo'
Than I wanna give em but if I keep talkin they won't know
That my cousin in the back, and we call him Roto-Rooter
Slash plumber, cash runner, and he fire on them computers
Log out!


No one else could get away with this. Dre's verse has absolutely nothing to do with anything involving throwing anything, much less D's. But he does tell a darn good story, whether rooted in his own personal history a couple decades ago or just to write just for the sake of dopeness. It's not the usual Andre musings of life the he's given since the new millennium, but it's very witty, humorous, and even a standard of perfection if you're gonna compare it to any of the crap verses that follow. I don't know why the St. Lunatics took two minutes out of their eternal irrelevancy, but they did. And then Game decided to wrap the whole deal up by spitting the most recyclable throwaway car verse of all time. There's literally no redeeming moment in the song after the genius intro involving a certain Lil' Jon and Dre's ensuing demolishment of this song's purpose. So that results in me having spun back this first verse prolly a hundred times while the song itself maybe has like 3 plays on my iTunes. That V8 line is one of the greatest ever, I ish you not.

... but do take my word for it.

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Saturday, January 16, 2010

Random Basketball Notes, 27th Edition


So I think I've proven that my long column privileges need to be revoked. My Iverson hopes were quickly dashed and now my musings on Gilbert Arenas have been shot to Hades. Crap.

And while Allen quickly found a new home at his old home in Philly, Gilbert will probably have an even tougher road to a potential new destination. AI didn't play a "prank" on a teammate that invoked the most stereotypical assumptions of NBA athletes as well as leading to a felony charge upon further investigations. Gil shoulda known that people like you a lot more if you just inexplicably complain about everything rather than own and display hundreds of firearms. Funny how that works.

But who really cares about them, huh?

My real NBA story of the season so far, besides inglorious amounts of injuries to every single team, is the ... *drum roll* ... Lakers. These Lakers are legitimately playing the worst basketball I've seen out of them since Kwame Brown was on the roster. Since the Cleveland Christmas blowout, we've managed to get rocked by the Suns, Clippers, Blazers, and Spurs all on the road. And while some people quickly excuse road losses against any decent opponent, I say, "screw that". Trust me, I just said it. Playoff series are won by the team who can break the other's home stand. Unless you trust your guys for every Game 7. Which I don't. And then we've let the Kings (twice), Warriors, Rockets, and Mavs all hang with us before squeaking out wins with Kobe ball-dominating and often shooting a terrible percentage.

And yet even with this subpar run piled on with Pau missing 17 of 40 games, Kobe playing with a gimp shooting hand and handicapped back, our bench sucking 90% of the time, questions of Andrew being able to play effectively with Gasol, and a still mysterious Artest Christmas concussion incident ... the Lakers have the best record in all of basketball. Suck it, suck it, suck it. 31-9. Currently a game and a half in front of the Shaq-lugging Cavs. It's unbelievable. While everyone clearly isn't healthy, we now have the complete roster at our disposal for the moment with Luke Walton now in the picture. So we'll see the full starting five with its full bench mob in the coming days. Watch out, league. These sucky Lakers are the best team out of all of you.

Speaking of the Kentucky Wildcats ... (?) ... they're undefeated. 18-0. We've been tested by all our opponents this month (Louisville, Georgia, Florida, and Auburn) and had highly shaky seconds halves, but we wound up beating all of them. Our RPI seems to be decimated by the day since our opponents from our (supposed-to-be) signature wins (NC, UCONN, and UL) have all had relative floods of losses come their way. Let it be known, though, that I appreciate each and every win, because runs like these are never guaranteed to come back around. But still ... we definitely got some work to do. John Wall has tapered off noticeably in the recent games. You wouldn't ever have suspected that if you look to ESPN headlines and highlights for your information. He's easily become the face of college basketball (as well as SI and Sporting News) and a breakaway candidate for Player of the Year at this point midseason. But fans who watch him day in and day out would be more inclined to look up that he's only shot 44% from the field in the last 6 games since our Drexel beatdown for the program's signature 2000th win. And while that's still a perfectly legit and applaudable percentage for a guard or literally any freshman, it doesn't even touch the 53% that he had been shooting in the first 11 games he had played. You can chalk that up to improved competition or increased defensive attention or anything else you want, but true UK fans will notice there's just been a slight drop-off in #11's game impact. He's still easily the greatest thing to come to Lexington in a decade and the most talented baller out there, but this is just an observation. Which I believe is highly correctable, by the way.

The flip-side to that is the recent emergence of DeMarcus Cousins as potentially the best big man in the collegiate ranks. Though he's prone to a record amount of first half foul trouble, he's actually become our go-to player, as hard as that is to believe. He proved it immensely in the last four close games that when the ball is dumped down to him late in the game, he will deliver. And that's something that I never thought I would see after the Stanford overtime game where he nearly blew the W singlehandedly in regulation. On a per 40 minute scale, Cousins is averaging 31 points, 18.5 rebounds, and 3.5 blocks. That is monstrous, ladies and gentleman. And that's not even mentioning his magical free throw turnaround since the Cancun Challenge where he's shot 75% from the stripe in 12 games after hitting at a clip of 50% in the first 6 games. He's proven that even when the opposition's entire game plan is to get him pissed off, in foul trouble, and try to make him hit someone, he can still remain cool and be amazingly productive, regardless. He's a beast who's improved exponentially from where he was physically and mentally earlier in the season. And I believe he's the one who is going to define our continued national legitimacy with his unstoppable work in the post. Wall will continue to garner all the attention and be the next big thing, as he deservedly has earned and very well will be, but look out for Boogie. I'm telling you.

Now let's just hope my idiotic predilections are only ruthlessly disgraced when it comes to professional sports. Because I can't afford to be wrong about my University. Plus there's the fact that Wall & Cuz are right down the hall at this very moment ...

... but do take my word for it.

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Tuesday, January 12, 2010

Cross My Heart


Here's a follow-up to the original "Exhibit C" post. Turns out Just Blaze wasn't the first one to mess with this sample. Exile and J. Cole beat him to it. In terms of when the songs were released, at least. And if you're familiar with these guys' production styles, you'll find what you expected in that Exile's rendition is crazy busy and over-layered to where you can envision how heavy he was destroying those MPC pads and Jermaine's is the most smoothed out to were he just flows mellow and sings out the hook. Find out which beat chopper you prefer.

Billy Stewart - Cross My Heart

Exile - It's Coming Down
J. Cole - Get Away
Jay Electronica - Exhibit C

... but do take my word for it.

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Thursday, January 7, 2010

Best Songs of '09


There's no reason you should hold my personal year-end opinion over anyone else's since it's strictly subjective when trimming literally thousands upon thousands of songs from 2009 into a single 10 joint list. So you can either ignore me altogether and scoff at my attempt, or you can enjoy my personal guide to what my ears consistently were bumping in the 365 days that made up last year. Oh, and by the way, Coldplay sucks. I don't care how many awards they win or how many songs they do with my favorite rappers.

11. Bonus: "Hurricane" - 30 Seconds to Mars feat. Kanye West

This was the surprise track of the year for me. I, like most rap fans, can admit to never having heard a song by 30 Seconds to Mars before. And the song motivation itself could easily be chalked up to a midlife crisis collaboration by Kanye in-between his 808s and Taylor Swift heartbreak. But it’s actually an amazingly epic composition. I can deal with the slightly whiny hook by the lead singer because the lyrics are so heavy and the production is so prolifically explosive. I can only assume that Ye at least did the drums, but regardless, this “Hurricane” is fit to play in the climactic scene of the next crazy huge billion-dollar-budget action movie. Mark it.


10. "I Figured It Out!" - brandUn DeShay

This song is everything you don’t hear in any rap songs. Nowadays or ever. It’s a track stripped of all posturing. It’s raw and emotional and just tells a story. It intros with gorgeous strings immediately as the story unfolds and the production continues to crescendo until the climactic and glorious presentation of the sampled hook. It’s put together brilliantly and is a standout track for me from brandUn’s second full-length project. You should already know that all his music is dope, but this one finds its niche in a section of hip hop that doesn’t exist: genuineness.


9. "In Case I Actually Get Her" - Charles Hamilton

Your immediate greeting in this song is the gentle acoustics of Rihanna's "PS (I'm Still Not Over You)". CH then jumps straight into the closing of his conceptual opus, Well isn't This Awkward. If you don't enjoy all the things that make Charles Charles, then you may not enjoy this too much. But the "lo fi" mastering with rough sample dubbing, the dead pan delivery of lyrics driven by heartache, and the over-harmonized hook singing are exactly what make this the epitome of Hamilton music. His lyrics are always witty and he shows a masterful focus in bringing an alternative close to this full project over a song from his love obsession. You'll know right away if the track's going to strike you in a strong way. It captures a completely different emotion throughout as he deepens the pitch of the selective portion of the original RiRi joint and makes it a classic CH composition.


8. "Nothing On You" - Bobby Ray feat. Bruno Mars

B.o.B is one of those artists that I (and many others) really hope is smiled upon by the industry. It very rarely happens to someone who actually deserves it, but here's hoping that Bobby breaks the mold. The ATLien who can rap, legitimately sing, and actually play guitar comes correct on this lead single from his future debut album. He infuses his full-scale musicality and understanding of catchy, substantive songwriting effortlessly. I don't think anybody knows who Bruno Mars is, but he can sing any chorus he wants to from here on out. This lively ode to (*gasp*) monogamy is a genuine hit created in a similar vein to "I'll Be in the Sky" (an entrant in '08s top song list). If this song is any indication, Bobby Ray's proper debut should be huge and make its mark in progressive rap music forever.


7. "Otherside" - Macklemore

I strictly have 2dopeboyz to thank for this one. Otherwise I probably never would have been introduced to the Seattle emcee Macklemore. Once the Red Hot Chili Peppers riff sample comes on with this song, I'm swept away. This was one of the very few rap songs in recent memory that absolutely demanded me to spin it back over and over again immediately. It has an insane energy of importance to it that's punctuated with Macklemore's clear diction of an untackled subject matter in rap. And while you would think that any song discussing the ramifications of the cough syrup-abusing epidemic would come off boring and preachy ... it's anything but that, damn it. With his very opening bar, Macklemore joined Shad in becoming the only rappers to convince me of their respective greatness immediately. I've never heard a rapper rap like him, and with that, this song instantly catapulted itself to a premier representative of the entire year in music altogether.


6. "Heart of a Lion (KiD CuDi Theme Music)" - KiD CuDi

Even more than "Soundtrack 2 My Life", this song was the soundtrack to my life. CuDi's three-year-old single "Day N Nite" ruled all of 2008 and he made sure to ride that momentum into something spectacular this year. I have to prevent myself from just dishing on the entire album so I can save that for the top LP list. This song specifically is the second track in Act II: Rise of the Night Terrors and represents CuDi mentally preparing himself for everything that's about to come in his life. It's all about deading the effects of what's haunted you all your life previously to accept the potential good out of a situation that may not seem to be positive at all. If you can somehow create confidence from a place in your life that gives rise to pretty much every feeling besides confidence, then you can go somewhere. And I really don't care if you feel like the song's that deep. Cuz it is to me. Plus, if you're not in the mood for psychoanalyzing, then just scream the hook as loud as you can to your heart's content and forget about everything else. No, no, no, no, no, no, nooo, YEAH, nooo, YEAH ...


5. "Exhibit A" - Jay Electronica

Everyone was hanging off "Exhibit C" (including me), but it just so happens that its prequel hit a little closer to home for me. The production on this joint is bonkers. It's a perfectly crafted beat if there ever was one. And I've never been a big Just Blaze believer, either, so I don't exactly know where this came from. Mr. ElecHanukkah made sure he took full advantage of it, too. The elusive emcee remains as the intellectual name-dropping alternative to Game and has the enlightened bars to back it up. Every run of falling keys is a powerful moment and this is one of those obscure tracks that people will point to years down the road and still hold in insanely high regard. Trust me. I spit that wonder rhymer sh/me and my conglomerates/shall remain anonymous/caught up in the finest sh/get that type of media coverage Obama get/spit that Kurt Vonnegut/that blow your brain, Kurt Cobain, that Nirvana sh ...


4. "Fear" - Drake

"Best I Ever Had" didn't convince me. "Every Girl" sure as hell didn't convince me. And I still haven't gotten through a full listening of "Money to Blow" without falling asleep. But "Fear" was the track to finally break through to me. Up until this So Far Gone addition was released, I would have sworn that Weezy had drained all the realness out of Drake that he'd worked crazy hard to establish with Room For Improvement and Comeback Season. But no, it just turned out that Aubrey was waiting for one of those once-in-a-lifetime DJ Khalil beats to come bouncing his way to force him to rap about something again. In what's pretty much his own anti-"Forever", subject matter-wise, Drake details what his newfound fame hasn't done for him. And the song just feels good to listen to. Even with the obligatory autotuned hook. I'll take all of it. He claimed this is the transition record between his latest mixtape offering and the content that's gonna make up his debut album. And that statement better hold up, cuz this song is on classic status. [... *looks at Drake* ...] And don't let me down, man, cuz my roommate has hung out with you twice already and he's got me believing in you as a person. So ... yeah.


3. "Unthinkable (I'm Ready)" - Alicia Keys feat. Drake

I should've been convinced earlier by "Houstatlantavegas", "Little Bit", and "Brand New" that Drizzy was straight when dealing with R&B songwriting. But no, it took a collaboration with the love of my life for me to see how legit he was in crafting a classic. He smartly only provides just the slightest hint of background vocals for this song, though, and let's Alicia take care of everything else. The beat was dually produced by Miss Keys and Drake's in-house producer 40, and I will swear by the tandem in all future ventures. The deep drum pulses and vibrancy of the piano baselines sprinkled with 40's signature atmospheric mastering make this a surefire hit. The only thing that would keep me from crowning it a Billboard charter is the fact that Alicia had a similarly powerful track, "Lesson Learned", on her previous album that was never released as a single at all. Regardless, though, Drake's edgy songwriting pushes Alicia in a slightly deviated musical direction from normal that only brings back perfect results. I think this new album is the best in her catalogue, and this specific song is the beacon that I find myself winding up at the most. Every line has an urgency to it and the emotive effects linger long after the song's finished playing.


2. "Fo Yo Sorrows" - Big Boi feat. George Clinton, Shorty, & Too $hort

How? Can a rapper really have a premier song of all of 2008, follow it up with a premier song of all of 2009, and still have those songs' album nowhere in sight? Yes. Frickin' Sir Lucious Left Foot is still a figment of our imagination. But somehow I can't seem to get too mad at that fact when this song is better than most entire albums dropped in '09. This is funk at its finest as obviously influenced by Mr. P-Funk himself, reprising his "Synthesizer" collaborative role. Too $hort even manages not to ruin it with his expectedly welcomed novel misogyny and drug talk. The fluent double-time as well as slow-flowing Big Boi personas are in full effect here commanding his shared stage, but the driving force behind this unbelievable composition is the retardedly perfect Shorty hook. For those who think life is unfair/cuz I blow my smoke in the air/as if no one is standing there/then I'll roll one tonight, fo yo sorrows/in my chair, as I sit back smiling from ear to ear/with a fistful of your girlfriend's hair/yes, she'll blow one tonight, fo yo sorrows. Don't judge it until you're singing every word of it in some imitative voice that you'll never have down right. And since Andre is nowhere to be seen, this is Big's murder blow to anyone who ever held the notion that OutKast wasn't a two-genius crew. This song gives me the stank face every single time. It's beyond ridiculous.


1. "Pretty Wings" - Maxwell

My song of the year comes as the return-to-form track from an artist fresh off an eight-year hiatus. The only funny thing is that I never knew who he was in the first place. Upon first listen, I knew that "Pretty Wings" was something really special. Upon fiftieth listen, it still had the same perfect luster with each note and was well on its way to being the most played song in my entire iTunes collection. It stumbled into my life in the exact same fashion as Alicia Keys' "No One" had years prior. The music video managed to be leaked to my attention before the mp3 ever even did. All I saw was the beautiful woman in the still image and that was enough for me to check it out. That video and its gorgeous accompaniment were profoundly impacting and I'm still in love with every facet of instrumentation in its composition. Literally every song on the new album is a classic to me, but even in all their collective glory, "Pretty Wings" alone will forever define 2009 with every chime. Sometimes what's meant to be is for it not to be. But this song will still be there regardless, so life's all good.

... but do take my word for it.

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Wednesday, January 6, 2010

Til Erybody Know My Name


The third Christmas mixtape is from DC newcomer Chris Barz. And like fellow DMV representer Wale, Chris has the backing of the amazing Best Kept Secret production team. And neither Chris nor BKS disappoint.

The final track on this project is "When the Stars Come Out", which is a song that I hailed as an instant classic on my very first listen. And the subsequent spins haven't changed that one bit. I even got to catch up with his impressive EP entitled Do You Know Him?. All that was left after that was to wait for his proper release with some assistance from singer Jesse Boykins III (a frequent Mickey Factz collaborator) and Tabi Bonney (he of "Put It in the Pocket" fame).

Chris Barz -
Class[Sickz] Out the Dark

With a free-associating rhyming style and gravelly voice, Chris Barz will inevitably draw comparisons to Lil' Wayne upon first listen. That's neither to his betterment nor detriment, though. He easily distinguishes himself through his vast diversity in attacking the lush instrumentation of his BKS beats. Whether it's the ATCQ-influenced "House Party", the self-doubting and guidance-seeking poetic interlude of "Letter to God", the story-rapping about an inter-career relationship spanning between "Dreamers" and "Dreamers Part II", or the uplifting head-knodder of "Fall (Keep Movin')", Chris keeps you on your feet from track-to-track. He has the natural blend of lighter braggadocio lines mixed amongst the topical tracks that go deeper and can delve linguistically more complex into organic poetry-type rapping. You can't judge this project from any single song itself as it prospectively broadens with each new track. Here's hoping for his continued success with this and all future projects as he keeps spitting dopeness. And maybe even if he possibly jumps on the "Hold On (Remix)". Ha.

And on a final note, I cannot stress to you how greatly this album is produced. Chris made a perfect choice is going over mostly all Best Kept Secret joints. Between this project and helming Wale's The Mixtape About Nothing, I don't know how they haven't taken over more of the rap game. Certain producers can create an epicness about them, and BKS definitely does this.

Tracklist:
1. Hustle Music
2. Mr. Barz, Mr. Barz
3. Wherever We Go (feat. Jesse Boykins III)
4. What's the Definition of a Class[Sickz]?
5. School Ain't Workin' (No Money)
6. Dreamers (feat. Jesse Boykins III)
7. Dreamers Part II - Somethin' Stupid
8. Interlude - Letter to God
9. You Cool
10. House Party
11. OK Baby
12. Til Erybody Know
13. On the Radio (She Crazy feat. Tabi Bonney)
14. Fall (Keep Movin')
15. When the Stars Come Out

... but do take my word for it.

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